Center Channel Speakers In A Movie Theater?


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How many center channel speakers do they have in commercial movie theater? Do they use just one big one or do they have an array of speakers across the center?
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128x128mitch4t

Showing 5 responses by avgoround

Here's the trick...
Go into the different theater venues (including IMAX) and go peak under the screen! Then you'll know.
Mitch4t, WHAT WERE YOU THINKING BY POKING AROUND WHERE YOU HAD NO BUSINESS POKING to begin with?!!! - LOL!
If you ask me, you got what you had coming!...lol!..LOL!:)
Hey come on. Look at it this way...if someone told you to jump off a bridge, whould you do it? That's all I'm sayin..
Ok, someone please answer the following queation: Where are the speakers in a commercial cinema theater typically located in relation to the audience(besides the consideration that there are usually more of them in the sides and rears, typically), and how does that differ from how speakers are typically layed out in a home theater setup?
Besides the power and pressence from high efficiency horn speakers in these large venues, I always notice that the loudspeaker arrays are typically positioned HIGHER UP in relation to the seating area bellow! I feel that there's something to be said about this. One, there's a sense of grandure and overshadowing pressence from having speakers locted higher up, as opposed to being more "down low", like you find in many home systems.
Also, speakers are less localized in the rears/sides when you get em higher up.
I personally prefer having my theater speaker systems setup with the speakers more towards the ceiling boundary, rathern than the floor boundary, one, because I do find the sound to be more dramatic and authoritative when they're up higher, than down lower, for some reason. Two, I am conscious of the fact that speaker located down on the floor, or lower, can propegate sound towards the room boundaries near the ceiling, which focuses/reflects right back down to the seating position -causing acoustical reflection point issues, smearing imaging and dynamics a bit there. (of course, radical room acoustics treatments tames alot, but often impractical to go full out here) Obviously for musical soundstaging, there's some tradeoff there. But still, I think the rewards better outweigh the negatives.
Anyone else here ever consider these points of contention, for sound performance applications?