Better Records White Hot Stampers: Now the Story Can Be Told!


Just got shipping notification, so now the story can be told!

  Better-Records.com is a small, incredibly valuable yet little known company run out of Thousand Oaks, CA by Tom Port. The business started out many years ago when Tom Port noticed no two records sound quite the same. Evidently Tom is a sound quality fanatic on a scale maybe even higher than mine, and he started getting together with some of his audio buds doing shoot-outs in a friendly competition to see who has the best sounding copy.   

Over time this evolved into Better-Records.com, where the best of the best of these shoot-outs can be bought by regular guys like me who live for the sound, but just don't have the time or the drive to go through all the work of finding these rare gems.

The difference in quality between your average pressing and a White Hot Stamper is truly incredible. If you don't have the system or the ears of course you may never notice. If you do though then nothing else comes even close.   

Tom will say things like only one in twenty copies is Hot Stamper worthy. This doesn't even come close to conveying the magnitude. Last night for example, wife and I were listening to our White Hot Stamper of Tchaikovsky 1812. Then we played another White Hot Tchaikovsky. Then we played the Tchaikovsky tracks from my copy of Clair deLune.  

Without hearing a White Hot you would think Clair de Lune is about as good as it gets. After two sides of Tom's wonders it was flat, dull, mid-fi. Not even in the same ball park. And yet this is quite honestly a very good record. How many of these he has to clean, play, and compare to find the rare few magical sounding copies, I don't even know!  

Copies of Hot Stamper quality being so hard to find means of course they are not always available. This is not like going to the record store. There are not 50 copies of Year of the Cat just sitting around. Most of the time there are no copies at all. When there are, they get snapped up fast. Especially the popular titles. Fleetwood Mac Rumours, Tom Petty Southern Accents, whole bunch of em like this get sold pretty fast even in spite of the astronomically outrageous prices they command. Then again, since people pay - and fast - maybe not so outrageous after all.   

So I spent months looking, hoping for Year of the Cat to show up. When it did, YES! Click on it and.... Sorry, this copy is SOLD! What the...? It was only up a day! If that!  

Well now this puts me in a bit of a spot. Because, see, besides loving music and being obsessed with sound quality, I'm also enthusiastic about sharing this with others. With most things, no problem. Eric makes an endless supply of Tekton Moabs. Talking up Tekton or Townshend or whatever has no effect on my ability to get mine. With Better-records.com however the supply is so limited the last thing I need is more competition. Bit of a bind.   

Even so, can't keep my big mouth shut. Been telling everyone how great these are. One day someone buys one based on my recommendation, Tom finds out, next thing you know I'm a Good Customer. What does that mean? Well is there anything you're looking for? Year of the Cat. That's a hard one. Tell me about it. Might take a while. Take all the time you need. Just get me one. Please. Okay.  

That was months ago. Other day, hey we're doing a shoot-out. No guarantees but should be able to find you one. So for the last few days I was all Are we there yet? Are we there yet? And now finally, like I said, shipped!  

So now I have my Grail, and the story can be told. Got a nice little collection of Hot Stampers, and will be adding more, but this for me is The One. Might not be for you, but that is the beauty of it all. Many of us have that one special record we love. If you do too, and you want to hear it like listening to the master tape, this is the way to go.
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"In 2020, 27.5 million LPs were sold in the United States, up 46 percent compared to 2019"

Playing with these numbers it comes (roughly) to this.

In 2019, 18 million people bought one record each (over the course of 12 months).

In 2020, same 18 million people bought one more record each and half of them bought an additional record. So, 9 million people bought one record and 9 million people bought two records each.

If we propose that vinyl comeback means that people really like records, we could assume that each vinyl-lover bought more than one record in 2019. Let’s say they bought two which is still a fairly low number for someone into records and who is going through keeping and maintaining vinyl-playing equipment. That would make it 9 million people who bought two records each in 2019. One record every six months.

Now, is it safe to assume that in reality an average vinyl lover bought at least four or five records in 2019? That would bring us to, maybe, 4 million buyers in 2019.

As impressive as the percentage of growth appears to be, it may really bring us to everyone just buying an extra record, two, or three in 2020. That would, optimistically, be one extra record every four months. Which does not seem to me to be some feverish unstoppable shopping.

Of course, I may be wrong on all of the above. I was just trying to imagine how many people really buy (new) records and what is the dynamics of their dedication.
I thought people came to this forum for their love of audio and the associated equipment.

some come here for a fight or to feel superior than their peers.

A few here need a good therapist or a hug.

One in particular must be very very lonely and has Daddy issues. 
I think I bought three new records in 2019 with another two new ones in 2020. In 2021, one more new one although that one was because of this thread and from Better Records so I am not sure it would qualify for the statistics above.

How many new records have you guys bought over the last two years?
Maybe the "comeback" wouldn’t be so "surprising" if the "journalist" would take his eyes off his canned narrative and take a look at actual, you know, history. Then it would be clear analog is the golden age, today as much as ever. Analog was the gold standard for over 100 years before the CD. Then the whole time since it remained the gold standard in terms of sound quality. Today more than ever. All that happened was we had this flash in the pan called digital, that promised what it could not deliver: perfect sound forever.

Masses of people still care more for convenient noise and are unwilling to put out the minimal effort required to play a record. But the ones who are willing to do even a little quickly realize there never was any there there with digital. So it isn’t really surprising at all. Heck people like Fremer and me saw this coming 40 years ago. It just always takes a while for the masses to catch up with the leaders.