Hi!
I´ve now reached listening period for Mundorf S/O in X-over
of Merlin VSMX, more than 800 hours for mid/bass and tweeter more. Still find them improving, you have to be patient to find peak point of burnt-in. Compared from start they definitely opened up. Sound is more lush with powerful distinct bass and pronounced overtones. Midrange/treble wonderful relaxed with no sign of edginess whatsoever. You can listen very loud for hours and hours without fatigue. I´m sensitive to trumpets and clarinets especially on high level, with Mundorfs no problem. Listening to Herbie Hancock-Quartet, Putte Wickman-Wickman in Wonderland, Wynton Marsalis-Black Codes, Jazz At The Pawnshop is a sheer joy and sensation of live performance. Due to more powerful bass (than Hovlands) I find soundstage improving, it sounds bigger.
The sound is so relaxed but yet powerful and detailed with a darker background.
The brush stroking over the drum in Lady Be Good-Jazz At...
sounds more pronounced and real. I can go on and on of improvements that I hear.
It was definitely worth the cost of $1100.
I also use S/O in BAM, across tweeter terminal with Duelund resistor and also in phono stage. Wether al this contributes or not, I suspect it does.
Spacing these giant capacitors inside cabinet wasn´t easy and should be wisely considered before. Unfortunately i missed taking fotos before assembling X-over back onto cabinet. I used fast drying glue sticks that are melted through a gun look-alike heater for adhere capacitors against X-over board and secured extra with plastic straps around capacitor and through board. Glue is partly to take up vibrations apart from adhering.
Bear in mind!
This is my opinion/impression and should not be taken as granted.
Many thanks and hope this can be useful for those who considered taking the step.