Classical Music for Aficionados

I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.

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frogman, I finally got a "puter that let me hear Wright .
In my hears he is very lyrical which is Schubert all the way .He and Karl are a draw to me .
I know that Valente is a great singer and has sung all kinds of classical
to great result .Including chamber and all else.

But for ME she is too much opera singer for Schubert.

Elly is the darling of the original crowd , a plain beautiful women’s voice .I can see he on the Herrt. Benita would be a stretch for ME .
Serenade for 13 Winds in B-flat major, K. 361 "Gran Partita"
Orchestra of St. Luke's
Sir Charles Mackerras
Telarc 1994

From The Notes:  "The composition of the B-flat Serenade(K.361) coincided with Mozart's decision to leave his post with the Archbishop of Salzburg(Mozart injudiciously called his "slavery") and move to Vienna.  The Serenade was apparently started in Munich late in 1780.  The earliest public performance probably took place as part of a concert at Vienna's Burgtheater on March 23, 1784.  Of the event, the playwright Johann Friedrich Schink wrote, "I have heard a piece for wind instruments by Herr Mozart today.  Magnificent!  It employed thirteen instruments, and at every instrument a master.  The effect was Grand and Magnificent beyond description."    --  Richard E. Rodda

Mozart's biographer concluded that Mozart choose this music as the entertainment  music at his own wedding reception on August 4, 1782.


Thanks for your assessment, Schubert.  Good point re Valente vs Elly.  I’m very biased toward the Marlboro recording being one of the first Wright recordings I heard many years ago while still in HS.  I will post Wright’s Brahms Clarinet sonatas later.  You being a Brahms fan, I think you’ll enjoy them.  

Rok, The “Gran Partita” is indeed magnificent.  One of the greatest works for winds,  Mozart’s genius is all over the work.  Notice the use of two Bassett horns (essentially alto clarinets in F with extended range) bridging the range gap between the clarinets and bassoons.  Wonderful color.  Great 
I went to Marlboro about a dozen times , Not hard when you live
60 miles away and not expensive .
A truly great fest , far better than the one in Mass.

I will never forget sitting 20 feet bur I have from present boss, MitsukoUchida.playing Schubert , it was a cool day but the blouse on her small back was soaking wet. Not easy being great which she sure is .

I’m with Mazur , "I love every note he wrote " .Mazur had a large tome he wrote which showed that Sym 1-4 were of one piece .Could Be.I don’t have Brahms IQ score but I think he was the most intelligent of all the great composers .

It’s not really bias , like a women, you like what YOU like period .And if you buds say different F....... them.

P.S I don’t know if this is true or not and I have never said it . In 2 German books I read  Brahms sleep with a bible under his pillow and knew every word of it.
I imagine he could.