Fidelity Research cartridges


Any FR cartridge experts out there? Raul? Dertonarm? Syntax?
I have had an FR-7 which I bought a while ago. I tried it ever so briefly when I got it on an arm I now recognize as not being able to handle that weight (close, but no cigar). I just now pulled it out for kicks and after getting it adjusted with the big counterweight, I am VERY pleasantly surprised. Actually, I'm feeling kind of bubbly. It does not dig out the utmost in detail, but it just sounds very right.

Are there any other FR carts out there which are real steals if still in good condition? I know the MC-702 and the FR-1Mk2 and Mk3f by name, with good reps being assigned to the Mk3 and the MC-702. Given that the MC-702 and the FR-7 look quite similar, and they were offered at about the same time, what is different? And is the FR-7 just an integrated headshell version of the FR-1Mk3?
t_bone

Showing 6 responses by dertonarm

Hi Ddriveman, the MCX-5 has nothing to do with the FR-7 series cartridges.
Not in terms of construction/design - nor in terms of sonic virtues.
This is however often claimed to be the case by sellers to get a higher price for their MCX-5 or MC-201/202.
The only other cartridge of the FR-line up worth getting and mentioning is the FR-1 MK3 F.
Dear T_bone, no worries about the low source impedance of the FR-7 family carts. Some Kondo, Ortofon MC-5000 and many other low output MCs do have similar low impedances. However I strongly recommend using a low impedance matching step-up transformer to offer the FR-7's coil inductance a matching partner - that way you will fully appreciate its sonic virtues and only then its full potential sees the light of day.

I am using FR-7fc, FR-7f (special modified) and FR-702 in my FR-66s/B-60. This combination - together with a suitable step-up - gave peace of mind to me and the tonearm/cartridge-question.

And yes - among the 30+ FR-7-series cartridges passing through my hands in the past 20 years there wasn't one single sample with a giving in suspension. These beast do live forever!! My prime sample has by now its 3rd stylus and about 5000 hours behind in its 25 years since birth.....

The FR-64s is a much better partner for any FR-7 as compared to the 506/30. Second only - by a small margin and only in direct comparism - to the FR-66s.

And indeed - the FR-7 was first named FR-1 MK7 - I do have the original first flyer at hand. FR claimed that it was a direct successor to the FR-1.
Dear Jcarr, even if the FR-7 series do have little in common in physical appearance with the FR-1 series, it nevertheless was initially named FR-1 MK7 in the very first commercial product sheet/brochure FR published about its new cartridge.
The actual samples which were brought on the market were however always named FR-7 (guess they simply "dropped" the "FR-1"-destination and made the "MK7" to "7" to document the new series and new design).

BTW - you might - if you haven't already done so... - give your Titan i a test in your FR-64s. The combo gives astonishing good results - despite the less great mass/compliance combination.

Cheers,
Dear Marco, you may simply use a good - solid - shrink tube and fit it over the armtube. It will dampen the armtube as will blue-tec or similar damping materials.
However - I still am sure, that the FR-64s does not need that special treatment. It will alter the sound - no doubt (already by increase moving mass). But that is always a matter of match with the cartridge in use.
Todays cartridges often tend to be very present in the top-octaves.
Here it might "tame" the sound.

Cheers,
D.
Dear Jcarr, dear T_bone, I assume that the Micro LC-80W is an OEM Nagaoka cartridge. Am I right?? Micro Seiki certainly hadn't put up a cartridge assembly facility of their own. Anyone out there with info about this?

Thanks, D.
Hi Steve, the XL55 and XL88 Pro cartridges are very interesting cartridges indeed. I had 2 samples of each during the past 6 years.
However - they do have little in common with the FR-7-series ( or FR-1 MK7..... I have found the original data-sheet with exactly this destination again - will make a photo tomorrow and post it) aside from both being an integrated headshell design and both featuring comparatively wide and hefty housings.

I do have the remains of a destroyed FR-7f at hand. According to one engineer at Munich Fraunhofer Institue the magnets are Alnico indeed.
And they are VERY big compared to most other cartridges.
The FR-702 does feature a significant shorter cantilever compared to the original FR-7-versions and thus the moving mass is considerably less resulting in improved low level detail and recreation of tiny details in the sonic picture.
You should NOT interchange a FR-7 with a FR-702 WITHOUT checking the adjustment of the geometry. It may very well be the case, that now the stylus sits somewhere else as before with the FR-7..........
VERY similar in sound and output (despite the claim that it had the very same output voltage in the data-sheets, I found on the 4-5 samples I had that the output was rather 0.15mV ) to the FR-7f.
Cheers,
D.
Cheers,
D.

Cheers,
D.