BI-AMPING


BI-AMPING IS THE TRUE WAY TO REALLY GOOD SOUND THE X-OVERS IN PRETTY MUCH ALL SPEAKERS OVERLOAD DISTORTING THE SIGNAL. ACTUALLY, ALL SPEAKER REVIEWS AND RATINGS ARE WORTHLESS UNLESS THEY ARE BI-AMPING,THEY ARE MERELY REPORTING THE COLORATIONS AND DISTORTIONS IN THE PASSIVE X-OVERS. CONSIDER THIS, BI-AMPING AND TRI-AMPING ARE THE INDUSTRY STANDARD IN RECORDED AND LIVE SOUND. SO, WOULDN'T IT MAKE SENSE FOR YOU TO DO THE SAME IN YOUR LISTENING ROOM/STUDIO? AS FAR AS UNITS THAT I WOULD RECOMMEND, FOR A DECENT PRICE THE BRYSTON 10B, IF YOU WANT TO AND CAN AFFORD IT, THE FM ACOUSTICS 236. SOME OF YOU MIGHT SAY THAT THE X-OVER (EVEN THE BEST UNITS SUCH AS THESE) COLORS THE SOUND, BUT REALLY, THE ADVANTAGES OUTWEIGH THE DISADVANTAGES. EACH DRIVER IS DRIVEN BY IT'S OWN AMP-DIRECT SIGNAL, YOU CAN'T BEAT THAT. I FEEL THAT THIS IS AN OVERLOOKED ISSUE THAT IS HORRENDOUSLY IGNORED BY THE PRESS AND THE PUBLIC ALIKE. YOU'RE A LOT BETTER OFF PAYING FOR ANOTHER STEREO AMP AND AN ACTIVE X-OVER THAN TRICK CABLES, SHUN MOOK CRAP, ROOM TUNES, CONES, DOMES, MARKERS, POWER LINE CONDITIONERS, AND ALL THAT OTHER very expensive GARBAGE THAT IS A BIG WASTE OF YOUR MONEY AND IS NOT EFFECTIVE. IF YOU DON'T BELEIVE ME ASK TOP DESIGNERS LIKE CHRIS RUSSELL OF BRYSTON, AT HEAR WHAT THEY TELL YOU.
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Showing 1 response by pls1

I used a Bryston 10b to biamp my Dunlavy SC-V. Bryston 7bst on the bottom ARC VT-200 on the top. The 10b added too much harshness. I liked the 7bst alone better. I ultimately went to high powered tube monoblocks. Just my experience.