Doncha get bummed?


We put a lot of time, effort, and money into getting really nice systems.

And then we have to deal with crummy recordings made by inept engineers.

Yes, many of the older recordings suffer from being from the early days of stereo, but I've gotten a couple of recent recordings that are really bad.  One even had miscellaneous noises (like scraping chairs and ruffling music pages) at the ends on numbers that weren't even edited out.  Poor mic placement resulting in bloated bass.  Bad microphone choice on the piano making it sound muffled.  These are all well-reviewed recordings, too.  Huh?

Piano in the middle with no width or depth.  Bass out of the right speaker, drums out of the left.  Ho hum.

And microphone choices for female vocals!  Terrible more often than excellent.  Veiled, compressed, metallic.  Blecch.  Sucks the testosterone right out of me.

I have one relatively recent recording where the drums are clipped in every track.  Clipped.  Awful-sounding.

If it weren't for Manfred Eicher at ECM I'd probably shoot myself.

Bums me out.  Maybe I'll go back to a Japanese transistor radio from the 60s.
bbarlow690

Showing 1 response by nonoise

A more resolving system will reveal some of the nits and picks mentioned but that's not a fault, as I see it. I love it when I'm startled into thinking someone is actually in the room when they play. One recording, in particular, does it to me every single time. How much better can that get?

As for music cut off and bad mixing, there's not much one can do but keep calm and carry on. Yes, we could all benefit from better quality recordings, but there are enough great ones out there (even ones done the wrong way) to make up for it.

All the best,
Nonoise
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