Donald Byrd



I recall reading a thread written by a young man who came into possession of a large collection of Donald Byrd records under very sad circumstances, his father had passed.

Although he was sad, he shared with us how incredible this new music was that he had inherited. He renewed my enthusiasm for Donald Byrd. Me and Donald go back a long way, all the way back to my beginning as a jazz fan. I consider him one of the "giants of jazz", and I bet even the Rok will agree on that.

True jazz giants continually evolve, and Donald's evolution is well established in my collection. He began with "hard bop", and next was "A New Perspective/ Donald Byrd band and voices", this was a big hit at that time. Although I liked every cut on that LP, "Christo Redentor" was my favorite.

Donald Byrd & the Blackbirds was his next stage of evolution. This time he featured a vocal group called "The Blackbirds" with his band. At this stage of his evolution, many of his long time fans revolted, "How dare he ruin pure jazz with a vocal group". I was one of them. After I expressed my indignation by selling the LP I had just purchased, I came around to liking it and couldn't find a new copy, but I'm human and that's the way it goes.

This is my list of samplers for Byrd's various stages of evolution that can be found on "youtube". "Fuego" is not only my example of Donald Byrd's "hard bop", it is the personification of "hard bop". "Byrd In Hand" featuring Pepper Adams on baritone sax is another favorite of mine. I especially like the cut "Here Am I", Pepper Adams really cooks on that baritone. While Gerry Mulligan is very well known, and considered by many to be the best jazz baritone, Pepper Adams also ranks very high in my book. "Street Lady" by Byrd was an album I wore out. "Donald Byrd & the Blackbirds" was the LP I didn't like initially, sold it, and then couldn't find a new copy when I decided it belonged in my collection.

Just as a food critic must sample many dishes to determine which one's he thinks are best, an audiophile has to sample many records and CD's to determine which one's belong in his collection. Maybe after sampling, you will determine some of this music belongs in your collection.

Enjoy the music.
orpheus10

Showing 11 responses by rok2id

I only have 'Harlem Blues' on CD. I am sure I have other stuff on LP. 'Thank You for F..U...M...L' I know I have that on LP. But since I am out of the vinyl business, maybe my children may 'discover' him one day.

I am listening to Harlem Blues now. Very good. He is playing Flugelhorn. I have always thought that was a better choice than trumpet for much of Jazz. Armstrong excepted.

Jazz Giant? we will have to agree to have different lists. Sort of like college football rankings. Currently I have Armstrong and Ellington for my top two, in any order. They are the slam dunks. Additions are open to discussion. Should the girl singers be included?
Thanks for adding music to this site once again.
Cheers
My list would not be a list of who is the best, as O-10 has said that's a silly and impossible question to answer. My list, is a list of the difference makers. The seminal figures in Jazz. Just for fun, so put those daggers away!

1. The Creators - the people in and around New Orleans that created this music. I don't have a clue as to who they were, Jelly Roll Morton's protests notwithstanding. Without them, there is no Jazz.

2. Louis Armstrong - Took the music out of New Orleans and gave it to the world thru his talent and personality. A true ambassador. He may have been the only person that could do that.

3. Duke Ellington - elevated the music to a very sophisticated level. Showed it was more than just music for dance and speak-easy joints. Also a great Ambassador. Went on a world tour sponsered by the US State Dept. Played in the Soviet Union. One of the great composers of the 20th century. Period!

4. The be-bopers - Parker, Dizzy et al. Infused jazz with a new direction and engery at just the right time. Kept the music modern. Also expanded the audience.

5. Miles Davis - Took the music several new directions. Was involved in all the post bop movements. Brought in the young crowd as part of the audience. Fusion, cool etc..

6. The Players - these are all the people that give such enjoyment just by their high standard of play. here you will find players like, Sonny Rollins, Julian Adderly, Lee Morgan, Horace Silver and all the thousands more that have sustained the music thru the years.

7. Girl Singers - Gave Jazz a 'voice'! And what voices! Can't have any list about Jazz without Ella and Billie. They also opened the door for women in Jazz. As performers and as part of the audience. And like Brazilian sports super stars, they are recognized by their first names. Ella, Billie, Nina, Abbey, Sarah, Carmen, Dee Dee, They are, and that is, soooooooooooooo cool..

8. John Coltrane - Instrumental in taking Jazz a new direction that led to the Free and Advant-Garde movement. Wrong turn in my opinion. But great does not mean good. He was an important figure. Gotta give him his due.

9. Thelonious Monk - Unique. In a class by himself. Others wanted to follow, but COULD NOT. One of the great talents with a one of a kind musical instinct and personality. Made the cover of TIME, no small feat for a Jazz player. Once chewed Coleman Hawkins out. He makes the list for that alone. :)

10. The Germans - This refers to the immigrants from Europe, mostly German, mostly Jewish, who had the foresight and appreciation to record this great music. To encourage the players, to see things in the players that they didn't see in themselves. If not for them, we would have nothing to play on our gear. Because the powers that were at that time, had no interest in, or respect for, black music, and the players didn't have the wherewithall to do it. Jazz lovers owe them a debt that cannot be repaid.

For those that demand this - IMHO! :)
Cheers
Charles1dad:

Thanks for the kind words. Thinking about all those 'vintage' guys has me listening to 'Jazz at Massey Hall' and 'JATP' tonight.

I don't mind the sound quality as much as I did at one time.
Cheers
Orpheus10:
I watched the youtube clip on O'Day. She is very good, and after a little research I discovered she had a very good career. She even recorded with The Three Sounds / Gene Harris, and Oscar Peterson. She is absolutely one of the great Jazz divas. But ALL experts seem to agree that the top three, Holiday, Fitzgerald and Vaughan are in a class by themselves. And there are a LOT of great singers outside the top three. So that's no slight against her. To paraphrase somneone, Place and Time of Birth is Destiny. Had she been born as the career's of the top three were coming to an end, she may have been a super star. As it happened, they were in their prime at the same time she was. She also had a heroin problem, as did many others.

But I thank you for bringing her to my attention. I have checked out her stuff on Amazon and will add her to my collection. One other thing:
How can Anyone Not like Sweet Georgia Brown!!!! It is a staple of the Jazz world. That's heresy!!

The other night i was browsing youtube and came across SUN RA. I watched just out of boredom expecting a bunch of noise, but I was really surprised. They played Jelly Roll's King Porter's Stomp!! It was very good. Sun RA is a guy you have to see to get the full impact. Great in person, not so great on CD. You learn something everyday.
Thanks for your post.
Cheers
I have Vaughan and Clifford Brown. Brown is another great player that left us too soon.
I also have a great Sarah Vaughan CD entitled -- Sassy Swings Again -- A lot of great players in the band. Including Jay Jay Johnson and Clark Terry. I will recommend it with a 'WARNING LABEL', because the first track is Sweet Georgia Brown! :)
Cheers
I have five CDs by McRae. Two singing Billie Holiday and one singing Sarah and one with duets with Betty Carter. I also have her singing Monk. I don't think that worked very well. It could just be that Monk does not translate to vocals very well, at least not the way Horace Silver did on the Dee Dee Bridgewater CD. That is one great CD.

All this talk about divas, and no one has mentioned Nancy Wilson. Serious oversight. I have her with Cannonball Adderley. Great CD. Must have.
Getting back to the OP's original comments, I do have a habit of going off on tangents.

I did listen to all the youtube clips you mentioned. My not so 'expert' review is as follows:

Cristo Redentor: Excellent playing. Byrd has outstanding tone on the trumpet. This is what the critics call 'straight Ahead Jazz'. very enjoyable I will have to check out his Blue Note stuff.

Fuego: The best of all the cuts in my opinion. Again his tone is wonderful. Great ensemble playing. 5 Stars :)

Here I Am: You are right about Pepper. I only have a few by Mulligan so we can just agree to crown Pepper King of the Baritone!!

Now the not so great:
DB & the blackbyrds - Rock Creek Park.
The vocal parts were just Toooo monotonous, and not much was going on over the vocals. This is the type music that requires that the listener be doing some other activity or be distracted while it's being played. Partying, Dancing, be in a large crowd. Not to sit down and listen to.

Street lady: Same as the above. Maybe this was when everyone had to be 'high' to enjoy music.

BTW, I have a Donald Byrd CD other than Harlem Blues. I have a CD entitled 'Pepper Adams Quintet 10 to 4 at the 5 Spot'. Group is comprised of Adams, Byrd, Elvin Jones, Doug Watkins and Bobby Timmons (one of O-10's favorites)

Today I listened to Bernard Purdie. Anyone know of him? He may be in the same 'groove' as later byrd

I noticed that I liked all of his Blue Note stuff. I think he just evolved beyond me. Sort of like late Coltrane and Miles. But I ain't dead yet, so there is always a chance I will love them yet!! It's happened before. Thanks for the posts.
Cheers
I watched about half of "A Joyful Noise" I will finish it tomorrow. It's very compelling. Hard to look away. I have gained a new respect for Sun Ra and his music. I think he is sorta like Monk in costume. :) But I am not sure I would like it on CD. I do have at least one of his on LP. Thanks for the tip.
Cheers

http://vimeo.com/3164191
Today's playlist:

(1)Paul Chambers Quintet with: (1957)
donald byrd / cliff jordan / tommy flanagan / elvin jones

unexceptional Blue Note be-bop. A young Donald Byrd.

(2)The Sound Of Jazz (1958)
An attempt to introduce Jazz to the public by CBS televison. Nice enough. The highlight is hearing Billie Holiday. count basie, coleman hawkins and doc cheatham also on board. Great photos in the liner notes.

(3) Count On The Coast vol 1 (1958)
Big Band Jazz does not get better than this. Very tight playing. Count Basie and his orch with Joe Williams singing a few also. Al Grey is aboard on trombone. One of my favorite players!

(4)Smokin' At The Half-Note (1965)
Wes Montgomery and Wynton Kelly Trio. Critics say his (wes) best performance on record. Pat Metheny called it the Greatest Jazz Guitar Album ever!! And the solo on 'Unit 7', the best solo ever!! Won't get an arugument with me.

If you read about these guys you soon realize that they ALL knew each other! Played together and stayed together. Very close knit, this Jazz world.
Cheers
This weekend:

Oscar Peterson - Night Train
I bought this just for the title track, but have since discovered that this ia wonderful disc from start to finish. Not a weak track on the disc. 5 star!!

James Booker - Resurrection of the Bayou Maharajah
This guy is supposed to be crazy, for real. This is one of those strange wonderful players from New Orleans. The recording captures the ambience of the club very well. Solo piano, so a good test for all those uber-alles systems out there.

Cannonball Adderley - Cannonball's Bosa Nova
Cannonball playing with players from Brazil. very nice on the ears, like all music of this type. The tunes by Jobim and Mendes are the highlights. None of the usual quintet appear.

Etta James & "cleanhead" Vinson - The Late Show
Great blues set recorded live at a club in LA. Etta passed away this year. Her blues singing was the 'real' thing.

Beethoven - 9th Symphony
Bohm / Vienna and Norman,Domingo,Fassbaender,Berry
with a lineup like that, perfection is within reach. It's very slow and the singing is great. You hear everything. In the same class of recording as Kleiber's 5&7. My favorite 9th of all time.

I only have one by Yusef Lateef. Titled 'Encounters'. I listened to it because you mentioned him. I have a lot more of him on LP. I think he is another one that evolved into into a player that sort of left me behind. Not bad, just does not keep me involved. I think he was one of the first into 'world' music. Plays a lot of different instruments also. I think I have him as a member of the cannonball quintet, "Dizzy's Business". Great album. Live in Tokyo.
Thanks for your post.
Cheers
What makes his passing even more depressing / discouraging, is the fact that he will not be replaced. Soon they will all be gone. Same for all the other genres, save Classical. Thank God for the CD.
Cheers