Best LPs to Test Turntables

Hi Ya Goners,

I'm about to test drive a few new turntables and I'm looking to bring in vinyl to play when I preview them. Looking for suggestions on what specific LPs you would recommend to bring in to test and listen to the various turntables.   Thanks in advance for your suggestions. 
Its pretty simple. Bring what you are familiar with, that are well recorded, with music you like, and won't mind playing a lot, letting other people handle, etc. One will do, initially. Then if you narrow it down to one or two and its close (unlikely, but you never know) bring a few more, representative of what you like to play the most. You are after all buying something to play to please yourself. Keep that in mind and don't go trying to impress anyone with your audiophool cred. 
Perhaps not quite that simple.  Start with a good solo (or small ensemble) piano recording and listen for excellent pitch stability.  Listen carefully to the decay of notes or chords at the end of musical phrases.  Do you hear any pitch waver as the note decays?  If you do, move on.  Be careful, however, and make sure that the pitch waver is not in the recording itself.  Keith Jarrett recordings on ECM are pretty much guaranteed to not have this problem.  Narrow your choices this way then move on to other sound considerations and be mindful of the inevitable effect of different arm/cartridge combinations.  Pitch stability impacts just about every other aspect of LP sound and is the one aspect that is almost entirely dependent on the turntable regardless of arm and/or cartridge.  Good luck.
One LP that brings many stereos to their collective knees very quickly is Paranoid by Black Sabbath. You'll need the original Vertigo English or German white label (not a promo) pressing in good condition. Most stereos simply can't play it at volume- there is a lot of bass energy in the first track.
Verdi Requiem, side one track two, Soria Series on RCA (dowel spine box set). Vast dynamic range!

Thank You Frogman.  The Koln Concerts is always one of my Go To recordings. Second is a box set of Miles' Prestige years with Coltrane
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Before you will play any music it's important to check the system with TEST RECORDS if you want to make sure about channel balance, polarity, phase and proper cartridge setup. You can even measure tonearm + cartridge resonance with Hi Fi test LP (free protractor included). Another great LP is Cardas with its unique feature to ultrasonically clean the stylus. What you can do with these 2 LPs you can't do with the music. 
I would go with Stevie Ray Vaughn’s Tin Pan Alley. I’m just starting my own speaker company and this is the track with so much impact that I use this to demo my speaker line.
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I agree with Black Sabbath Paranoid. Also Herb Albert Rise. The first track is analog and the next track is early digital
Donald Fagen The Nightfly. Norah Jones Come Away With Me Classic Records pressing. Lightin’ Hopkins Goin’ Away Analogue Productions pressing. 
You should focus more on the cartridge and phono pre-amp than the turntable.  The latter two components actually generate the sound that your hear the turntable just spins the record as long as it does so consistently, not necessarily accurately, you will realize more return by evaluating various combinations of phono cartridges and or phono amps since small subtle factors like frequency response and RIAA accuracy can add audible effects regardless of which turntable you choose.  With regards.
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Sheffield Labs direct-to-disc: Wagner, Prokofiev Romeo and Juliette, Thelma Houston. Spectacular dynamic range!
Weather Report: I Sing The Body Electric (The Unknown Soldier). Sweet Nighter (Boogie Woogie Waltz).
Stravinsky: The Firebird (Boulez and the NYP). Mahler: Symphony 1 (Ozawa/BSO) - last movement. St.Saens: Symphony 3 (Barenboim/CSO) - last movement!
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Seems kinda odd-ask  others what YOU should listen to, other than your favorite music?
With respect, I think some of you guys are missing the point of the question.  He is auditioning turntables.  Not cartridges, not arms, not entire audio systems; turntables.  
Apart from speed constancy, which you addressed @frogman, it is hard to isolate what the turntable is doing in a system, leaving aside variables in arms and cartridges (a subject that was recently addressed in another thread about how people can ’hear’ a turntable in a ’drive by’ listening session without also taking those other variables, including the system, into account).
My go to, to start, is Janis Ian’s Between the Lines, standard issue Columbia pressing- it has female voice, real horns and strings, plus electric instruments and a range of styles, to give me a sense of sound. But, I would also use other records to compare- and none of them audiophile spectacular type albums- i'm more interested in what the front end brings out in a ’nothing special’ pressing- though some of those mentioned, like the early Vertigos of Sabbath per @atmasphere are impressive on a good system.
I completely agree that “audiophile spectacular type albums” are not always the best choice, @whart. I too often use records that might be considered average in the ear candy department, but that are great musical performances. I find that in an unfamiliar system the spectacular aspect of “sonic spectaculars” can actually be a distraction. But, I think that the impact of “speed constancy”, or lack thereof, is seriously underestimated by many. Way before the issue is perceived as obviously poor speed constancy the rhythmic feel of the performance is being impacted in a negative way.  
I was auditioning cartridges yesterday and I used the the first minute or so of "Time" from Dark Side of the Moon. You can learn a lot from all those ringing clock chimes. If I want to test a systems low end I use about the first four minutes of "Reflection" by Tool or "Flight of the Cosmic Hippo" by Bela Fleck.
Obviously, your personal familiarity with an LP is key.

I've found these indispensable for setting a deck up. I'm not sure how relevant the resonance test is for overall presentation. The one time I shopped for a turntable none of the tone arms managed the resonance test very well yet a majority seemed to sound fine. Good luck with your search.

Shure TTR-101 "An Audio Obstacle Course" side 1 track 4 Blank Band anti skate adjustment. Adjustment on the fly.

Clearaudio "Azimuth optimizer Test Record" in conjunction with a Fozgometer. Adjustment on the fly.

Shure TTR-115 "An Audio Obstacle Course - Era IV" Side two BAND Five Tone Arm Resonance Test. (My Well Tempered arm sails through the entire track)

Telarc 1812 followed by Dean Martin "Dream With Dean" to subjectively dial in the VTA to my taste. Adjustment on the fly.
Linda Ronstadt - Whats New
Cowboy Junkies - Trinity Sessions Classic reissue.

Lindas voice can be difficult to track on this and many of her albums and the Cowboy Junkies album can be sibilant and distorted on lesser setups.  The cartridge and type of stylus also has quite a bit to do with it.
Thanks Roberjerman. Rock n' Roll Animal is a good one.  Many of the suggestions coming forward I do not have on vinyl. So need to connect with what I own.  Do you think that it matters when the LP was originally recorded analog, or digital.  For example, I would imagine all Weather Report LPs are produced from digital masters.  BTW - They were one of my early concert attendances.  Jaco was phenomenal to this kid in high school.
@pgaulke60 : All the Weather Report LPs can be found used on EBay. I only buy original (non-digital) pressings. I assume that their later post-1980 music was recorded and mastered digitally. So look for their earlier recordings! 
I can recommend side 2 of Procul Harum's Shine On Brightly - "In Held Twas In I". A twenty-minute multi-section progrock suite!
I will add Quicksilver Messenger Service's Happy Trails - "Who Do You Love" - and the two instrumental tracks on side 2. Recorded live. John Cippolina was a phenomenal guitar player!
And not to be overlooked: "1983, Moon Turn The Tides ..." from Hendrix's Electric Ladyland. Along with "Burning Of The Midnight Lamp". Jimi at his psychedelic best!
I use a couple of 60s Columbia LPs that I am very familiar with:

Stravinsky conducts Rite of Spring, Columbia Symphony (really the New York Phil, but contractual limitations...)
- a truck drives by the hotel where they recorded, at a quiet moment on the first side. Prince Igor also stomps his foot during the Game of Rape (I think). It still makes me think someone is kicking my porch...

Bernstein conducts Bartok Music For Strings, Percussion and Celesta, New York Philharmonic, Columbia
- in the stereophonically-written second movement, Lenny quietly mutters "one, two, three!" under his breath, desperately trying to keep his two string orchestras together in one of the more treacherous multi-meter passages. I listen to see how much resolution the turntable/cartridge is capable of...

The Sheffield Labs Prokofiev Romeo and Juliet, that someone above recommended, is indeed an amazing disc, but I think it would sound decent on an average table. But it is a dry recording, so it would be interesting to use to see if the dryness is attractive or not.

I also have an old 1969 pressing of Arthur by the Kinks. It is fairly worn, so I use it to see how fine a stylus is, if it can retrieve grooves under the scratches. Benz MC carts win here. But you are testing tables, not carts...
Bring your best sounding uncompressed ones that you have listened to & know

I would bring:
Wilson Audio or MFSL pressings
Pink Floyd DSOM & The Wall 
The Damned -  Black Album, Anything
Clannad - in concert
Red Nichols - Marineland
Isaac Hayes - Hot Buttered Soul
Verdi - Requiem
Taj Mahal - Recycling the Blues

I would also bring my Portuguese pressing of Joy Division Still...
1. STRAVINSKY: "Petrouchka" ~ Oscar Danon at Royal Philharmonic Orchestra ~ Chesky Records ~ UK ~ CR 42. 
2. STRAVINSKY: "The Firebird" ~ Antal Dorati ~ Mercury Living Presence/Classic Records ~ 180g ~ SR-90226.
3. BEETHOVEN No. 6 ~ "Pastorale" ~ Bruno Walter ~ Columbia Masterworks ~ US ~ MS-6012.
4. BEETHOVEN No. 9 in D minor, Op. 125 ~ Sir Georg Solti & Chorus ~ Decca/Speakers Corner ~ Germany ~ 6BB 121/2.
5. HOWELLS ~ "Hymnus Paradisi" ~ David Willcock ~ EMI ~ UK ~ ASD-2600.
6. CASSANDRA WILSON ~ "New Moon Daughter" ~ Blue Note ~ UK ~ 7-24384E 11.
7. CORINNE BAILEY RAE ~ "Corinne Bailey Rae" ~ EMI ~ UK ~ 009463 54117 1 3.
8. KEITH JARRETT ~ "Facing You" ~ ecm ~ W. Germany [Old Album!] ~  1022.
9. LIGHTNIN' HOPKINS [Real Name: Sam Hopkins] ~ "Boot Hoot 'LIVE'" ~ DCC ~ US ~ LPZ-2007.
10. GENE HARRIS ~ "The Gene Harris Trio, Plus One" ~ [Stanley Turrentine/Ray Brown & Mickey Roker] ~ 45rpm ~ Groove Note Records ~ US ~ GRV-1019-1.
11. JOE HENDERSON ~ "Double Rainbow: The Music of Antonio Carlos Jobim" ~ Verve ~ US ~ 534.
12. MICHAEL BRECKER plus Claus Ogerman ~ "Cityscape" ~ Quiex II Limited Ed. ~ Warner Bros. Records ~ US ~ 23698-1.

all so... 
13. SAINT JOHN WILLIAM COLTRANE ~ "Blue Trane" ~ 45rpm/4 set ~ Blue Note ~ Classic Records/Clarity SV-P II ~ US ~ 1577-45.
14. PINK FLOYD ~ "Dark Side of the Moon" [Pro-Use Series] ~ Japan ~ EMLF-97002.
15. STING [Real Name: Gordon Matthew Thomas Sumner] ~ "The Dream of the Blue Turtles" ~ MFSL ~ Japan ~ MFSL 1-185.... and...
16. THE VENTURES ~ "Ventures In Space" ~ Dolton Records ~ US ~ BLP-2077.... I'M KIDDING!!!!
Mike oldfield in tubular bells spectacular intros of many instruments all played by him. Great sound stage 
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The Telarc 1812 Overture with real cannons is excellent for tracking and dynamic testing.

I also concur with Brothers in Arms
Sorry. Reading through the responses was slightly depressing: most (though not all) of the recommended LPs are really SO unimaginative, so expected and all the usual suspects are there  -- ZZZzzzzz. Yeah, yeah, "it's to test the gear not the music" blah blah. But come on guys, let's get creative here! Something "left field" that the HiFi salesperson hasn't considered or demoed before.
A good general rule is: Anything played at a HiFi show is best avoided imo (D.Krall, V. Fernandez etc ... I'd prefer to listen to The Shaggs than anything by Ms. Krall.

I'll give you 3 vinyl goodies that will stretch any deck that you won't hear at any show or be found in any HiFi shop collection:
  1. Frankie Goes To Hollywood's 12" single of "Two Tribes" Carnage Mix. It's got the kitchen sink in it [a Trevor Horn production]. Yes, it has those sharp-edged 80's samples BUT it stress-tests the pace and timing of a deck like nothing I heard - but mainly it tests SEPARATION. If your deck can isolate each element locked in those grooves and doesn't sound "mushy" then you got a winner.
  2. Hawkwind "Warrior On The Edge Of Time" - start on side 1, track 1 and just play the bugger through to the end. Huge soundstage. Partly mixed while the band were tripping, but if the deck makes it sound magnificent (which it is) then get it.
  3. Sunn O))) "Black One" or "Altar" ... the B-A-S-S. An aural assault (an acquired taste) but it'll put your deck through the mill that's for sure. I don't care for Sunn O))) myself but to stress a deck they're great. Herb Reichert can attest to that.
And as a bonus disc, anything by Whitehouse will work wonders. Musically it's awful harsh noise with no musically redeeming qualities whatsoever. BUT it is guaranteed to clear out any listening room - after which you can then play the above three without interruption.(The New Blockaders also work well in this regard - the Rough Trade shop in UK used to play them when the store got too crowded [ahhh, ye goode olde days], always cleared it out to all but the most battle-hardened).
You have to listen to some of your favorites critically. Songs you love; but break them down for what it is that you love. Listen to cymbals, vocals, piano, violin & Cello, kick drums or tympani, soundstage, and the totality of fun and beauty. Some albums will emerge as beacons.
If you have any of these, give 'em a try:

Broken English, Marrianne Faithful
Hasten Down The Wind, Linda Ronstadt
The Other Side Of Desire. Rickie Lee Jones
Pirates,  Rickie Lee Jones
Takin' My Time - Bonnie Raitt
Living and Dying in 3.4 Time, Jimmy Buffett
So, Peter Gabriel
Whites off Earth or anything by Cowboy Junkies

Another good test is to compare tracks with complex background vocals or lead overdubs and see if you can pick out the different vocalists.

If you're not in your own house listening to your own system, then you are "testing" not just a turntable in isolation but also everything else in the chain, including the room.  If you are not already familiar with these ancillaries, then it would be very hard indeed to judge the turntable.  But as to LPs, I would cast my vote with LPs that you already know very well and like on your own system, plus a few that are "iffy" in your own system.  I find that true upgrades to my phono system often make recordings that I had previously thought to be mediocre sound much better and sometimes great. 

I'll come back with specific LPs, once I can get to LP collection to write down titles.  Right now, I can only remember artists and labels.

Thanks everyone for the great suggestions.  They are really helpful.  I am having to get over a hurdle. Some turntables that I "listen" to I hear the motor.  I listen without music playing, just for the turntable itself.  I listened to the McIntosh MC5 this weekend, and the motor was really noticeable.  I turned it up to 78 rpms and it was really loud, IMO.  Then I listened to the McIntoch MC10, and no sound at all.  I'm trying to find someone around town who has ClearAudio turntables on display so I can "listen" to them.  The quest continues.
yep, i read enough.    best
album to bring is a blank 
side on the B side   no Tracks.   set  cartridge down it should hold the line on two different places on blank album 
 then play your  Ian Druy 
jimf42...*L*  Bringing the 1812 w/the cannons doesn't make friends with the vendor, though.  If they're familiar with that selection, watching their stylus get wrenched by multiple *bangs* generally elicits visible *cringe*...and you'd best buy Something. *L*