Empress and Michael Wolff cables


Category: Cables

Grover Huffman has been building cables for members of Steve Hoffman’s forum for some time and has now embarked on a joint venture with Michael Wolff, who builds power cords. I decided to try Michael’s Source cable and the Empress interconnects.

First, the power cord. Michael makes two models: one for source level gear, another for power amps. I got a cable for my Grover linestage; I had been using a power cord built by a local audio shop. The improvement was enormous. It was on the level of changing the linestage. I had been a little concerned about some brightness in my system, but the power cord removed a lot of it. Music now had a more natural top end so that concerns about edginess evaporated. Bass lines were cleaner and sounded deeper, and everything sounded more fleshed-out. This degree of improvement surprised me. It made the Beatles 1 CD listenable - a little tilted up, but not painful anymore. Michael believes that a lot of edge is actually RF effects on the signal, and he may be right.

The Empress interconnects arrived and they went into the system. The improvements were of the same character, just cumulative, so I could hear deeper into the performance and everything sounded more natural. What struck me this time was that transient information was filled out more - a guitar attack revealed the make up of the chord and not just the sound of the attack. Vocals were also more revealing. I was impressed.

The drawback is that these cables are costly. But again, there are more expensive cables out there. Luckily, I haven't cable rolled much since discovering Grovers, and never in the stratospheric price range. These cables seem to be reasonable priced when you see them, feel them and hear them.

Michael Wolff's site address is below. Click on his Ribbon Source link to get to the other links. There is also a link to Empress cables.


cwon

Showing 1 response by fleschler

The Empress Phono Interconnects are the finest cables made. I have upgraded from the SRII cables. The Empress uses the same internal wiring; however, the shielding common to virtually all Phono ICs is a metal type shield. Unfortunately, the SRIIs are so revealing and transient rich that the metal shielding elevates record noise and blurs timing, etc. relative to the Empress ICs. The new carbon shielding is non-metallic/non-magnetic and serves the same purpose but with extremely superior results. The Empress removes all of the noise inherent in common shielding designs and provides the SRII wiring to sing music sweeter than I have ever heard. This is a revolutionary change in phono cable sound. Grover and Michael have invented the ideal phono cable (and I've tried dozens of brands and types over the years). Analog is king with the Empress. (Digital remains the queen of sound with the Empress unshielded ICs, it can=t outdo analog). My friends come over and salivate at the sound of my system since I upgraded to Empress cables (although they always enjoyed Grover=s ICs before). My wife agrees that her rock records have the best vocal sound she has heard recorded or live. It=s difficult not to listen for hours into the night. My advice is to purchase the line stage to amp ICs first, then the analog (if you have it), then another pair for CDs. I also purchased Empress ICs for my Alesis Masterlink CD burner-unbelievable, great CDs from all analog sources.

I feel I am providing a necessary service to all you audiophiles and music lovers out there reading this. You will feel that the biggest bargain you have made is in purchasing the Empress ICs. You will change your equipment before you will change these wires. I am an amateur musician, music lover and audiophile (without the high end gear pretensions, quality always over snob appeal).

Caveat Emptor, a truly bad recording will be just that much worse sounding with the Empress Phono ICs - you can hear the electronics used in recording and cutting records, the ICs are that revealing. I heard bad cutter head amps and noisy microphone pre-amps revealed on previously okay sounding records. Now they show how bad they really are. On the bright side, most of my 17,000 LPs sound good to great. Average sounding records which may have restricted dynamics, highs, lows, etc. are just that much more interesting with better timing, openness and transients to reveal the essence of the music. Good music is just that more interesting and musically involving.