Decisions on standmounts: ATC, Dynaudio, ProAc, Sonus Faber


I’m considering the following speakers models:
ATC SCM19 V2
Dynaudio Contour S1.4
ProAc Tablette 10 Signature
Sonus Faber Sonetto II

Currently I’m listening to a pair of Wharfedale Denton 80th Anniversarry, everything so musical and well done with this speakers, it sound sweet smooth engaging if powerd by a Class D Audio SDS-470C with upgraded power supply, it sound near to neutral with very accurate dimensional Hi-Fi details if powerd by an NAD M22 v2 power amp. Having said that, I would like to have another set of speakers to play with, most probably I would something that sound balanced from top to bottom, while not too clinical analytical or too lush warm sounding to begin with. For critical listening, usually I’m using the Sennheiser HD 600, source signal from Fostex HP-A3 DAC/preamp. I will save a FLAC file if i like/love a track, then I will also convert it to mp3 vbr0 as another copy for car playback.


128x128wim1983
^^^ I am willing to bet a weeks pay that 80% of Harbeth haters/non fans have NEVER EVEN HEARD A PAIR & base their opinions on SPECS alone & since you have NO clue even which speakers the 30.1/30.2 speakers are & are comparing a 3 way Floorstander with a 2 way monitor I will completely disregard your entire reply.
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It seem the ProAc does not get much vote, ATC as usual supported by many Hi-Fi enthusiasts, I agree Dynaudio woofers can be too stiff at times especially for drum music, I go for ATC if last question answered, is drum music easier to be played via ATC woofers? It seem very hard (maybe not so much elasticity compare to material like Kevlar bass driver by B & W?
@kenjit  Mind to reveal what you learn from the Q Acoustics Concept 300? It seem to me they just using the same drivers and technology?
@freediver I think I'll skip Harbeth M30.1 as there is review even my Wharfedale Denton sound similar, I guess it improve on the same basis with wider scale most probabaly, forward engaging mid sound I think.