Garrott vs Soundsmith


I've been thinking about a new cart.Soundsmith Carmen 2Garrott Brothers p77i or Optim FGS
Let the opinions fly
ttocs1269
Soundsmith. Totally. Give Peter a call. After he gets done not selling you on it, buy it from him anyway.

That's a joke, if you know how self-effacing and underselling Peter can be.
Here is my original Garrott P77 on Reed 3p tonearm, it was amazing combination. 

The P77i is improved version of the very popular Garrott Brothers cartridge, buy it, you can't go wrong with the Garrott! 

The price is great and not high when you will convert it from AU$ to US$
https://garrottbrothers.com/

If you want to know the full story of Garrott brothers you have to read this post below from their close friend and business partner @elroyvomlacheren . Sad story!

THIS IS WHAT HE POSTED ON AUDIOGON 10 YEARS AGO: 

elroyvomlacheren (posted on Sat, 12/18/2010)

"The missing link

I stumbled over some posts about the late Garrott bros, and though I usually never blog nor use any forums, I thought it adequate to clear some of the thoughts, feelings and obscure history of the Garrott Bros.

 Some posts were right and brought warm and hurting memories and some were dead wrong. The ones who remember the Garrott family well remember them as living in an enclosed space, very isolated from the world around them. They concentrated on their work and left the world pass by. In the quietness and peacefulness of their living they mastered cartridge repairing, re-tipping and building never achieved by anyone in the past nor up today. I had first contact with the Garrott brothers at the age of fifteen, which was over 30 years back from now. Half a child but most enthusiastic about HiFi I dig out their address to make first contact. At that time, there was no net - we had telex, letter post ans later fax machines. I still remember the day to have Johns voice on my phone answering machine. I was too scared to called back - I was still at school learning English as my fourth foreign language and it took me two days to find the courage calling him. Finally made it and he was surprised that I wanted to meet them in Oz. It was very exceptional back the to fly to Oz and back to Europe - Oz was a one way destination and at that age it really must have been exceptional. We immediately became friends. In fact, as they did not have children they kind of adopted me to their family, and as it was the way they lived, all in secrecy.

Over the years the did teach me all of their secrets and they remain in my hands still. After my first degree I entered university and studied design, architecture and engineering and I added my knowledge to the projects we had. I was working in secrecy in OZ over the Euro winter I brought my findings to Oz. While we had the re-tipping service for all cartridges around the world (except for Linn, which John thought was a non honest company and refused to work on any Linn cartridge) there was the P66 and P77 cartridge. HiFi circles all seem to need a topic to dial in, they did on the diamond. In fact, the diamond is an essential part of the whole component, but only one. The same importance goes to the alignment, the mounting , the rake, the length of the cantilever, the material, the magnetic construction, the damping, the coil assembly, the field arrangement, the inductance and much more. As usual, the hifi community reduced it to the A&E with Garrott stylus, which was fine for us and still makes me smile by today. It did't change much when I added the leaflet where the cartridges were named "dynamic coil". It should at least make people think that the dynamic change from the A&E to a P66/77 did NOT come from the diamond. I did have a good free lance job for Lamborghini Spa. then and it was partly about suspension and damping, which makes the difference for a car going fast or slow, but customers thinking about the horsepower. Same with cartridges. The secret really lay in the dynamic balance of the moving parts.

As the P66 and P77 were for Brian and John Garrott, we made a set of 3 cartridges, the K1/K2/K3 to represent or 3 party, as I became a full Garrott family member and the K series came from my idea to make a lower cost series to give more people the chance to enjoy vinyl. By that time CD was in the wake and I thought it best to fight it in the beginning. The K series were fixture mounted diamonds, which were less expensive to make, but still had the exceptional polish all our diamonds had - exceptional. to say the least. The were round/elliptical/parabolic.shape. They were fully balanced, as were the P66 (elliptical) P77(parabolic MScanner). They were differently balanced, as the tip mass was different from the K to the P series. I then initiated the making of a series of MC cartridges. 3 for us all - the black P87 elliptical, the red P88 parabolic and the golden P89 MScanner. We made the housings, printings anodisation here in Switzerland and used parts from our watchmaking industry. I did read that somewhere that they were afraid of the CD and dwindling sales. This is dead wrong. The company was fully backed by my finances of 2Mio$US at Westpack bank. I wanted to give them their love back so I gave them the possibility to live the way they were used to and made their work excellent. They never had any financial problems, and all they ever produced was bought by myself or backed by myself until they got payed by their customers. We made batches of the P87/88/89 in the size of 400/400/200 pcs. over the years. I was running a repair station for Pro Hifi for Radio and TV servicing EMT's and Ortofon. While the MC-type P series were made for the then used mid mass arms which needed mid compliance cartridges, I had to service the tractors style types over here. I made re-tippings with Garrott round and elliptical styli for SPU's and the made a pro cartridge available in Switzerland only called the True Blue. 30pcs. batch, low compliance cross coil Garrott suspension style, aluminum cantilever with a Weintz parabolic. This was a wonderful cartridge, but for heavy mass arms only. So we had two chains - I was on the pro heavy mass work and the Garrotts were on the HiFi medium mass. It was the time of the so called sharp needles - the then S-nadel was made by Gyger over here and marketed by VdH. He later renamed it VdH, but actually is a Gyger S. Friend of the Garrotts remember they did not drink alcohol. They still had fun getting a booze. After watching Roos around Cox's river road, we mounted a Gyger on a P89 and really got the booze - phasey and not natural. I should mention the importance of balanced weights. We have had around 100 types of diamonds, some with same shape but different weight, which is very important. We had multiple types of cantilever, aluminum, boron rods and tubes, with and without drill, Beryllium straights, conicals, flat tops, flat tops with slits, ruby and so on. The magic always laid in the balance, not in the individual part. It is a very common misunderstanding that the stiffer the cantilever the better the sound because of lower transmission loss. Most cantilevers do not allow a mechanical rigid mounting of the diamond mechanically except for the glue. In this case aluminum is the best fixture possible with the lowest loss. Then the cantilever does NOT end at the coil armature. In fact, it ends within the backside pole piece, and the suspension wire is part of the cantilever, so the ultra rigid boron rod cantilever transfer the energy to the supple suspension wire which resonates much more than it would with an aluminum one. I will not discuss on cartridge building but would like to focus the reader on the real work we did at Garrott bros. If you would have sent the lets say a working Kiseki, you would have received a much better balanced Kiseki back without changing the stylus nor the cantilever. We did have the very best years all the way until John got ill. It was a hard time as it was not sure if his sickness could be treated or not. As they were living as a party of 4 their very long live, isolated in the blue mountains, in the bushes behind Merimbula it was hard to imagine for Brian to go on without his brother. He took his time of from their house way behind Bega and headed for Merimbula again and think about the future. It was difficult to get in cintact with all of them. John was at his house with Normita Garrott and Brian away with Teresita and looking back they tried out how life would be parted in two. Tears run over my face when remembering those difficult times, which I thought would be more easy to remember after 20 years have passed now, but it is still too hurting. I got my last call from Brian after his turning back 3 weeks before they committed suicide, which they did in secrecy, as the distributor chain, which seems to be y could not imagine to ever part from each other. I excuse for not being able to think nor write about it. I was informed about the tragedy by the local police and then had to arrange according to their wills. I was not able to lay my hands on any cartridge for years as the memories were to hard. I only kept the parts I was involved with anyway, and the rest was auctioned.

The company was bought by Philippe Luder of Melbourne who was well known to John and Brian and they felt that their name would be in good hands and stayed in OZ. I incognito visited the company to see if they follow the will and ideal of the Garrott bros and I was very pleased that they really do their best to live up to the Garrott bros name. Though the current P88 is different to the late P88, it still uses the same body and some identical design features, and it is fair to make the best out of the currently available parts, which I very much believe they do. I warmly would recommend a try. I am not in any way anymore related to Garrott bros, but remember my family each and every minute of my life. Thank you " 
Never heard a Garrott. If I were going to spend $1K , the $50  looks would be the buzz kill for me. Trivial but that much dough it better look good.
What is it...a tweaked MM design?

If you go S.S., just make sure you're getting the latest iteration-DEMS 
Advantage of the SS is they're domestic. If you crash it-reasonable cost to repair it and even upgrade the stylus if you desire.

Try and up your game to the Zephyr. Also, if your phonostage  has 55-60 db of gain, consider the Audio Technica ART 9($1K)

Plenty of positive reviews on the ART9.
ttocs1269  It's Australian brand with long history, Garrott brothers are legendary re-tippers for Decca and Koetsu owners. Their own cartridges are MM (Dynamic Coil) with very nice warm sound, advanced stylus profile (user replaceable). 

Garrott P77i is just $450 in American money. 

The P77i is more than enough to realize what is Garrott Brothers dynamic coil sound. 

P.S. You're expecting everyone on here knows what is Garrott, but as you can see people never heard about it. Some people can only recommend what's in the shops in America.  

 
@chakster 
Thanks for the Garrott post. Good read. I have 2 Garrott Bros Deccas. Superb.

Dear chakster, I first thought that this story was written by Reto 
Andreoli, the third  (youngest) brother. At the age of 15 and
speaking only German he went to Australia with the intention to learn
the art from the masters. He was accepted and learned the trade
very fast. He was as passionate cartridges lover as you are .
After their tragic dead he returned to Switzerland and started his
own ''one man' company. He become known with his exclusive
cartridges among which the Magic Dimond. But he also produce
amps, pre-amps , etc. all done by himself . He also wrote some
articles in HIFI Magazine explaining his approach to analog 
reproduction. I am not aware if he published anything in English
but if you read German I will post his writing to you.
''Our own'' Dover can probably explain more technical stuff about
Andreoli as well his ''theoretical'' opinions. He owns , if I remember
well , his pre-amp. 
I'm a fan of the Garrott P77i as well. I bought one a couple of years ago, and it is excellent. My first Garrott cartridge was in in 1981, when the Brothers modified my Decca Gold. I still have that with the original paperwork.
Dear chakster, I first thought that this story was written by Reto
Andreoli, the third (youngest) brother. At the age of 15 and
speaking only German he went to Australia with the intention to learn
the art from the masters. He was accepted and learned the trade
very fast. He was as passionate cartridges lover as you are .
After their tragic dead he returned to Switzerland and started his
own ’’one man’ company. He become known with his exclusive
cartridges among which the Magic Dimond.

@nandric

Oh, thanks for letting me know, as always it is hard to find even a website of his company in the digital world :) He’s living in analog worlds without a website or even a page in social media (as i can read in the press) and making cartridges (no OEM parts anymore, wow). I’ve heard about Magic Diamond cartridges from you here on audiogon.

As i can see his full name is Reto Luigi Andreoli and he’s the guy behind MicroMagic/Bluelectric (Switzerland).

Luckily i can read Russian , here is an interview with Mr. Andreoli .
Not surprised to read why he prefer MM over MC when he’s talking about Shake Streamliner cartridge.


Very interesting read, here is more in russian about him and his cartridges, more technical details about cartridge design preferences, about the weakness of OEM parts etc. Some information he shared only with his official Russian distributor by private emails.
We have very strong audiophile scene here, thanks to those guys for publishing.

I hope those of you who can’t read Russian could use google translate for both articles.
I enjoyed reading those articles, bravo Mr. Andreoli !







Dear chakster, Reto may be ''modest'' according to his Russian
importer but his prices are certainly not. His cheapest MC was
Virus than Magic Diamond and Silver Spirit. Magic Dimond was
+/-$6000 and Silver Spirit  about $ 12 K. I see for the first time
in your Russian ''literature'' that he produced an MM cart. Nearly
$10000  for this 'Shake Streamer'' . ''Shocking Shake''  so to speak.
There are successors for Virus, Magic and Spirit for about twice 
their previous prices. But we are used to this ''phenomenon''. 
I am curious what our Dover can tell us. He is better equip  than
us for technical issues.
I see for the first time
in your Russian ''literature'' that he produced an MM cart. Nearly
$10000 for this 'Shake Streamer'' . ''Shocking Shake'' so to speak.


This is probably because of the Garrott Brothers background. 

I highly recommend to the OP to buy Garrott P77i for $450  
I thought that Excel from Japan makes motor for current Garrot brothers cartridge. Maybe my memories are wrong as I have very minor background in MM.
I mean that Excel even sells something like this branded as Vessel
https://www.lpgear.com/category/THEVESSELC.html?CatListingOffset=0&Offset=0&Per_Page=12&Sort_By=disp_order

Chakster, I liked the stories behind MicroMagic/Bluelectric (I still can read Russian) - but at the very end it’s bionic Denon DL103 with super advanced diamond which is far more better than VDH or Replicant 100.
Post removed 
@bukanova that’s cool, glad you can read Russian, i can’t read Lithuanian :)

Mr. Andreoli story is very interesting, but he’s not Garrott even if he learned from them. His cartridges are not affordable for "normal people". But i really like his attitude, there are a lot of crazy stories in that two articles about him (in a good way).

Regarding Garrott P77 inspiration you have to look for British A&R P77 series (P, C, E). This is not exactly Garrott and it was explained before. Garrott D77 Dynamic Coil MM is heavy modified version by Brothers in Australia. 

Now when you mentioned Excel Sound i found this article and for the first time i see that A&R (Arcam, UK) is Japanese made cartridge.

Still no evidence it was made by Excel Sound, i wish to know.
Thanks




You may like Mr. Andreoli's opinion about Spherical stylus @bukanova :) 

I found it on audiogon archive:


  Below is a letter to Positive Feedback Online regarding Mr. Andreoli and his work.

 I read your comments about the magic diamond cartridge and couldn't agree more... and I had to smile because many people talk about these MCs (many w/o having heard them, but that's the web...) and nobody seems to know more about them... so I figured you might be interested in a little background.

The guy behind these Swiss made cartridges is Reto Luigi Andreoli, a good friend of mine. He studied architecture at the ETH in Zurich (also Albert Einstein's alma mater), but audio has always been his home turf. don't be fooled to think he's a cartridge manufacturer just because his MCs get such rave reviews—he's more of a contemporary Leonardo da Vinci, a true genius if I know one. He was a concert pianist, still occasionally builds houses, plays a wicked guitar and when he wanted to know more about cartridges, he went to the Garrott brothers in Australia to learn the trade from them. He worked with them for (iirc) three years. (before committing suicide, they offered him their company, but he declined.)

He also built my turntable, an EMT 930 with two tonearms. I think you know Lynn Olson; here's what Lynn wrote about my system when he was in Zurich. Needless to say that I also use reto Luigi Andreoli's cartridges; my favourite is his top model, the "tondose" which uses the housing of an ortofon SPU (it's the grey headshell on the rear arm in Lynn's article). in 1992 I bought a battery powered line stage from him that to this day is my preferred line amp and I keep returning to the pair of custom push-pull amps he built for me in 1994.... all in all, your description of the magic diamond cartridge (see PFO Issue 23, January/February 2006) pretty much sums up his "trademark sound," if there is such a thing: it has drive, punch, a very solid bottom end, a smooth and yet detailed midrange, a natural top end with no glare; lots of details and air, and at the same time very homogeneous. I'm sorry, but the best way to describe Andreoli's sound is: if I were an LP, that's exactly how I would want to sound. .... ;-)

Did you know that all magic diamond cartridges have spherical styli? I find this especially noteworthy because according to conventional wisdom it should be impossible to have such an extended, smooth top end with a spherical stylus. but what do I tell you—you know how good this cartridge sounds... however, Andreoli is convinced that spherical is the only way to track an LP correctly. And the proof is in the pudding... his explanations are absolutely logical and convincing; it's not black science but simple, straight thinking of what a stylus tip does in the groove. Compared to a spherical stylus, all other styli produce more distortion. This is not only logical, but is backed up by the scientific studies the BBC conducted in the 60s. They also thought that an elliptical stylus should have less distortion than a spherical stylus and were very astonished when their studies showed the opposite.

In the 90s, I published a hifi magazine not unlike PFO (just nowhere near as big and thorough). For this magazine (HiFi Scene Schweiz), Andreoli wrote a two-part article on LP reproduction that has been dubbed "seminal" by people who don't use such a term lightly. The article is in German, but there are many scribbles that illustrate w/o words why cartridges should have a spherical stylus. 

Andreoli is a very low-key person. The owner of the Swiss hi-fi shop "Dietiker-Humbel" is Andreoli's cousin and that's probably the reason why is to my knowledge the only shop that sells Andreoli's entire product line. He builds most of his stuff in very little series—and down to the last screw, he builds all by himself. the build quality of his stuff is absolutely incredible, fit & finish are quite simply sensational for one-off products. This kind of quality cannot be cheap, but here in Switzerland, his stuff is not nearly as expensive as in the US or in Asia. And this for a very simple reason: he sells most of his stuff directly or thru one dealer. The price range for his cartridges is between CHF 3000 and 5000 (US$ 2500 - 4200; your magic diamond would be the $2500 cartridge. Just goes to show how distributors add to the cost of living or listening...)

I wrote a portrait of Andreoli in an earlier issue of HiFi Scene Schweiz. It's also in German, but at least with a picture of him. If you're interested, I'll scan the article and mail it to you as PDF file.

That's it for the moment. Pardon my English—it's not my native language... I hope I hadn't bored you to death with my laudation.

Have fun with your magic diamond!

Best regards,
Christian Rintelen
Switzerland

Thanks for all the Links Chak........
Wonderful information (thanks to Google Translate)....almost too much to absorb in one reading 🤔
I particularly like his closing paragraph.....

A good sound is a purely subjective thing. I never said that my cartridges are the best. I just make them in such a way that they sound the way I like. I do not expect that they will be to everyone's taste - this is impossible. Therefore, I look at the world peacefully.



What an surprise? One architect likes the other. However I am not
able to ''place'' his history. If he was only 3 years by the ''brothers''
then he was about 18 when returned to Switzerland. The ''right
age'' for the university. But then instead of electronics he chose
architecture. In Holland this is not considered as an ''academic
study'' so no  ''degree''. So referring to Einstein in this context is,
say, ''little bit'' exaggerated. Then all his argument are based on 
electronic or acoustic theoretical assumptions which we, the 
simply humans can't understand. That is why I asked Dover for
his opinion.
But he is obviously changed in (Dutch) New Zeeland and probably
expect from me ''begging'' instead of asking. Owing ''holy water''
does not, I hope , mean becoming ''holy'' yourself?  
Dear chakster, Nice to see this ''unknown'' info about Andreoli
but by quoting reviewers one should also mention the time
when those are written. Not only because of inflation. Otherwise 
many may try to get ,say, Magic Diamond for $2500. According 
to me in 2019 the Swiss price was 7000 CHF. Even more important 
is the possible case that if I try to sell my sample your info will 
ruin my expectation.  
And let's spread the lights on Reto Luigi Andreoli premium MOVING MAGNET cartridges under his brand  BLUELECTRIC. 

As i can see in this post from 2015 they were new at that time. 
This is when Bluelectric made MM pickup for the first time!

Here is a nice image of this MM cartridge called SHAKE Streamliner. 
As you can read below Streamliner MM models has unique SYNTHOBIONIC CANTILEVER! Pretended to be unbreakable. What??? Let's have another look.  

The MM pickup comes in two versions:

1) Bluelectric Shake Smooth Operator is the least expensive MM and also the least expensive Bluelectric pickup among the new and redesigned pickups.Shake in both versions has an output of 4.1mV, compliance of 16 and weight of 9 grams. Smooth Operator uses an alloy in cantilever.

2) Bluelectric Streamliner is the second version of the MM pickup Shake. Shake Streamliner uses the unique Bluelectric synthobionic unbreakable cantilever that is only manufactured by Bluelectric.

The Bluelectric Shake Streamliner will be in stock with a low quantity at the manufacturer, but will be mainly manufactured to order.

** It is interesting to the in specs that basic design is P777 (1980) and this is direct correlation to the Garrott Brothers P77 (look at the numbers). **

Bluelectric is for those who want the absolute best.
Some would say that prices are high, but considering the very long life, Bluelectric is among the very cheapest pickups in use.
The cost per hour is actually very very low.

I got some information online from Norwegian Distributor



How do you say ''ich liebe dich'' in Dutch ?  ''I love you''. ''No idiot
that is English''. ''My Gosh I had no idea that I speak English''. 
This is an Serbian joke but in this case this was my ''sensation''
by reading this Norwegian information. I had no idea that I was
able to understand Norwegian. There are more curious 
misunderstandings reg. Andreoli. Because he feels that selling is
bellow his ,uh, status, this job is done by Blue electric. So this is
not his ''shop'' or company. Elsewhere is mentioned his real 
living- and working place. Anyway  It seems curious that despite
the mystery about the job of Blue Electric  we can't get much 
information about Reto in English or German but well in Russian
and Norwegian.  Thanks to our multilingual chakster we now know
more than before. 
I took the time to read your earlier post on the Garrott history, Chakster.

Wow! That's some backstory. Interesting.


@nandric 

Everything has been covered here. Andreoli is an artisan, who I suspect gets bored with producing the same product over and over - once they have mastered or achieved their goals on a particular design, they then look for a new challenge. This is their nature. As far as I am aware Andreoli's products are produced either in very very small runs or to order, and then are never seen again. I have never seen another phono 
such that I own - it may be a one off, or like me other owners will never sell.

As far as cartridges go, he has praised the Neumann and the Ikeda cantileverless cartridges, opining that they are one of the very few cartridges that can mimic the cutterhead in payback.

And yes his argument for spherical tips is based principally on the fact that all pivots arms have tracking error, and he believes the spherical tip is the least damaging in terms of tracking error distortion.

For what its worth - if you listen to the venerable Denon 103 - although not particularly transparent, it does have a rhythmic coherency to the sound that more "high end" cartridges can be lacking.



So this is not his ’’shop’’ or company.

@nandric The shop owner is his cousin


The owner of the Swiss hi-fi shop "Dietiker-Humbel" is Andreoli’s cousin

Bluelectric - this is correct brand name, i’m not sure who’s the owner, but Magic Diamond, Silver Spirit, Virus cartridges and even Virus Phono Stange are all Bluelectic.

See what i can find about phono stage ...

Bluelectic Virus Phono Stage Specs:

  • Amplifier Unit: Solid state moving coil output to line level input amplifier with RIAA equalisation
  • Equalisation: RIAA equalised record will give flat output +/1db between 20-20kHz
  • Subsonic Filter: yes, below 5Hz
  • Bandwith: 2Hz to 50kHz internally limited
  • Input: impedance / cartridge load: does automatically match to cartridge if source impedance is between 2 to 100 Ohms
  • Gain: depending on source impedance of cartridge, typical 60 to 65db
  • Recommended Cartridges: Impedance from 2 to 80 Ohms, output 0.25 to 0.6mV / 1kHz output

@dover this is the phono stage you have or it’s another model ?


Dear chakster , your curioslty is remarkable. It seems you can
find whatever you are looking for. I get tired after two hours behind
my laptop. 
I thought that Dover owns pre-amp from Reto but he obviously owns
phono-pre. Curious that he named the thing ''Virus'' not because of
Corona kind but because this was/is his cheapest cart. But who
can pretend  to understand an genius? But it may be the case that
this one is his cheapest phono-pre. One that Dover can afford and 
keep  sufficient money for this remarkable wine they produce in 
New Zeeland? 


Post removed 
@nandric 

I'm happy to save your time, enjoy

This an interesting case, indeed
I never ever heard that a cartridge designer can use one single hair from a dog's mustache as an important part for his cartridge, lol