Took your responses to heart and replaced my Digiflex Canare with the ubiquitous Kimber Illuminati D60. Most of the differences are not subtle!
Notably, a more 'relaxed', effortless presentation, 'blacker' silences, with a richer mid-bass and seemingly rolled-off treble. Still not certain whether the latter is due to digital 'glare' from the Digiflex or just less treble energy from the Illuminati, but it makes my Thiel 2.3s sound almost 'dark', almost too much of a good thing. I think I can get used to it:-)
To a lesser degree, HF transients can seem a little less crisp, more 'rounded', with the Illuminati, which would fall in line with reduced HF response pre-DAC. And to an even lesser degree, a little more space around instruments and voices.
All in all, a significantly more analog presentation from a previously un-digital-sounding DAC. My ears thank you for your responses!
Notably, a more 'relaxed', effortless presentation, 'blacker' silences, with a richer mid-bass and seemingly rolled-off treble. Still not certain whether the latter is due to digital 'glare' from the Digiflex or just less treble energy from the Illuminati, but it makes my Thiel 2.3s sound almost 'dark', almost too much of a good thing. I think I can get used to it:-)
To a lesser degree, HF transients can seem a little less crisp, more 'rounded', with the Illuminati, which would fall in line with reduced HF response pre-DAC. And to an even lesser degree, a little more space around instruments and voices.
All in all, a significantly more analog presentation from a previously un-digital-sounding DAC. My ears thank you for your responses!