Dustcover Blues


Most of you probably know that I have always championed the use of dustcovers on turntables even during play, the goal being to protect the record from the environment and shield it from sound. For the first time in my audio career I have stumbled into a problem with this and other than not putting the dustcover down I have not come up with a solution. 

Yesterday I was playing Herbie Hancock's Secrets and I cranked it on my favotite song. After about 30 seconds the room started to rumble. My subs were putting out a remarkably clean 20 Hz as if I were playing a test tone. Feedback! Just turn the volume down a little and it disappears. Turn the volume back up and within 30 seconds it starts up again. Did I screw up my cartridge set up? I veiwed the tonearm during the feedback and it was rock solid. Usually with low frequency feedback you can see the tonearm shaking. I played the resonance tracks on an Ortofon test record and both lateral and vertical resonance were centered on 9 Hz With the feedback going and the house shaking I wanted a better look at the cantilever. On lifting the dustcover the feedback stopped!  The dust cover is attached to the plinth which is isolated from the sub chassis (tonearm and platter mounted on this) by four springs. The resonance frequency of this suspension is 2 Hz. Nothing above 2 Hz can pass directly through to the platter and tonearm. What is going on here? Any of you scientists out there have a clue? My best guess is that I am dealing with a type of Helmholtz resonation. The dust cover is lowered on four hard rubber pads, one at each corner. There is a 1/16" slot all the way around. This combined with the weight and dimensions of the dust cover creates a resonance at 20 Hz. To get it going I have to turn the volume way up. 

Today when I get home I'll play around with it to see if I can figure it out. Any ideas would be appreciated. 

128x128mijostyn

Showing 5 responses by millercarbon

For anyone following along, now one week in, this is the price you pay for being a, well this guy. Simple enough problem yet no one has figured it out let alone provided the solution. Don't be that guy. 

What guy?

This guy:

Don't listen to me. My hearing sucks. 

RIAA EQ is +20dB at the bottom, -20dB at the top. SG does not require this so the statement is true. 

I have the Soundsmith Strain Gauge, got one used about a month ago.  SG does not use RIAA or any kind of normal phono stage because it is not any kind of normal cartridge.

MM and MC both are generators that generate a voltage by moving. The faster they move the greater the voltage. SG does not work that way at all. What it does, the cantilever is connected to strain sensors that detect deflection. These are used to modulate a voltage coming in from the SG preamp. So the preamp generates the voltage, the cartridge modulates it (similar to the way a tube acts as a valve) and the resulting signal comes back into the preamp where it is amplified. 

Because of the way this works it requires no RIAA equalization. One of its many advantages over the conventional approach.

Overall it is a nice step up from Koetsu Black Goldline/Herron VTPH2A. With one exception, the low end is a bit weak in comparison. In terms of tracking though it is darn near seamless. Recordings that seemed to have hopelessly large amounts of sibilance now sound like the normal level of sibilance you would expect from a real live person. Percussion in particular is tracked exceptionally well. Listening to SG confirms Koetsu has a real talent for tailoring resonance. The Black Goldline may be entry level Koetsu but it truly is a wonderful cartridge. The SG on the other hand gives the distinct impression of listening to the master tape.

SG also has some nice features like auto-mute and a built-in 12Hz filter. Its main weakness would seem to be the power supply, which can be upgraded with SBooster, Farad, etc. 

Gosh, what a great time to have not called cable elevators porn, and to have not dismissed with scorn every tweak you do not understand and insulted all of us who use them. Because if you had not done those things then I would be happy to help and tell you exactly what is going on and how to fix it.

 

There's one way to use a dustcover when playing that will actually work in terms of both dust and vibration control.