Distortions that the human ear likes. Are there any ?


This is based on a post from another thread, where someone speaking to a studio mastering engineer, repeated a quote by this engineer, stating " most audiophiles like certain distortions ", and it quickly started a debate. I did not want to continue this on the other thread, as it had little to do with the OP's direction on his thread. What say you, Geoff, George, Almarq, Ralph, anybody......if this thread goes nowhere, I can always have it removed. Enjoy ! MrD.
mrdecibel

Showing 1 response by millercarbon

mrdecibel writes:
This is based on a post from another thread, where someone speaking to a studio mastering engineer, repeated a quote by this engineer, stating " most audiophiles like certain distortions ", and it quickly started a debate.


This would hardly even be debatable except for two things: engineers using "audiophile" as innuendo to talk down what is in fact a universal human characteristic, and "distortion" being used to define another perfectly normal characteristic, harmonic development, which in this case is a character woven into the very fabric of the universe itself.

Set those aside and its just an obvious fact that people love harmonics. I mean, we got the harmonica, harmony, harmonious, any of these ring a bell? Which itself when it rings, the better the bell the more harmonically rich it rings. I mean, come on. Only engineers could be so dense.

Well, and audiophiles.

Both come along and redefine perfectly natural harmonics into distortions. As if when Itzhak Perlman plays a chord its pure but somehow Jimmy Hendrix plays it its distortion. How, exactly? Splain it to me, Lucy.

OF COURSE we like some harmonics better than others. They're called even-order harmonics. Duh.

Next question.....