Azimuth observations and importance


After adjusting azimuth with a Fozgometer loaned to me, the following is what I observed. Individually, these changes were subtle although noticeable. The combined effect however, was significant to the overall presentation.

Imaging improved.

Vocals became more focused, not as big and wide as before.

Instruments more detailed with greater air. Location is more precise.

Tighter bass versus the slightly lingering bass notes previously.

Better top to bottom detail and clarity.

I never realized how important correct azimuth adjustment is and this exercise was quite a learning experience for me. Thinking I was correctly adjusting azimuth by visually setting the headshell as level as possible was a reasonable but flawed attempt.

I have found at least two stylus issues that if present will affect azimuth and sound.

1) A straight cantilever that is twisted left or right changes the attitude of the diamond and its relationship to the groove. By twisted I mean the cantilever has rotated on its own axis. This one is very difficult to see without appropriate magnification.

2) A cantilever that is canted to the left or right a degree or more but is still straight, not bent. It points left or right probably because it was not centered correctly when the cantilever was installed. It also changes the attitude of the diamond.

What is probably basic and common knowledge to everyone here is something I have just been enlightened about after giving it very little thought. I am now convinced that accurate azimuth is a required step in the turntable set up process and I will be giving full attention to this part of the equation.

No more guesswork and eyeballing which I am embarrassed to say was the norm. Doug
128x128dougolsen

Showing 3 responses by dan_ed

Hiho, I am sorry. I have read your last two post several times and I cannot grasp what it is you are saying about bearing angles and AS and VTA. Can you explain that in simple terms?
I think I see. If it is what I'm thinking then Hiho's premise would apply to fixed bearing arms that also cant the headshell. Nothing new here. Even so, the fact that there is a small range for either adjustment to be made without significant change to the other parameter should be known by the user of the tonearm.

I recently spend a few weeks with new tonearm prototype that has true on-the-fly azimuth adjustment. This really makes setting AZ correctly by ear a no brainer. I found that, like VTA, many albums that I play seem indifferent to AZ tweaking. For others it is like that cheesy Bose commercial where the picture of the tiny system grows into a much larger one. The sound presentation change was very much like that when AZ was correct.
Using a DMM that has hold capability can also help when doing this without filters. You are most likely seeing the noise peaks, but it is still ok enough to find a good starting point with the meter method. But I have found this to be only a crutch. It does get in the park but tuning by ear is what nails it, IME.
I'm sure Feikert's tools do an excellent job, but for most of us hobbyists the cost isn't justifiable.