Audio Research GS150 vs REF150 SE


Hi all. 
Has anyone compared those 2 units. Are they sonically identical. There are 10 GS for sale here on agon.
I am considering replacing my Classic 120 monos (modded by GNSC circa 2005) with either one.
My speakers are Verity Audio Parsifal Encore. An ARC dealer told me that I would be going sideways as the 120’s have more current “output” than the GS and REF which my Parsifal need. 

How do you determine the current output of a tube amp as manufacturers (tube or SS) do not spec those in their data sheet. Same dealer said to better my 120’s I should consider a stereo SS amp in the 200w/ch range or go with ARC REF250 SE. I can not sport the funds for the 250’s and would like to stay with tubes (fewer than the 120’s and 250’s) as I have a REF3 LE and REF2 phono (also modded by GNSC circa 2010).
Food for thought!!!
smoffatt

Let me just say I lusted after the Classic 120s all through the 1990's and beyond. I bought a Classic 60 in late1988 I think it was. Moved to the V70 a few years later for the balanced inputs. I always wanted the Classic 120's but could not afford them at the time. Especially the later CL version with the balanced inputs.I still regret selling my V70 even though I now have a Ref 110.

 We compared them not long after the GS150 came out. The GS150 is better than the Ref 150 but not the Ref 150se. The Ref 5se is better than the GSpre.  I would go with the Ref 150se if it were me.



 
Hi Lostbear.
I did have a CL60 for a few months before trading it in for the CL120’s in 1990. The inputs were balanced as part of the mods GNSC performed in 2005. Since 1990 I have several different preamps, phono amps, DACs, you name it, but held on to the CL120’s. Those are very special sounding amps, particularly with the Gnsc mods.
I would likely have to audition a REF150 SE in my system/room so that I can make a sound (no pun intended) decision.
So buying used,without a possibility to audition before a potential purchase is not possible.
I have listened to the Ref 150SE extensively and owned the GS150 before moving up to the Ref 250SE’s. The Ref 150SE is a better sounding amplifier and was magical with the Wilson Alexia II’s in a recent audition of the Wilson speakers. When my dealer replaced the Ref 150SE with the GS150 amp in the same listening session the magic went away. We were both surprised with the result especially since the GS150 is more expensive than the Ref 150SE. Maybe this is why the GS150 is being discontinued.

"How do you determine the current output of a tube amp as manufacturers (tube or SS) do not spec those in their data sheet"

The current delivered by an amplifier is a function of the load that the amplifier "sees" and is not a constant value. Some brands include peak to peak amp, etc., in their literature but its purely a marketing gimmick, in my opinion. The rule of thumb for an amplifier with a good current delivery, which is basically a function of a good power supply, is doubling the watts as the load is halved, 200wpc @ 8 ohms, 400 wpc @ 4 ohms, and down the line.


 I always like to hear a piece in my system before I decide to buy it. But if you buy a Ref 150se used at a good price. You can sell it and not take much of a loss if you don't like it.

 ARC has had some amazing pieces and some that were just so so. The Classic series and later V series were ground breaking. My Classic 60 was just so much better than my D70 it was amazing. But after the V series there were no real stand outs until The Ref 110. With the possible exception of the VT130. I had a VT100 mk3 for a number of years. Originally I was going to sell my V70 but found I really just preferred the V70. The VT100 did a lot of things better but it lacked presence. The VT100 lacked that rightness. It was not until the Ref 110 did I feel I could finally sell my V70. The Ref 110 has the best attributes of both. I think the Ref 150se does also. But what matters is how it sounds to you in your system.

  If you buy a new amp I still wouldn't sell the Classic 120s if it were me. I wish I would have kept my V70.


Good point about selling my Classic 120’s prior to auditioning a 150SE in my room with my speakers as I wouldn’t want to put myself in your situation with your V70. 

A friend of mine had purchased a V70 used and he did not like the sound in his room with his speakers so it went in the closet for 15 years until he decided to part with it. He listed it on Canuck Audiomart and it sold within a couple of hours of being listed. 

You seldom see a Classic 30, 60, or 120’s for sale on agon. I haven’t seen a pair of 120’s listed here in recent years anyway. The V series is actually the Classic series with balanced input and was not in production for very long before being discontinued. 

Speaking with Chris Osanna at ARC a few years ago about using KT120 in the 120’s (which he did not recommend) he was telling me that they rarely see any of the Classic series amps coming through their repair shop other than for tubes and filter caps replacement. 
He said that those were probably the most reliable pieces (built like tanks) in their amp line. I can certainly vouch for that with the experience I have had with mine.

I had the REF 150SE amps and recently have moved into the GS150. I have never regretted selling the 150SE amps.
Forget about anyone referring to 'magic.'  That is total nonsense. The GS150 amp really delivers the goods without any need for 'magic.'
The GS150 is a far more advanced amp that previous generations like the 150SE.  It is a balanced configuration and required a balance preamp.The GS150's 155 watts provides more than adequate power with generous headroom from its four KT150 output tubes.  provides tonal richness, full bass response, and an uncanny ability to create a sense of 3 dimensional space. Its sound is liquid, sweetly musical and so very engaging. The texture of the instruments was impressively tactile and so very realistic. There is no harshness or hard analytical edginess, whatsoever.  This GS150 provides true high end audio experience.
Also, he cosmetics of the GS are awesome. The giant three illuminated meters are gorgeous and very functional. The new ARC style is a winner.

@smoffatt 

What did you end up with?

My first tube gear purchase was a pair of CL120s here about 3 years ago.  I had Parasound HCA 2200ii X 1 and X 2(bridged mono), Parasound HCA 3500 and a B&K 200.2.  

Can you believe that my system's dynamics and volume was stronger from the CL120s compared to all 3 of those setups???  Those Parasounds are 750 watts bridged and the big boy(3500)is 385 wpc.  Spec sheets can drive us crazy, we have to trust our ears and those 110 watts from the CL120 are amazing.  

I tried to like the SS amps more to eliminate maintenance and fuss, but every time I reconnected the CL120s it was like, ahhhhhhh.  

BTW, I have over 4000 hours on my 6550s and they still sound amazing!

I am very curious about a REF75, REF150 or GS150, but haven't tried one yet.  I have a friend that has heard the CL120s and he is adamant that the REF75 was a big improvement.  He has heard about every older ARC amp there is and was blown away by the REF75.  He has NOT heard the amps beyond the 75.

The REF 210s are another model I have been very curious about, but I would like to move away from having so many tubes to tend with.
The GS150 is a far more advanced amp that previous generations like the 150SE.  
This is total bunk. The two amps were functionally and operationally identical with different cosmetics. This is why ARC discontinued the GS150. It was not worth the extra production cost to sell two identical costs. 
I dont think they were the same. Many of the GS150's had to be sent back for repairs shortly after being issued. THAT could very well have been the reason they were discontinued....too much product coming back under warranty
I dont think they were the same. Many of the GS150's had to be sent back for repairs shortly after being issued. THAT could very well have been the reason they were discontinued....too much product coming back under warranty
"I think" and "THAT could", signal nothing more than conjecture on your part. Rather than conjecture, why not just call ARC and ask, like I did? They will tell you that other than the layout in the chassis and the meters, the GS150 and the Ref 150SE were functionally and operationally identical. When the GS150 first came out, the Ref 150 had not yet been upgraded to the SE version. So this is the reason for so much confusion. Ward Fieberger, the engineer behind the design, was quoted as saying that the GS150 would outperform the Ref 150. Then came the Ref 150SE. GS stood for Galileo Series and the idea was to refresh the looks of ARC amps with more of an "Italian/European flair". Other than the meters which could also be used to set biasing of the tubes, the GS150 and the Ref 150SE were identical. I have an email from ARC on this too and if I had to, I could reprint it here as more proof. But in the end, this is silly. The GS150 is gone. The Ref 150SE remains. 
To answer your question...I obviously dont care enough to bother calling up a manufacturer about trivial info. Funny how I dont remember seeing all those "issues" with returns on the other IDENTICAL amps sold under another name.
Man, you're one tough cookie. 
How about this-I found ARC's email response to me in my old email;

 

Thank you for contacting Audio Research for your audio needs.

Summary: The GS150 offers higher performance than the original REF150, but the REF150SE is the sonic equal of the GS150. Yes, the meters and casework are quite beautiful, and biasing is extremely easy with the GS150.

 

Thank you,

Audio Research Customer Support

New direct phone line: +1-763-270-1233
www.audioresearch.com