Dynavector XX2 mk2 vs Lyra DELOS which is better?


Hi every one I am in a bit of a analog dilemma. Just thinking of doing a cartridge upgrade but don't know which root to go. My system Is a Oracle Delphi MK3/4 with all MK6 upgrades but the motor. Paired with a SME4 tonearm feeding a music First audio Classic V2 MC step up transformer. Into a cary sip-98 phono preamp into a Cary cad 120s tube amp and totem forest speakers. I currently own a Dynavector XX2 MKII cartridge that's at the end of its life. I can get it rebuilt for $1300 CAD which isn't bad since I got the cartridge 2 hand for $350 never used haha a score. But my other dealer has a new Lyra Delos cartridge for $2600 CAD. Now I Have only heard the Dynavector since owned one before, and have never heard a Lyra. My real question is the Delos that much better then the XX2 MKII and worth the extra $1300 dollars. Or should I stick with the XX2 MKII because I am already amazed by it and pleased. Let me know your thoughts, Thanks fellow audiogon's.
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Showing 1 response by russmaleartist

It really comes down to the money, doesn't it? This is expressed in the power of advertising and buying a product that many times the consumer doesn't get to “kick the tires” rarely anymore . . . at least not for those who are not wealthy enough to go to where they can actually hear these expensive items, much less afford many of them.

I can only speak for myself that there are no animosities nor jealousy for anyone who works hard in life and gets a good break to live such a lifestyle legally; however, I do not care what the high-end product is, unless it is sold in a chain store or you happen to live close to an audio boutique . . . the overwhelming abundance of audio products from speaker drivers on leaves one in absolute disarray when it comes to making a wise choice. 

For the most part, most of the reviews are being made by publications where a select few try and control the opinions of the public . . . and as much as we would like to believe the contrary, there are unscrupulous people, who are influencing whether a product becomes successful or not. How many struggling companies have been destroyed because of a bad review by a tone deaf or heavily biased reviewer? And how many such reviewers get a high from such power to make or break a new product?

This is a very competitive arena, and you had better have discernment, do extensive homework, or be ready to constantly lay-out many dollars to wade through this swamp to find what satisfies your audio and musical desires. The forums are interesting, but they become more of a sparing situation, where people are more or less doing more of an ego thing to prove how knowledgeable and how dominating they can be in debating their bias viewpoint. . . even ridiculously fighting to win by bullying and name calling to get a win by default. It is ridiculous.

Try calling the company . . . of course, they are going to be loyal to their own products. Call a distributor and rather than getting help, many times you wind up defending your goals and being patronized and talked down to as if you are a complete fool. BUT, IT'S ALL ABOUT THE MUSIC -- IS IT REALLY? After many years in the hobby . . . and I mean MANY YEARS, I don't believe that  in the fullest extent of the meaning.