Best high-efficiency speaker under 10K


I have never played in the high-eff speaker / low-powered amp space, but I've read so many things that I would like to give it a try. I own an EAR 859 integrated amplifier, De Paravicini's interpretation of SET. It's pretty incredible, especially if you consider its price tag. I am now in the business of choosing the right speaker. I listen to a lot of jazz and vocals and opera. So, I can do without the sub-40HZ frequency range. I would like to stay between $3K to $7K, certainly below $10K. Here are the options i am considering:

1) Zu Audio Essence.
2) Beauhorn Virtuoso (single driver)
3) KCS louspeakers (the model that uses the SEAS exotic driver)
4) Devore Gibbons 8
5) Living voice Avatar

If I had to choose right now, I'd go with the Beauhorn, but I know their limitations.

Any thoughts/personal experiences with the above or any other speakers in this range? Thanks.
ggavetti

Showing 1 response by jdoris

The "you need to audition" advice is doubtless right, but sometimes overstated.

Auditioning is a lot of effort, given that many manufacturers have limited distribution: I've been looking for a speakers for about a year, and through business travel, I've now heard speakers in Carolina, California, Missouri, Kansas, and Illinois. I've tried, and failed, to set up auditions in Arkansas and Tennessee. Still no decision.

Given constraints of time, etc, the auditions may not be all that informative: like other relationships, it's difficult to project from a few hours to a dozen years.

Also, even with notes, memory fails: I know I liked speaker X pretty well, but its hard to compare the memory of X with the experience of Y as I listen now (maybe I could compare a recording of X!;).

Given all this, and given that the conditions in any audition may be only distantly related to the conditions you'll face in your room with your gear, I'm not sure how much benefit auditions are.

My experience is that the negatives are informative: if I don't enjoy it for an hour or two in audition, I eliminate the speaker, even if I suspect set up problems at the audition. As they say about marriage, "if you've got reservations now, you'll be making 'em later." To my surprise, I've quickly eliminated numerous highly regarded speakers in audition. But as for a "good" audition, who's to say: Will it work this way for me? Will it stand the test of time? Is it really better than the competing model I heard three months ago?

Given all this, I think the information found at places like this is well worth seeking out.

Happily, some manufacturers, like Salk, allow in-home demos, which can answer a lot of questions off site auditions cannot.

John