contradictory communication


some components have been described as warm and transparent. this is not possible. warm means subtractiion in the treble frequency range. transparency implies a balanced frequency response.

it is inconsistent to say warm and transparent.

it is inconsistent to say warm and detailed, because there is some loss of detail in the treble region when a component is described as warm.

i believe that as soon as you describe a component as warm ,there is some loss and one should be careful about any other adjectives used with the word warm.
mrtennis

Showing 2 responses by douglas_schroeder

My system is "translucent", which under certain conditions is far more appealing, like a beautiful stained glass window! I find translucent glass much more interesting than transparent glass (that is, IF you are interested in the GLASS, per se, as opposed to the object one is looking at THROUGH the glass)...

Likewise, do not the 'colorations' of the components add to the enjoyment? So, why not suggest the following, that the ultimate system is one in which the translucent effects of the components evoke pleasure in the listener as one hears back to the original (or shall we say, the "colored" version of the original?

But, of course, in reality I brought up the term "translucent" to further obfuscate (tee hee hee, get it?) the issue and because I am loquacious. But, then again, aren't we all?