Battery powered glory or hype

Would like to hear details from those Audiogoners who have ventured into and out of battery powered equipment. Would like to know what battery powered sources add, substract. Also battery powered amplification. Its plus and minus. What to expect.

PS: I am eagerly awaiting the arrival of my Final Music 5 and 6. Both preferably DC battery powered and optionally powered to mains with a tube regulated power supply. 10 watts and a whole load of D batteries.

TWL I believe your being summoned
I have a Rowland Model 2. I purchased the Battery Power Supply (BPS) after I had the amp for a while. I would have to say the amp is so quiet (noise floor) to begin with, for me the BPS is overkill.
That's not to say it may not help to have the BPS if you're driving horns or big Tannoys, etc.
The BPS does reduce the current available, to me, in my bedroom system, it's never an issue.........
My battery powered experience is with the Sutherland phono stage. It was in the home of a friend, where Harry Weisfeld of VPI brought it over. My friend purchased a Scout, and Harry brought over the rig he was going to HE2003 with - his flagship TT and Sutherland and Manley phono preamps.

A/Bing the Manley with the Sutherland, I at first found the Manley to be a bit too forward and strident. The Sutherland was on the opposite side of the spectrum. The Sutherland was incredibly rich and lush.

However, after getting my bearings, and also going back to the Manley, I felt that the Sutherland was incredibly off the mark from the way things actually sound. While I initially loved the richness, I realized it was smoothing over an incredible amount of detail and blunting the impact of the music.

In fact, my biggest complaint overall about this battery powered component, and one that I can absolutely not get over is the fact that it robbed the music of its impact and dynamics. I hear that is a common symptom of battery powered equipment, but I hope Twl contradicts it. When all was said and done, if I had to make a choice, I would go with the Manley, and would try to tame the sound a bit, probably through a different cartridge.

On the positive side, the battery powered gear had great, black backgrounds. The silence was quite impressive.

While I have been around a lot of Rowland gear, and really, really like it, I have not been around any that ran off the battery pack, so I am interested in hearing the impressions of those here with experience. I hear that moving to battery power really improves things
I had a VERY BAD experience with the Sutherland PHD. Not only did it sound the way Trelja described. The unit was also unstable using the optional gain loading cards. And I had to pay a restocking fee to return it. That after some lengthy e-mails with Sutherland and the dealer.

To the topic of battery use in audio- in general. I find that most of the negatives already stated are hard to avoid. I have no interest in batteries.
Thank God that I do not have interest in vinyl nearly as much as to spend that sum of money on the Sutherland. At most, I think that the product might be overrated. The gear that I am getting has been reviewed sparingly and I did not notice the complaints that most people who have had previous experiences with batteries ever had, that battery based amplification steals the dynamics of the source and music. The Final Music 5 and 6 are battery based, the preamp, Music 5 will solely be battery based and within a couple months, I will fiddle with the idea of using a tube regulated PS for the amplifier. I will compare both of them to see what gains and what gives.