When you can hear differences in a good analog Set Up, the 64s is a class of its own. 407 is no match. Listened to it a few times and forgot it, until I read these lines...
FR 64s comparison Ikeda.
I have decided to go back to a FR 64s or change to an Ikeda tonearm.
Although I know the FR well (with SPU and FR 7 & 702) I have not heard the Ikeda. Or any other high mass arm suggestions?
Does anyone have experience of both? If so I will much appreciate hearing from you here or by eMail.
[I use an original Kondo Audionote Io, and a vastly modded SP10. (All power/logic etc boards now off chassis...MUCH quiter, more dynamic, controlled etc etc). 211 DHT, Horns and OB @ 94Db & 96Db]
Although I know the FR well (with SPU and FR 7 & 702) I have not heard the Ikeda. Or any other high mass arm suggestions?
Does anyone have experience of both? If so I will much appreciate hearing from you here or by eMail.
[I use an original Kondo Audionote Io, and a vastly modded SP10. (All power/logic etc boards now off chassis...MUCH quiter, more dynamic, controlled etc etc). 211 DHT, Horns and OB @ 94Db & 96Db]