Exotic Reissue Lps VS. Rare orig Which one? $$=$$


I put this Lp up for sale, when I noticed my asking price, wasn't so, "far-fetched" --from the unprecedented, $200+(!?) these new 45rpm Reissues are commonly priced at.
I got to thinking, "Since these Exotic Audiophile Reissues are
CREATING another NEW Genre for the Industry, with their Ground-Breaking prices..at what point WILL the Devoted Vinyl collector, jump ship from the 'Audiophile' fleet, and replace that habit with the unmistakable Joy --that awaits them, in
the tradition of 1st Issue LP collecting??
The monetary investment needed to fund either one, WILL BE similar enough-- IF it isn't all ready(but it is); That this HAS to be a viable, fiercely practical question upcoming. I say it IS ALL READY. If I'm wrong, I'll have a difficult time selling this Pristine, Original Stereo Issue, Gem from my collection.
A very reputable, online Rare Vinyl Dealer, I'm certain we're all acquainted with, here at Audiogon; had their recent Mint condition Bill Evans Trio LP Titles, sell quickly. 1st Stereo Issue offerings also, all gone. No problem at all, being purchased by a lucky few, of their enormous constituency.

With the Exotic Reissues now reaching an unprecedented $200+ per Title, why wouldn't the devoted LP Collector spend just one more,(approx.)'Ben Franklin' -- and add a Minty Fresh Original Issue Title to their Archives? Reissue Lps at their inception, were 1st about NEW access, due to rarity...for following generations. Were they not?
The "Remastering" or, "Re-engineering -for an alternate, similar, sonic quality, or, "attempting to imitate, that which only an 'Orig. Issue' affords,".....wasn't this 'quality' avenue pursued by the "Audiophile" the latter idea?
Though it IS complimentary to the Reissue, --as a courtesy offered to a new generation of music lovers. I believe the "alternate quality" of the Audiophile reissue logically follows...the former.

I'm interested in dissenting opinions.... it's the best way to learn something new.
And who wants to constantly-- "getup/sitdown" while changing a one-sided, 45rpm twelve-inch album 4 times per title anyway? Listening to music is about relaxing, not Aerobic exercise. My workday is too long as it is all ready.

Not to be controversial, for its own sake... but which really IS the best choice?? Do I want to support a for-profit industry with my limited music dollar?? Or would I prefer to be one that contributes to the preservation of history?? ....the nearly extinct Original LP??

The following is why I chose the route I did, with my music $$$ --
decades ago. For me, these 1,2,3's still make sense:




The distinct advantages of doing so:

1) Superior aesthetic NO reissue will ever compete with
--Enjoy.

2) Best Value=Reissue?? NOT... So why not passionately
enjoy, what the Audiophile industry will ALWAYS be
attempting to emulate anyway? Life's too short...

3) Superior Investment. Original Issue Lps appreciate more
than reissues do. And what influences the Audiophile
Reissue more/less to appreciate anyway?
The forever increasing value of an Original......

4) And who wants to constantly-- "getup/sitdown" while
changing a one-sided, 45rpm twelve-inch album 4 times
per title anyway? Listening to music is about relaxing,
not Aerobic exercise. My workday is too long as it is
all ready.

So I say again......Not to be controversial, for its own sake... but which really IS the best choice?? Do I want to support a for-profit industry with my limited music dollar?? Or would I prefer to be one that contributes to the preservation of history?? ....the nearly extinct Original LP?? I'm really interested in fellow member's REASONS for their opinions, not just the opinion, Thanks.
fuschia_swingsong_me
Fushia, it sounds like you already answered your question. I've found that some of the 45rpm re-issues sound better than originals. One in particular is the fabulous Mercury Prokofiev Scythian Suite and Love for Three Oranges. I have two FR originals, one with a huge localized defect BUT as such, unplayed. The 45 rpm reissue retains the "boogie-factor" of the originals, yet has much better focused bass and slashing dynamics.

As in vinyl as in life, generalized observations to re-assure one's self may cause one to miss out.
Better's continually in the eye of the beholder. I have the Mercury Scythian Suite/3 Oranges in the original LP, the Classic Reissue, The CD reissues all in excellent shape (including the original). The best "presentation" resides in the reissue vinyl, but there's an "originality" that can't be denied on the original FR2/FR1 pressings that may (or may not) be related to the age of the master tapes. In any event, that performance is always "THE" one to beat, primarily because conductors used to let their resident Brass sections "off the chain" back then in order to help sell that (then) new catalog of music to high fidelity consumers. Now...not so much....
The moron that calls himself my doctor suggested that I take up jogging to lower my blood sugar.I have countered with I'll buy more 45RPM re-issues,hence more exercise,better sound,advanced contentment leading to side benefit of lower blood pressure.Perhaps I can get him to write me a perscription for Music Matters series.
For those of you who are looking for great Mercury Living Presence sound and performances and don't want to foot the bill for expensive originals or reissues, try the Philips reissues in the "Golden Imports" series. Most of the Mercury catalogue was reissued by Philips in this series. They sound great, they're cheap and have quieter vinyl than the originals. Also, don't pass up the mono Mercury's that never came out in stereo. Some of them can be truly amazing. Beautiful covers too.