Cables - When Did it All Start?


OK, here we go...

This is not another "I just installed cable X and the soundstage and microdynamics just shot through the roof..." or "What cables do you guys recommend for..." but a simple question. When did people start noticing that different cables in audio gear apparently sound different? Or another related question, who was the first cable company to offer different "audiophile" cables?

I do not have golden ears and with two children constantly chirping in the foreground/background I can barely hear the music most times anyway, thus I really have no practical experience if cables make a difference.

Regards,
david_berry

Showing 4 responses by albertporter

My first audiophile cable purchase also occurred about this time, (mid 1970’s).

Mine was the Peterson Litz, a tiny diameter interconnect with a jewel like jacket and gold RCA connections. I found out later it was manufactured from surplus military aircraft communications cable.

Steve McCormack was the culprit that introduced me to this high end cable. I clearly remember being confused as to why it effected performance (wire is wire).

Unfortunately for me, the Peterson was soon defeated by later versions from Peterson, followed by Cardas and Audioquest (among others). Fast forward to today and find my personal bank account empty, due to the stunning performance offered by Purist Audio Design.

Considering the evolution of speaker drivers, power supplies, digital players and phono cartridges, it was only a matter of time for high performance cables to be recognized as components instead of accessories.
Leica_man, I too owned Randall Research cables about that time. Do I remember the full name was Randall Research Symmetrical TX?

I had issues with their unshielded design. Two different radio stations came through my turntable unless they were "dressed" just so. Not an easy task as these were inflexible and the RCA terminations would fail, even if slightly abused.

Before Randall Research I used Peterson Engineering cables. Ken Peterson basically bought surplus aircraft coax and terminated it with high quality ends. That was in the 1970's when this was a foreign concept to most audiophiles.