Does this speaker exist?

Looking for ideas. Here's the wishlist:

- Small footprint, either standmount or small floorstander (<40”)
- For listening at normal distances (not nearfield, or not only nearfield)
- Comes alive at low volume (let's say that at least it doesn’t need to be cranked to come alive)
- Musically versatile
- State of the art tonality, truth of timber
- Superb treble
- Gobs of refinement (think 1080p or 4K vs. 420, or very high thread count egyptian cotton vs. Ramada Inn)
- Not important: large soundstage, disappearing act, bottom octave, fill the room
- I actually prefer a small soundstage -- a small but open widow to the performance
Drubin

I think such speakers do exist but there are just very, very few of them in the marketplace. Most speaker manuf are clueless when it comes to designing speakers - they hide their short-coming behind marketing hype such as computer-aided designed speakers, CNC machines, wildly rigid enclosure, diamond drivers, piano gloss finish, etc, etc. I might be wrong but I've read it all to often & seen it at a show & at people's places where I have listened to their resp. systems.

I'm looking at your requirement list & figuring out what that translates to in terms of physical speaker hardware:
* listening at normal distances - don't know what "normal distances" means to you? I'll interpret it to mean between 9' & 12'. This means that the speaker design has to be such that the drivers integrate in this region. Most speaker drivers are supposed to integrate in this distance region but very, very few actually do. The ones that don't, don't because they use x-overs that destroy the phase of the music & x-over causes peaks/valleys at the x-over frequencies.
* come alive at low volume - this means that the drivers have to be very sensitive such that they get into pistonic motion at very low amplitude voltage signal from the power amp. This also means that the x-over ckt that comes before the drivers has to be more or less transparent such that it allows such a low amplitude signal to pass thru. It also means that the drivers have to sensitive to low amplitude signals. Simply using a diamond or accuton or Berrylium driver does not guarantee that the driver has low amplitude sensitivity. In fact, most of the highly hyped drivers don't!
* music versatility - this means that the speaker must have very little phase shift over the entire audio band or atleast over a significant frequency range. Phase shift (created by the x-over ckt + the drivers themselves) destroys the soul of the music. There are very, very few low phase shift speaker in the market. Speakers that are low in phase shift excel in all genres of music + they are mostly electronics-agnostic. I.E. they sound good with most electronics & of course, sound better with better electronics.
* SOTA tonality, truth in timber - these are once again related closely to the lack of phase shift produced in the speaker.
* gobs of refinement - what does this mean? Have you ever listened to a live orchestra, live jazz band, live rock band? There is very little refinement in the actual sounds. If you are sitting mid-hall or up in the mezzanine you get truth in timber, truth in tonality, truth in spatial separation (this appears to be hall dependent - the last concert I attend to listen to Joshua Bell, the orchestra sounded very muddled. I couldn't figure out why. Was it the conductor? was it the music chosen? was it the hall?). I feel that when a speaker is giving you more refinement that it actually heard in a live event, you are actually listening to distortion & reveling in it thinking that it's refinement. And, the audio industry is elated to have you thinking like this as it serves their purpose (of pushing mediocre products to consumers).
The speakers that I found that satisfy your requirements have, in my experience, been planar speakers (physics is on their side when it comes to weight of the transducer. Leight-weight, rigid transducers react much faster to transients in music & provide a pulse to the music that most cone drivers do not) & Green Mountain Audio speakers. I do admit that I favour Green Mtn Audio speakers - I was a previous owner so I have experience with them & I do NOT have any financial stake in that company, just to be clear - but my favouring them is not whimsical. The designer does fully understand what it takes to makes a speaker that satisfies your above stated requirements. The Green Mtn Audio speakers are designed using info in AES papers & using physics. Planars from Apogee, Magneplanar, Soundlab, Innersound/Sanders Lab are simply superb in the qualities that you spec'd above. They do NOT have the small footprint you are looking for. In planar speakers, form follows function - it's the physics & you can get around that.
Anyway, this is my input, FWIW. Thanks.

I will give more thought to what i mean by "refinement." It's not detail, or it's not only detail. I owned GMA Europas for a while and felt, ultimately, that they did not have enough refinement.

thanks for your kind words, Drubin.
I did hear the designer admit that these speakers were made to a certain price point hence the various compromises.
when you have a tweeter & mid/woofer in 1 cabinet, there is going to be some interference between the 2. If you popped the grill you would have found acoustic felt around the tweeter to minimize this. in the end, physics will rule & the 2 drivers will talk. This will detract from the listening pleasure. It's much reduced in GMA speakers compared to other brands.
Another thing I read was that the x-over component quality could be upgraded for better sound. Same for the internal hook-up wire.
All these are fully expected for a speaker sold factory-direct for a affordable price.
The designer has some other improvements in his design for his new series of speakers Rio & Chroma. The issue is resolved if the customer pays more for the Eos which has a out-of-the-same-box tweeter. Plus, the new series of speakers come in a HD version that gives you the best for that model. It might be time again to re-sample GMA?....