Any hope for SACD?


Is there any hope at all for transferring more music, especially classic popular music, to SACD?

I mean, so many audio companies are investing so much in R+D for the hardware, but, to me clearly, there is huge bang for the buck in having an SACD version of the recording.
For example, the recent Carole King Music SACD is incredible, with a totally natural image density and rock-solid soundstaging (qualities I hear in most SACDs of long-familiar albums). Is there no economic justification for this? You get so much for so little. I wish the audio companies would band together to fund this. It sure would make equipment demos sound better.

My little system at home with SACD trounced the quality of even the megabuck systems at the NY show a few weeks ago, including all the vinyl demos to my ears. (My EMM XDS1 helps, but my Sony 5400 on SACD is also quite fine.)

It just seems like such an incredible waste that SACD is dead or dying and nobody in the audiophile or larger music community is talking about this. Does everything have to suffer at the invisible hand of the profit motive? This is an artistic pursuit fundamentally, and you might as well always show all the paintings in the world behind blurry glass. It's a crime that, say, the Beatles aren't available in SACD or any HiRez format.
rgs92

Showing 3 responses by rgs92

I guess my point was is that the entire High-End Audio manufacturing community just leaned on poor Sony to support SACD, and this was unfair. I think Sony deserved some support for this breakthrough technology, and some sort of manufacturing consortium or coalition is called for to keep it alive and get some great, historic, popular music transferred to SACD, just on principle if nothing else.

These companies spend so much on improving their own equipment, and things would often sound a lot better with Hi Rez. And these companies are not targeting Iphone people.
And just to rant some more, the use of SACD really distances high-end sound from MP3, light years away to my ears. So if the manufacturers want to expand interest in high end sound, they should support this. Is Dave Wilson or anyone else out there listening?