Bo, I've seen you state many times that it was the crossover in the B&W's that prevent them from giving the soundstage that you prefer. I'm interested in how you came to this conclusion as I would think it could be the crossovers, the driver designs themselves, the cabinet shape and construction or a combination of all four variables that would cause the B&W's to fall short of your standards.
What sort of experiments, or substitutions of crossovers/drivers/cabinets did you do that allowed you to so definitively come to the conclusion that the crossovers themselves are the single culprit?
What sort of experiments, or substitutions of crossovers/drivers/cabinets did you do that allowed you to so definitively come to the conclusion that the crossovers themselves are the single culprit?