Best mastered recordings


I've noticed, here recently, that often times the difference in redbook, HDCD, etc, doesn't hinge as much on the final quality product/disc but more the way the recording was recorded and mastered. Specifally, I've found that I can take the same recording (Saint-Saens Symp No3) on three different labels (EMI, Telarc and Deutsche Grammophon), yet they all sound different, to some degree. I've noticed, for this particular recording, EMI and Telarc sound similar but distinctive. Yet, compared to DG, they don't match up. In fact, when compared to a borrowed SACD version of the same recording, the DG sounds more closely to its higher resolution counterpart.

To my point. Am I the only to conclude such a thing? If not, has anyone else found which recording labels produce the better recordings in comparison to others? What were your overall findings?

Regards,

Craig
cdwallace

Showing 4 responses by cdwallace

Maybe I've been the more fortunate one to have purchased the better DG recordings, unknowingly. Mind you, I may not have years of exposure to classical music and recordings like many of you, but at this point in my progression, I favor more toward the DG releases than I do others I've mentioned previously(EMI, Telarc, Sony, RCA, Hyperion etc). Even the release I have purchased (Saint Saens No3) from multiple labels.

The DG releases have a more sense of immediacy. They tend to have a stronger presence in the recording than other, IMO. This is a quality in the recording I like...a lot. It could be the recording techniques used; I'm not sure. Regardless, it sounds great on my system. Then again, could it be the system? It's more mid-fi in quality. Not mass market, but not high end either.

I'll have to be a bit more discerning in my purchases from here on out. I'll definitely keep my eyes open for the engineers and producers you all mentioned.
Gents, maybe there is a slight misconception that should be clarified. I understand the differences between one recording to another. Teams, musicians, etc...they all will play their own role in making the final product distinctive. Maybe I should have been a little more decisive in my word selection. (KR4 - sorry if I portrayed myself as an idiot, but looks are deceiving.)

Nevertheless, it seems others beside myself understand that even though recordings differ one to another, its hard to overlook the fact that some labels do a better job at recording the venue than others. Even to the degree that some labels do a better job at capturing a bad performance. I would hope thats why we purchase products from those labels; we feel they do a better job at capturing the moment better than others.

Its also more evident that I am not the only to think one company produces a better "final product" than another. In addition, some producers/recording teams/performers do a better job as well.

Rcprince - thanks for the insight on label philosophies. Thats one thing I hadn't considered. This "shows" in the examples of recording techniques you mentioned, and how they change from label to label.

Thanks for the constructive conversation, gents.
WOW! I'm glad I didn't purchase older copies of DG releases. I'm referring to recent releases/remasters...
I just checked the release dates of all my DG CD's and none were released before 2001. I guess this puts me in the clear.