Best Value Line Stage Tube Preamps?


Given they are all multi-input, multi-output, balanced line stage tube preamps, what are sonic benefits of a serious Rogue RP-7 or Prima Luna EVO 400 vs. the $899 Schiit Freya Plus? Currently these would feed a Parasound Halo A21 into Legacy Signature SEs, with all cables and speaker placement constant. I know the relevant mfrs/dealers all offer trial and/or return policies, but living far from any source and disliking return hassles, I'm soliciting expert opinions before (preferably, in lieu of) undertaking in-home experiments.
I know that much depends on one's own listening habits and sonic signature preferences, but surely differences in power supply, output impedances, etc. might be objective benefits to spending the 5x more coin for a bigger, badder device?
hickamore

Showing 2 responses by melm

I find the Freya+ quite sturdy.  It is said that the circuit board was made thicker compared to the original Freya.  I believe it.  The sockets seem to grip like any others I have had.

In any event, if the sockets are a concern you can use socket extenders and avoid the issue entirely.

As for tubes, the Freya+ used to ship with Tung-Sol tubes (which is what they were reviewed with) but now ships with cheaper JJ tubes.   

I have rolled and find the SQ to respond very well.  Currently using Sylvania chrome domes in the gain positions with excellent results.  Especially if you prefer (or like me must have) balanced outs the Freyas do very well at 1/5 the cost of the Rogue, for ex.  But you will probably have to roll to see exactly what it can do.
Without comparatively rating any of the preamps mentioned, anyone who talks about "high value" or "best value" MUST include the Freya+.