Do I really need an " Audio Grade Network Switch "?


I think it's been a quite controversial topic for years, like what's the difference between normal network switch and an audio grade network switch, the price difference is certainly obvious though...
Anyway, I've done some researches, most audio reviewers say that under this " new digital streaming era " that an network switch is a must for an audio system, which is understandable for me, I mean because if I wanna play TIDAL or Qobuz or Spotify, I gotta use network so I can stream these online services, so yeah I get that if the network quality is good enough, it can possibly level up the music performance.

But anyhow, I'm new to this area, so I don't like to spend big bucks on my first purchase hahaha... there's a very wide range of the prices though, the top one is Ansuz Power Switch I think, the inner circuit and design look pretty sharp, and surely over my budget lol

So I'm choosing between Bonn N8 and SW-8, these two both got good reviews, and the prices seem so darn much friendly to me as I'm looking for an entry level switch now, do any of you have any insights to share?
or should I just go for the higher level ones?

Best,

preston8452

Showing 7 responses by antigrunge2

Yes you do. I have a Chinese Ocxo Switch in front of an Etherregen and removing either results in immediate deterioration of sound quality. Actually, accurate clocking is one of the great misunderstood issues in digital music. It’s the accuracy of the timing of the Ethernet and USB connections, not ‘lost bits’ that matter. So any improvement in clocking accuracy or reduction in phase noise is highly beneficial. And while we are at it: difference between accurate 75 or 50Ohms BNC cables and lesser ware are very audible, too.

Jawn! I listen and know what I hear. There are numerous views on other fora and they seem to HEAR what I hear. Also: in a USB connection between streamer and dac the server’s clock gets slaved to the dac’s clock and thereby becomes irrelevant.

@soix,

refreshing to find someone actually using his ears on this rigorist dogmatist thread

@herman,

the problem is the immature state of digital music reproduction: to wit: lack of interfaces with universally applicable results, error correction and dsp protocols with uncertain impact on sound reproduction, differential quality of power supplies and other signal transmission prone to RMI/EFI as well as ground level noise incursions, various degrees of clocking accuracy and phase noise generation and rejection, shall I go on? It doesn’t help that most reviewers tend to skirt these issues and give highly system context dependent recommendations. So I am afraid we’ll have to keep wading through endless threads. I only wish that people who have nothing but theoretical postulates to reiterate would exercise some restraint. My digital replay continues to evolve from an early start with the first CD players via computer servers to dedicated servers and latest generation dacs. In the process I have found significant benefits from gradual finetuning of all digital connections through signal and power cables, Isolators, reclockers, and power supplies.

Most of all: let’s enjoy the music!