can a tube-o-phile be happy with ss?


I switched to tubes over a decade ago, after realizing that I no longer listened to the stereo because it did not sound like real music and ss and digital were irritating, on a subconscious level. Went to all tubes and mostly LP's. It worked. I even prefer triode with no negative feedback settings, usually. Now ss has supposedly improved, and its advantages beckon, e.g., less heat, electricity and trouble, better bass and perhaps more detail and clarity. Have any of you voluntarily gone back to the dark side and been content? (with the understanding that it never really ends, for an audiophile). On an unlimited budget one might have few complaints, but this question is necessarily in the context of a semblance of fiscal sanity, not top of the line Boulder, Ayre or Zanden.
128x128lloydc

Showing 1 response by lloydelee21

Hi Lloydc,

I crossed back over into SS land a few months ago, though not entirely. I was all tube (DAC, Pre, Amp) and now have gone with SS Class A amp (s/hand Gryphon Antileon). My speakers are also Sonus Faber, so i get an organic quality to my sound from a variety of components. The Class A SS qualities in direct comparison to my outgoing CJ MV60 amp were surprising.

1. On a technical basis, i found the voice magic (organic, dimensional female vocals) was equaled, marginally bettered by the SS amp
2. Air surrounding voices and strings were also equaled.
3. The difference was in power and visceral slam. Now, i find myself listening to orchestral so much more, as a result of the improved soundstage depth and dynamic capability
4. At the same time, even though i know the "air" of both amps is the same, because the smaller tube amp did not have dynamics, the air came to the fore more, and with the SS amp, it recedes back as the dynamic capabilities come forth when you start to think about the quality of sound you are hearing...ie, you do not revel in the air as much even though in a direct a/b comparison, it is clearly there...because there are other qualities to listen to now such as the dynamics, soundstage width/size, etc.
5. I also find the SS to reveal more upstream changes, and as a result, i am now tube rolling my DAC. there is added detail that the is coming thru the amp, which means i now am upgrading from a Jan Phillips 6922 (which is highly microphonic, but surprisingly musical for $20/tube cost) to a Mullard ECC88.

and i just ordered a Mullard E88CC and Amperex 7308 to try out. (as an aside, i will say the Mullard ECC88 provides much greater solidity to the sound and detail, but to my ears and in my (slightly tempermental) Zanden DAC, the upper strings and upper piano registers are still somehow more musical using the original JAN Phillips 6922...shocking frankly.)

In sum, i finally found (after 12 months of intensive search) a SS Class A amp that matched my wonderful CJ amp (which i enjoyed for 9 years!) and gave me more...and further challenged the rest of my components to keep up.

And thus, the search goes on...;) As it does for so many of us. Hope that one person's experience helps.

Lloyd