best solid state integrated to match with B&W 685s


Hi folks, I am new to Audiogon but love the site. I am just starting out on my trip to audiophile heaven, and currently I have 15 year old Yamaha gear (RX-485 and cheapo CDP). I bought the B&Ws in August and have been researching ever since.
The room is small, 14x12, and my music is intensely varied, from Snoop Dogg to Aphex Twin to Vivaldi. What would be the best integrated amps to start auditioning?
I am planning to eventually build a system with an external DAC and the Wadia iTransport, so am looking very hard at refurbished Deccos...Also considering the NAD C326 BEE, the Cambridge Audio 550a, the Music Hall A25.2, and a used Creek 5350SE if I can find it cheap enough.
Budget is under $800, has already been pushed to the limit.
realremo

Showing 9 responses by knownothing

Of those I suggest Music Hall or Creek. A used NAD C-370 or C-372 would provide ample power to drive rap or classical music. Decco may be another good choice.
I think Bob is saying that you would have a set of pre-amplified RCA jacks out of the back of the integrated, and that you would connect those to your amplified subwoofer's RCA inputs. You would do a one-time balancing of volume levels between the speakers and sub by adjusting the volume control on the subwoofer itself, and then control overall system volume for regular use (both the sub and the speakers) with the main volume control on the integrated. A Radio Shack sound level meter comes in handy for the balancing act.

As for Cambridge Audio gear - there is nothing at all wrong with it, I have a Cambridge CD player I like very much. I just prefer the more powerful Creek, the Music Hall and the big NAD's to that particular Cambridge or the smaller NAD you suggested for your stated musical preferences.

You mentioned AA has CA gear on sale, that is because CA has a very rapid product cycle. If you can stretch a bit, the deal of the week is the Cambridge Audio Azur 840A amplifier for $899 on AA website. If this is the 840A v2, then it is a much better amp than anything mentioned in the thread to this point, and like the big NAD, it has preamp outs that could be used to drive a subwoofer.

PS - I totally get your aesthetics thing, I have to have all gear that is at least the same color black, if not exactly the same size, brand and logos. That is why I didn't choose NAD gear at one point - because it was gray!

PS2 - one last thought, the $799 (black) NAD C-355BEE is pretty close to the C-372 in terms of sound quality, and would very likely work well with the 685's in your small space, but at $899, the Cambridge 840A is a lot more amp for the money.
I would consider getting a higher quality integrated rather than fooling with separates in this price range. Look at these:

Exposure 2010S
Cambridge Audio Azur 840A v2
Naim Nait 5i
NAD C-375BEE
Rega Mira 3
Peachtree Audio Nova
or the new Rotel.

These amps will rock you world, and will drive the 683's if you eventually decide to go that route. More $$ towards electronics and less $$ towards additional case work and interconnects.
I would go listen to the Naim and the Cambridge too if possible... REALLY. The reason they are not listed in Stereophile's recommended list is that they have either not reviewed them (Cambridge) or not in a very long while (Naim Nait-1985, at least four generations and 30 less watts ago). These are both "Class B" amps at least.

The Naim Nait 5i is or should be on everybody's "must listen" list and the version 2 of the Cambridge 840A is excellent. But if you had to "settle" for one of the others listed above, you would likely have few regrets.
The older Naim's were more restricted in the type of wires they could accomodate. The current Naim Nait 5i, Nait XS and SUPERNAIT integrates all accommodate RCA jacks and multiple types of speaker cable. The XS and SUPERNAIT also have subwoofer outputs. See below from Naim website for features of the Nait 5i as an example:

Features:

* 50W continuous output into 8-Ohm loads, 500W peak into 1-Ohm.
* Zinc and aluminium anti-resonance casework.
* DIN and RCA phono inputs.
* Can be used with a wide range of interconnect and loudspeaker cables.
* Programmable unity-gain audio-visual input.
* NarCom remote control handset.
Realremo,

If a choice is to be made, I am a believer in putting more money in the front end (source and pre/amp) due to GIGO considerations. In reality, most people building systems over time see-saw between improving quality of speakers, amp and source - eventually ending up with relative balance of quality across the board.

Your old receiver and digital source are clearly the limiting factor now, and the 685's are good enough to hang with and do justice to even mid fi gear costing a lot more.

That said, ATC speakers as a whole are in a different league than the 685's - but what would be the point of putting all that resolution downstream of a compromised signal at this point? They may actually sound less satisfying than the 685's because they would be reporting everything going on in front of them - both good and bad.

Now if you were to pair the SCM's with something like a Naim integrated and an excellent DAC like a Benchmark or Berkley, then you would be in business... Just something to think about.
"One possible system, is a Benchmark DAC1 sourcing active speakers."

This is an interesting idea. Bob, how would you configure a subwoofer in this set up?
Thanks Bob.

I listened carefully to one of the new NAD amps set up well yesterday, and came away impressed. Now thinking the combination of the C-326BEE with the 685's would sound great in a small room. Actively, crossed over as recommended by Bob R with a musical sub it could be very, very satisfying. Would be a clear upgrade path.

Bob's suggestion of an active speaker system with sub and DAC/pre combo is also interesting.