In a modern recording, I’m wondering how much of the signal passed from the mic to the engineer over whatever cables at the studio is left by the time it passes through the computer they’re processing/mixing on. I assume almost all of the sound staging for most of our recordings is entirely fake. I’d bet every instrument is processed and equalized and run through DSP filters. I’d say it’s much more likely that we’re buying cables to better hear the recording, and that recording is loosely connected to the signal at the mic.
I’m off to UPS now to pick up my Cable Company library order. I’m really interested in knowing what my first impressions are, hypnosis or not. I do agree with the statement above that if I have to really strain to hear a difference, then it’s not worth my money to upgrade.
I’m off to UPS now to pick up my Cable Company library order. I’m really interested in knowing what my first impressions are, hypnosis or not. I do agree with the statement above that if I have to really strain to hear a difference, then it’s not worth my money to upgrade.