cable burn-in / system burn-in


So many of us just take what we hear as being the gospel truth about equipment. I know I do, a lot of the time, because there is just to much work and cost to prove it. I have to finally agree with the burn-in effect. After several years, and multiple equipment changes, I can say, with out a doubt, equipment and cable burn in makes a very large impact on the sound. I just started my system again after being down for a few months. It has taken about 40hrs of play time before it has started to sound good again. I have a cd that I always play to hear the effect, which I am very familiar with. So it is kind of scientific, and not just arbitrary. So there you have it...
johnhelenjake

Showing 3 responses by sherod

I think he meant 200 hours of continous signal in the system, not the cable cooker.
This is one of the best threads I've read regarding cable break-in/settle-in. Many threads about this subject have been started and in my opinion have gone down the drain usually with the battle of the believers against the naysayers. I'm a believer of the break-in/settle-in of cables because my ears hear the differences. I was one of those who bought an expensive new set of interconnects several years ago( before I understood this burn-in process) and unfortunately sold it prematurely because it didn't sound "right" to my ears. After reading awhile so many posts that cable break-in is real, I bought that same set of interconnects, and this time allowed the 150 hours or so that was required for the break-in and this time I actually heard the changes( roller-coaster ride) until one day the overall sound just opened up and beautiful music was brought forth. But on the other hand, I have allowed more than enough time on some cables, be it speaker cables, interconnects, and power cords, and some cables just didn't gel with my system, anywhere I tried them. I did re-sell those, but at least I knew that I gave them a fair listen by allowing enough time for the break-in process. Patience is a virtue when auditioning especially new and used, as well, cables. I wonder sometimes when I peruse the ads for used cables, "Did that seller really keep these cables long enough to really hear their potential?" Only because it happened to me.
Thanks, Foster 9. I also agree with you regarding the "bass pressurization" of the room. This is definitely one of the key ingredients to hear/feel when the cables are reaching the optimization of break-in/settle-in.