Are Avalon Ascents the Classics they seem to be?


I have a mint pair of Avalon Ascent seriesII in a dedicated room of 22x13x8.They are driven by Rowland 8t With a second amp housing containing a new switch mode power supply done up by Rowland.The restof the system is also of high quality'such as Levinson390s and SOTA COSMOS w/Graham 2.2 and Transfiguration temper-V.An ultramodified (by Great Northern Sound) Audio Research SP-15 preamp rounds out the system.Cables are Cardas and Transparent Audio with quality but not insanely rediculous powercords into 3 dedicated lines.Also a REL stentor (in right corner of room)rounds out the set up coming in at 24hz (with corner loading you hear the presence of the sub,but gain is set low for a nice blend that works.I have made an attempt to hear a good deal of current speakers and haven't felt that there is much out there that warrants spending the kind of money to make such a change.I have to be blown away,and although I've heard the Kharma stuff as well as the Eidolons and veritys I still can"t get too exited.I really like the Nova utopias Be and think that the TAD-1 would be killer but I really don't think my room is big enough.It is a closed in space with no venting into other rooms.The Wilson stuff don"t(to me)have the true upper mid detail that I have come to love.I know that it may seem as though I'm answering my own question,however,I know that there are some of you out there that may have the experience and rationale to help me to be sure I'm not rationalizing or deluding myself.Thanks!I also can't help but feel that the sealed box design and easy load that Avalon once marketed as well as external crossovers and the significant mass of the speaker syst. has to be a significant contribution.
sirspeedy

Showing 3 responses by cinematic_systems

"This device does not come into play until 20khz,and is beautifully integrated sitting just above the Ascents dome."

Actually the supertweeter begins to lift the high frequency output of a linear system around 10K (note the shelving of the response in the online example, it appears that "setting 4" used in the example would make a typical system +10-+12dB at 20khz. In my opinion a nice party trick but certainly not really the benefits discussed on the website. This tweak acts to Double the output of the 23Khz resonance of your tweeter which I'm certain can be sensed if not heard. Need to know what phase your tweeter actually is because you could get cancellations too. Lastly there are many alternatives with a little DIY with a little box, .047uf capacitor and a little can-do you'd have the same thing for $400-$600. Check brands like Visaton, Aurum Cantas, RAAL, LCY...Some only go to 40khz like it matters :)

As for your experience with the tweeter The dark rich sounding Esotar (actually goes to 28khz) in the Extrema would likely tolerate this treatment much much better than your all metal dome Ascents. I can just imagine the sibilance showing up at all the wrong times.

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"new Avalon designs" are completely opposite of the claims in our owner's manual,as to what is most accurate."

I've never been very impressed with the technical prowess of Avalon as their speakers are very hit and miss despite the fact they currently are all nearly the same!

Wasn't the Ascent designed by somebody outside the company or hired for the project? Because I have to agree with you that it shines above all other Avalons from its day.

If you want more midrange detail an ATC or an upper end PMC will certainly redefine your standards, just not as sexy. I can't wait for the new active Focal pro tower that is in the works if you want true 100khz design (maybe a year away), that should be awesome too.

If you like Avalons, stick with them, get some room correction stuff and play around with it if your getting a bit bored.

But that's just my opinion

The dude at Sonus is obsessive about modifying drivers, I can't remember which speaker but Scanspeak had to make him like 30-35 versions of the same driver. I had to patch into memory for how the Extrema performed and it seemed that it would be a candidate. Definitely not the same Esotar thats in the Confidence 5!

I was serious about trying a digital eq, even a cheap one just to see how it can affect your system, click it in click it out. A DBX or the Behringer DEQ2496 are good enough to expirement with before you make a serious investment in a Rives Parc, Accuphase or Lake Technology Quad Mesa.

Also downloading Doug P's ETF $399 with mic or True Audio's RTA $250 gives your ears eyes.

It was my pleasure to be helpful.
Hodelrecords,

"Voices and instruments did not have their natural size etc."

Apogees in general were slightly bright speakers, which was magnified by the common installation in a typical domestic environement.

You may know the dipole radiation and distance from the rear wall and the frequency response of that reflection off the back wall all factor in to any dipoles sound quality.

The delay in the reflection gives the sound its uncontrollable larger size.

"When you change the tweeter what will happen to the impedance?"

Changing the tweeter will likely do very little to disturb the impedance with a proper crossover solution and the ease to drive the speakers will remain the same as tweeters run on very little power in the grand scheme of the speaker design. BUT! integrating a new tweeter will be no picnic. When a speaker is this good and well designed you have to leave it alone, upgrading an individual part of a well designed speaker SYSTEM is an oxymoron 99.999999% of the time.

Also to clarify the addition of the supertweeter would also not effect the impedance either.