(I am assuming your using a typical S shaped tonearm with removable head shell)
With this Parasound 2100 you will not be able to properly play LOW output MC cartridges. So, High output MC’s and MM’s will work fine. This means No to the Denon DL103 and Yes to the 2M blue. If it were me, I would go with a Ortofon 2M red $100 best bang for the buck!
(I am assuming your using a typical S shaped tonearm with removable head shell)
As @mattmiller and @mesch recommended, I used an Ortofon 2M Red which was included in my Pro-Ject Carbon Debut Esprit SB bundle. After a year I "upgraded" the cartridge by replacing the 2M Red stylus with a 2M Blue stylus. There was a noticeable performance improvement IMHO. However the price of the upgraded Blue stylus was more that the cost of the original 2M Red Cartridge.
I don’t know the mass of the tonearm, but the turntable is an old Aiwa AP-B21 unit, with the following specs:
Platter: aluminium alloy die cast
Drive system: belt drive, auto return
Motor: 4-pole synchronous
Speeds: 33 and 45rpm
Wow and flutter: 0.05%
Tonearm: J-shaped static balance type
Effective length: 220mm
Cartridge weight range: 4 to 9g
Arm lifter: oil damped
Shell weight: 7g
Cartridge: VM dual magnet type
Dimensions: 440 x 135 x 355mm
Thanks viridian -- I had heard that replacement styluses for the 681 were not worth it, as the body doesn't age well; have you heard otherwise?
Regarding the VTA, you are right that the turntable doesn't have an adjustment, but I thought that could be done either at the cartridge head or platten. Is that a bad idea?
Also, thanks for the Nagaoka 110 suggestion; I'll look into it.
What a great thread on Stanton 681 replacements -- thanks viridian! One of my concerns (in addition to that body ageing thing, with which I totally relate), was that the JICO replacement stylus is $167, and I didn't see any point in spending that much $ to resuscitate a cartridge body that may not be in such good shape. But if the author of the thread is right, it sounds like the Pfanstiehl 4822-DEE-P is a decent replacement stylus, at only $29 -- that's a no-brainer! At worst, I can use it as a backup set of "rock skis", for my rutted records that would otherwise tear up good needles. Thanks, too, for the advice on rough VTR adjustment; if the Phanstiehl doesn't work out, I may yet need to try it. Or maybe just get a better arm...
... if you are looking for negative VTA, raising the front of the arm up ...
There's no such thing as "negative VTA." You're confusing VTA with the relative angle of the pickup arm - those are two different things. Proper VTA is typically within the 15 to 20 degree range.
cheeg 01-11-2018 2:36am
... the Pfanstiehl 4822-DEE-P is a decent replacement stylus, at only $29 -- that's a no-brainer! At worst, I can use it as a backup set of "rock skis", for my rutted records that would otherwise tear up good needles.Provided your records are clean, there's really no reason to be concerned that a worn record will damage your stylus. It's the dirt that can damage it, not the groove - although I am assuming here that these are discs that haven't been trod over with football cleats.
Thanks to the moderators for deleting the hateful post above. It's difficult to believe that matters such as VTA could invoke such nastiness. To clarify, there is no such thing as a "negative VTA." Claiming that there is reflects an ignorance of the geometry of phono cartridge alignment. Here is a link to a graphic that clearly illustrates VTA and SRA and shows how they are related - but very, very different - angles.
Understanding these angles is key to achieving proper phono cartridge setup. However, it is critical to also achieve proper overhang and tangency in phono cartridge setup. That is why I always recommend using a mirrored gauge such as the Mint or WallyTractor, which align the actual stylus/cantilever assembly, and don't rely on the cartridge body or anything else to get those parameters correct.
Just to clarify, I have no issue with disagreements on matters of phono alignment and welcome the discussion. So, contrary to cleeds wanting to paint my ire as a reaction to these differences, he knows that is not correct.The post that was deleted by the moderators was ugly - truly vile. That's why they deleted it. If you object, you can share your thoughts with the moderators.
You correctly note that the link you provided refers to "negative VTA." The link is simply mistaken, and I've sent an email to the audio dealer asking them to correct it. We'll see if they do.
Humans can communicate because we use words with shared definitions. When we lose that, we lose out ability to communicate altogether.
The question seems to remain: What is VTA (Vertical Tracking Angle)
Here's an accurate definition, courtesy of PS Audio: "... vertical tracking angle is the angle the cantilever makes with the surface of the record. Typically in the range from 10 to 30 degrees for cartridges, this should be matched to the VTA of the cutter head cutting stylus’s pivot angle as it cuts the record ..."
Here's another accurate definition, courtesy of tnt-audio: " VTA is represented as the angle the cantilever makes with the surface of the record, generally around 20-30 degrees. This is the widely accepted definition of VTA ..."
Here's yet another good definition, courtesy of hi-fiworld: " You can roughly visualise it as the angle a stylus cantilever makes with a disc's surface, although to be more precise it is the angle between a line drawn from the stylus pivot to the stylus point of contact with a disc and the disc's surface, denoted by A in the diagram ..."
Do you know where the "V-15" designation comes from in some phono cartridges, such as Pickering and Shure? "The vertical tracking angle is 15 degrees, thus the 'V15' name." Surely we can all trust Shure to know what VTA is!
This link on Analog Planet contains the definitive article on VTA and SRA, published by Jon Risch and Bruce Maier. It explored SRA in away that had never been thoroughly considered previously. It's from Audio magazine. (That's the US version of the magazine. A briefer version of this was published elsewhere around the same time, perhaps Popular Electronics. But the Audio version is the best reference.)
Roy Gandy has a particular perspective on VTA. It's interesting.
Viridian, you are free to call me pedantic for setting the record straight on VTA. But the fact remains: There's really no such thing as "negative VTA." It's either physically impossible, or it relies on a mistaken definition of VTA. Choose the one that makes you most comfortable.
I believe that you are disagreeing With Galen on this one.It's not me so much disagreeing with Galen , or whoever wrote that for Galen. It's Shure, John Risch, Roy Gandy, Paul McGowan and so many others. I've emailed Galen for a correction, and he's already responded by saying he "will address the issues" in his article over the next few days. I'm inclined to take him at his word - he enjoys an excellent reputation in this industry, which I'm guessing is why you put so much faith in his site.
... Gandy suggests that record cleaning is unnecessary as the stylus will simply push the dirt out of the way. I am not comfortable with that but YMMV.No, I absolutely agree with you on that. I think it's a nutty claim, frankly.
@cheeg - in case you have not yet decided on a cartridge - here’s a vote for the Denon103 - why?
Right of the bat - this is a very good cartridge, i.e. as long as it is compatible with your arm
Next - there are quite a few versions available
So my point is - the 103 can grow with you and your system
I have a standard 103 and one with a Soundsmith modified cantilever/stylus - both fitted with the brass shim. For the same money I do not believe there is a significantly better cartridge than the 103.
It has been a workhorse of broadcasting for decades and with the tweaks can compete with cartridges many times its price.
It also responds very nicely to a good arm - I have an Audiomods Classic arm that brings out the very best this cartridge is able to provide.
That’s my vote - Steve
@viridian -- thanks for following up! After you and cleeds got into it, I decided to bow out and let tempers cool; sounds like the two of managed to find some common ground.
Soooo... it's been an interesting jaunt; I ordered the 440MLB, despite your (legitimate) concerns about VTA, since it's been discontinued and they may not be around much longer. I also ordered a Pfanstiehl 4822-DEE-P stylus for my Stanton cartridge, assuming that would be the backup for my 440 on chewed-up records.
I mounted the 440 last weekend, and have been fiddling with it ever since. It sounds good, but not great; I probably still don't have the ideal geometry, but it's pretty close, and the sound is not quite there. Mids are very nice, but the cymbals don't quite come alive, and the bass is a tad weak. I've tried different VTFs, from 1.25 to 2.0, and played with the VTA (currently it's slightly "positive", as Galen would say (head lower than tail)*, but it varies from neutral to positive with different record thicknesses). I've positioned the cartridge in the head with a mirrored alignment gauge, and listened to different records to be sure it's not just bad vinyl. I've tried different anti-skate settings, from zero to the VTF settings, but I suspect the anti-skating dial is pretty inaccurate. What I've concluded, over the past week, is that I'm wasting my time trying to get the cartridge to sound good on this TT; it's old, noisy, and the arm is probably not that good, even if I have the cartridge perfectly adjusted. I'm not ready to buy a new TT (or even a good used one), so I will live with my Stanton/Pfanstiehl combo until I can get a TT that's worth a better cartridge.
Thanks for your interest and for all the good advice; I did learn something from the interchange on VTA definitions, so the whole thing was a pretty positive experience for me.
* cleeds, please don't react; I know that's not the real meaning of the VTA, but it's a convenient metaphor, and besides, I don't have accurate enough equipment to measure the real VTA, or the SRA, for that matter).
@williewonka -- thanks for your post on the Denon 103 -- it does sound like a strong contender in the budget cartridge category. I initially decided against it because one of the Agon replies said my Parasound 2100 would not provide enough output from its phono stage to work well with the 103's 0.3mV output. But if I get inspired, I might look into how much it takes to set one up a decent SUT...
@viridian -- thanks for your opinions, as always. I have a few follow up questions:
- I'm tempted to return the AT440, since a) the sound is not blowing me away, and b) it will probably be a year before I'm ready to buy a new TT. Your post makes it sound like I should just stay with it until it's broken in, and hope that I like it better then; wouldn't I be better off returning it, and getting an equivalent or better cart with my new TT?
- Regarding the tone arm mass, I'm trying to get some simple "rules of thumb" to guide my next purchase. Your post made it sound like higher mass is generally better than low -- is that right, or does it vary with the arm/cartridge combination? I've also heard that the traditional "S" shaped arm is now out of favor; do you agree, and if so, do you know why it's not as good as a straight one? Is a single bend in an arm better than an S, or should I just look for a straight arm? Inquiring minds want to know...
-- thanks again for your response; I had forgotten about your recommendation of the MP110, and will probably try that if the Stanton replacement stylus doesn't sound good. The reviewer at the link you sent was certainly very enthusiastic about it, and UNenthusiastic about the 440MLb - I thought unfairly so. It made me wonder if he has any interest in pushing Nagaoka sales.
You mentioned a used Sl1200 as a good bet for a moderately priced turntable -- do you have any thoughts on the Sl1200 "look alikes", such as the AT1240 or Pioneer PLX-500, which can be had new for less $ than the used Technics?
Sorry I it's ADC type III, IV cartridges. They're sleepers and can be purchased for very cheap something like this one -- https://www.ebay.com/itm/ADC-XLM-MKIII-Cartridge/272995643280?hash=item3f8fceef90:g:Bi8AAOSwxzdaGHMB
Update for anyone still interested: the Stanton/Pfanstiehl combination is very disappointing. My best guess is that the rubber in the cartridge has hardened, but it's possible the stylus is just not that good. Either way, I think I'll wait until I can afford a decent new (or used) TT/cartridge, so I'm going to give up on this experiment for a while. Thanks to all of you for your help; it's been a good learning experience!
@schubert — Is your comment based on personal experience or rumor? I bought the Pfanstiel l based on the comments at the following forum, which were generally favorable:
@schubert -- that got a good laugh at my end! I'm inclined to take your word over the opinions in that post. It sounds like you think the problem might be with the needle, not the cartridge -- do you have any suggestions? Is it worth trying to get a refund, or should I just write it off? I don't want to spend $100 on a JICO and then find that the problem was with the cartridge all along; is there a better alternative, or should I just give up on the Stanton and buy a new cartridge?
@schubert — sounds like good advice. @viridian recommended that one too, and it’s looking like the only logical choice. If I were truly sane, I probably wouldn’t have started down this rabbit hole, but as long as I’m here, I may as well try to find the best sound that fits in my budget. Thanks for your help!
@viridian and @schubert -- I just wanted to follow up on your posts, as I've now had a chance to try several variations of equipment, and ended up with something I like. When we last left off, I had tried the Pfanstiehl replacement stylus for my Stanton 681 cartridge in the AIWA TT, and was very disappointed, so I ordered a Nagaoka 110. But before it arrived, I saw a Technics SL-D2 locally on Craigslist for $150, and decided it was worth that much to be sure my TT wasn't the problem. Long story short, it was in excellent condition, so I grabbed it; the sound of my records improved 1000% immediately, using only the AT-95 cartridge that came with it! When the Nagaoka arrived I replaced the AT-95 with that, and have not changed since. Marvelous cartridge for the money! Thanks for the Nagaoka recommendation; I haven't tried different VTAs, since there is no arm height adjustment on the SL-D2, but I really don't need to; the sound is very good right now, so I've decided to stop worrying about the setup and just start enjoying the music. I went to a Vandersteen dealer yesterday and listened to some absurdly expensive TT/stylus combinations with the Vandy 2, Treo and 7, and came away thinking I'm pretty happy with what I've got! I'm sure I'll upgrade at some point, but for now I'm a happy camper. Thanks again for your help!