Do stands make a difference for equipment?


Does the kind of stand you use make a difference, especially with components other than turntables? I realize how much difference a good stand can make for a TT, but does it make much of a difference for your preamp, CD player, and other front end units? How about amp stands? I'm trying to decide if it's worth upgrading my stand to something more robust, which means pending $$$. I currently use an old Target T5 stand, which is similar to the Solid Steel 3 series, and have just switched to a Sound Anchor stand for my amp. Since I switched amps at the same time, and the amp weights 200 lbs., I'm not going to AB it with my old stand.
Would love to hear what experiences you have had with different stands.

Thanks and good listening,
Mike
128x128mrvordo

Showing 2 responses by akg_ca

The British and American approach to audio stands is very different. The Brits favour a "lighter is better" approach to manage and channel away vibration and jitter. The US approach is a "heavier mass" isolation approach.

Which is better? Impossible IMO to generalize; it depends on your particular gear. Anecdotally IMO it further depends on added sensitivities introduced as one moves up the $$ chain for that gear.

I've bought and use(d) the stands and tweak products as follows:

(i) I had the Mapleshade Samson audio equipment rack/stand along with their brass footers. It/they worked relatively well in my old set-up, particularly for the CDP. I sold it cuz a dealer recommended a custom bespoke audio stand based on the UK model Naim Fraim design . I was skeptical, so I auditioned it at home -- he was righ-- that new stand outperformed it by no small margin. Curiously, in the new setup there are no brass footers either.

In fairness, the new bespoke audio stand is much much more expensive (6 X) and now it really shined that much more with much much more expensive hardware sitting on it (cdp and integrated amp ~ again 6 X) ) as my new kit . I am guessing that the higher up the $$ food chain one goes, the effects (and sensitivities) of ALL accesssories and tweaks become more dramatic.

(ii) Previously I also bought the MS kiln-dried maple 4 inch platform with the heavyweight brass footers for the old and new CDP to sit on. It worked relatively well in the old kit but was a dud in the new modded Naim Fraim approach set-up. I now use it and the footers as a very good isolation base in my "B" kit.

To ask which is the "best" is analagous to asking "how long is a piece of string? ASN: "... it depends(including budget)..."
" Total cost, about $500. How much better can a expensive stand improve on this?
..."

Excellent question. I can only relate actual experiences and not anecdotal experiences.

When my hardware gear (amp and Cdp) went from $4K to $24K the stand and isolation tweaks eventually went from $850 to almost $5K with no other stand tweaks. The speaker cables and ICs also went from $2K to $6K also.

Did I Gulp and sweat it? - U betcha. But did it make a difference? Again U betcha... and a very noticeable improvement difference - Go figger!

Acoustic room treatments with Echo Busters became the integral matched steps. Room nodes, first order reflections, bass damping and reverberation times et al all needed attention, along with tinkering with the speaker - to - listener positions .

Can I directly parse out with near accuracy just much of the overall improvement was attributed just to the stand?

Hmmmm ... not exactly, other than to say it was not subtle. Again I was the ultimate skeptic before.