Raul, You just couldn't resist the dig about distortion-lovers, could you? Some day you may wake up and realize that your consciousness is not the only one in the universe. I hope that happens for you, soon. We are not all figments of your imagination. I expressed my opinion on the DA307 design, not its performance, and my opinion still stands. For what it's worth, I have indeed heard the DA307, in other systems over my lifetime. It's certainly not a "bad" tonearm, and I never said it was. As to the FR64S, I am reporting my listening impressions, NOT my opinion of its design. You say (elsewhere) that you are always learning. How can you learn anything from anyone else, when your mind is so closed to all other opinion? In fact, can you name one other knowledgable audiophile who derides the FR64S/66S as much as you do? Perhaps you can name one other than yourself. I can name 10 who disagree.
Bdunne, Just to be clear, there is absolutely nothing wrong with my DA307. The guy who returned it was just looking for an excuse. I sold it to him at a very low price, and I believe he bought it with the idea of flipping it on Audiogon, in order to make a few bucks. When that failed, he looked for a reason to return it. Since I cannot be bothered with such charlatans, and since the amount of money involved was small, I took it back (and returned his money) in good faith that at least I would get it back intact (with an intact cuing lever). I have since replaced the lever (it's plastic and therefore easy to break) with a device I built myself, made of metal. If you want it, you can have it for a low price, but a price that reflects the fact it's in good shape. My DP80 is and was in mint condition, and so is this DA307.