Futterman. Jump in? Or, not so fast...

Today I heard a Futterman OTL powering a pair of Quad ESL57s. The Futterman has been recently serviced and is in nice shape. It sounded wonderful. I understand this is a rare beast.

I've been advised a set of tubes can last 10,000 hours. But these are not common tubes and they need to be closely matched, an their are 12 of them. If I were to buy this amp I'd immediately start worrying about putting together a backup set of spares, which could run into quite a bit of money.

So - Futterman owners - what say ye?  Jump on the chance to own a legend? Or stick with my "set and forget" Quad 909 powering my ESL 2805s...
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The Futterman amplifier proved to be the main impediment to our running a business. This was simply because the circuit (especially under the Rosenberg/NYAL name) did more to convince audiophiles that OTLs blow up more than any other topic (analog vs digital and so on).

For many years convincing the public than an OTL could be reliable seemed a Sisyphean task. But eventually the public forgot.

The reason they had the reputation of reliability issues is oscillation. Futterman, as was hinted above, was better able to keep his amps running due to a simple trade secret (one which he never imparted to Harvey Rosenberg) mentioned above. But even so, one must be careful- the amplifier has a lot of feedback and is at the limit of its phase margins. Those schooled in amplifier design will realize that this combination can lead to oscillation at a very high frequency; hence the RF beads. In a nutshell what this all means is that as frequency goes up, there is (as is the case in all amplifiers) phase shift such that at some point the feedback becomes positive rather than negative. In OTLs this is at a much higher frequency than it is in transformer-coupled amplifiers. The Futterman is usually set up to run at a point just shy of where this is so. So if the amplifier is driven into clipping, is on an adverse load or if a tube arcs, any of these events are known to be things that can set the amp into oscillation.  

Many of the Futtermans used the 6LF6 power tube as this was one of the more robust pentodes you could use for this sort of thing. These days they have gotten a bit harder to find! Alternates nowadays (which may require modification of the circuit in order to use them) are the EL509, EL519, PL509 and PL519 (the latter not being exactly the same as the former). Like the 6LF6 these tubes can support a lot of plate current (usually in excess of 1 amp) if operated at lower voltages (this kind of tube is known as a 'sweep' tube or 'horizontal output' tube as they were used for the horizontal sweep circuitry in televisions- and therefore ran at very high voltages and had to support a fair amount of plate dissipation; its a bit of fortune that they can also be run a the low output voltages typically seen in the output section of OTLs). The 6LF6 was slightly more robust so it one were to rewire their amplifier to use the available alternates the output power is likely to be slightly less. However no-one except Futterman owners are looking for 6LF6s so they are not that expensive on ebay, however one must be careful with such purchases (with a casual look on ebay this morning one of the tubes I saw for sale was obviously gassy) and matching power tubes really helps out the performance of this amplifier! 

One thing you'll find with OTLs is that they rule the roost when it comes to transparency, speed and bandwidth. Its not subtle- its the sort of thing that you hear immediately. Keep in mind that the speaker choice is important- but if you have the the right speaker the combination can be good music quality that few audiophiles experience.
I would contribute to an Engineering school to both house RM’s writings but to also assist in endowment of a chair. tony he was UVA correct?

Roger and I had some great discussions way back when about Futterman circuits. The genius was getting a pentode to operate at low plate voltage with high screen voltage, operated by a bootstrapped driver pentode. The oscillations partly came from paralleling the output tubes to get enough drive current. I’ve built a few over the years with PL519s and 6HB5 compaction tubes and can vouch for their transparency. The frequency compensation on the H3 I serviced was a bit of a compromise so I tweaked it to get better stability and make it more linear in the extreme top end. The gas filled regulator tubes sounded far better than zener diodes and solid state regulation in the screen driver circuit and so I decided the circuit did need to be as complex as the original. They look extremely cool too.
Clio09, build it! If you need a hand to interpret Roger’s take on it let me know!
I have not looked at one in over 10 years.  The one we looked at had PS cap issues and if I remember correctly, they were not easy to find or have built.  But that was a long time ago.
I have a New York Audio Labs Moscode 300 (which I may wrongly think is connected to the originator of the Futterman amps) and it was super nice. For some reason, it stopped working and it's been sitting at my brother's house for about a decade. Maybe it's time to look into reviving it!