In response some comments in this thread about the Lindemann and the Lindemann vs. other players, it may be helpful to share another owner's perspective:
(1) Properly isolating and locating the Lindemann player is key to getting the best sound. The preferable set-up for me is direct placement on an F1 carbon fiber/kevlar shelf of a Grand Prix Audio Monaco stand, using the new GPA Apex feet to couple the Monaco with the floor. The separate analog power supply is extremely sensitive to vibration and, to my ears, sounds surprisingly better when located at least three feet from the player on another F1 shelf. Rotating the power supply clockwise or counter-clockwise on the shelf will noticeably change the tonal balance of the Lindemann. In my system, I have the front of the power supply facing 9:00.
(2) The two power cords that come standard (one for the player and the other for the power supply) are okay for stock cords. The HMS cords that are sometimes sold with the player work well. Results in my system are best using Elrod cords, with any sections that could touch the floor resting on Cardas wood blocks.
(3) Placing Cardas caps on the unused inputs and outputs of the Lindemann slightly improves liquidity.
(4) Even with proper isolation and cabling, the Lindemann still benefits from an excellent power conditioner. I use a Sound Applications XE-12S, but have not tried other conditioners.
(5) With this arrangement in my home and the player driving a Viva Solista integrated amp and Avantgarde Trio Plus speakers, I find CD and SACD recordings to be very good, without any top end roll-off or lack of detail.
(5) How does the Lindemann compare to the DCS combo and the Audio Aero? I don't know for sure, because I never borrowed the latest DCS or Audio Aero to use with my equipment. I did own the Elgar Plus/Purcell (without the Verdi), the EMC 1 (192 version) and the Gamut. For me, the Lindemann is more dynamic, neutral and refined than these processors or players. However, I've listened to both the DCS Elgar/Purcell/Verdi and the latest Audio Aero in two other systems with Trios and thought they also sounded very good. Be careful about reaching any firm conclusions until you've heard direct comparisons in a system you're familiar with.
(1) Properly isolating and locating the Lindemann player is key to getting the best sound. The preferable set-up for me is direct placement on an F1 carbon fiber/kevlar shelf of a Grand Prix Audio Monaco stand, using the new GPA Apex feet to couple the Monaco with the floor. The separate analog power supply is extremely sensitive to vibration and, to my ears, sounds surprisingly better when located at least three feet from the player on another F1 shelf. Rotating the power supply clockwise or counter-clockwise on the shelf will noticeably change the tonal balance of the Lindemann. In my system, I have the front of the power supply facing 9:00.
(2) The two power cords that come standard (one for the player and the other for the power supply) are okay for stock cords. The HMS cords that are sometimes sold with the player work well. Results in my system are best using Elrod cords, with any sections that could touch the floor resting on Cardas wood blocks.
(3) Placing Cardas caps on the unused inputs and outputs of the Lindemann slightly improves liquidity.
(4) Even with proper isolation and cabling, the Lindemann still benefits from an excellent power conditioner. I use a Sound Applications XE-12S, but have not tried other conditioners.
(5) With this arrangement in my home and the player driving a Viva Solista integrated amp and Avantgarde Trio Plus speakers, I find CD and SACD recordings to be very good, without any top end roll-off or lack of detail.
(5) How does the Lindemann compare to the DCS combo and the Audio Aero? I don't know for sure, because I never borrowed the latest DCS or Audio Aero to use with my equipment. I did own the Elgar Plus/Purcell (without the Verdi), the EMC 1 (192 version) and the Gamut. For me, the Lindemann is more dynamic, neutral and refined than these processors or players. However, I've listened to both the DCS Elgar/Purcell/Verdi and the latest Audio Aero in two other systems with Trios and thought they also sounded very good. Be careful about reaching any firm conclusions until you've heard direct comparisons in a system you're familiar with.