First if all, using splitter is not advisable and will degrade the sound quite a bit. Second of all, in general B&W does not pair well with a small powered tube integrated amp such as the Rogue Cronos ii cause your Cronos ii isn’t able to provide enough juice and your B&W need to be pushed and will need more power than your Cronos ii can provide in order to shine. Unless if it’s a high powered tube amp.
For your B&W 805 D3, I highly recommend the Naim Uniti Nova integrated, which is basically a digital streamer/DAC/integrated amp put in a single chassis. Retails for $7500 new. Has built-in Tidal streaming app. The Naim Uniti Nova is a single box solution and is highly musical sounding and will pair really well with your B&W 805 D3. I had the Nova paired with the B&W 805 D3 in my bedroom setup before and today I still have the Naim Uniti Nova but has traded in the 805 D3 for the Sonus Faber Olympica l bookshelf speakers.
The Naim Uniti Nova has lots of inputs : Ethernet, USB, XLR & RCA analog, DIN, coax digital, optical digital, HDMI.
It is an outstanding piece and the sound is very musical very refined very fluid and analog like and it paired really well with the B&W 805 D3. Do not get fooled by its power rating of only 80 wpc @ 8 ohms, the Nova is capable of handling low impedance loads. Eventhough it’s rated only at 80 wpc @ 8 ohms but it is a brute force and a very good clean quality current. The quality of the current that matters not the wattage. It uses a big oversized toroidal transformer linear power supply. Highly recommended!
The Naim Uniti Nova will sound better and more musical and more fluid and analog than the Anthem STR or the Lyngdorf. The Anthem & Lyngdorf have more powerful amplifications but overall the Naim is better more musical.
The Naim Uniti Nova has better digital streamer/DAC than the Anthem or the Lyngdorf. Naim is very well known for designing and making a digital music streamer/DAC. The only advantages that the Anthem STR & the Lyngdorf have is room correction.
"The only advantages that the Anthem STR & the Lyngdorf have is room correction."
This, IMO though, is the major advantage. Room correction will make magnitudes of order greater and positive difference over any DAC or streamer changes. It's not even close
My preference having had experience with both companies room correction would be the Lyngdorf.
Thanks for the recommendation! And just for clarification I meant a switch not a splitter but imaginably it’s still impacting output/quality.
I'll definitely dig in to the Nova a bit more but am still leaning toward something that can also offer room correction given the dynamics of my living room: hardwood floors with some carpet, big glass windows, not much depth, etc etc.
Any suggestions along those lines would also be massively appreciated. Based on the specs and chatter around both the Anthem and the Lyngdorf I’m wondering if one > the other given my needs: something with room correction that can have the dual purpose of music and home entertainment.
The Lyngdorf 3400 is the way to go here. It has everything you need and is built to a higher specification. Just make sure you plan on staying 2 channel.
You should invest in acoustical treatments and make effort in getting speaker placements right and spot on.
I have the Naim Uniti Nova in my bedroom with satisfying results and I know this is not my main reference setup it’s only my bedroom setup. I’m pretty sure your living room is more spacious than my bedroom. I always go with standmount (bookshelf) speakers for my bedroom and I invested in acoustical treatments.
Don’t get me wrong, I love Lyngdorf products especially with its Room Perfect room correction. I myself have a Lyngdorf MP-50 surround processor in my dedicated theater room, but this is a dedicated home theater surround setup (7.2.6) and used strictly strictly for home theater (surrounds). For surrounds or home theater setup IMO room correction is a must and especially effective in equing your subs and other magic tricks. I found the Room Perfect built in my Lyngdorf MP-50 ht processor very effective and works very well.
However. for stereo setup for 2ch music playbacks I’m not a fan of room correction. I have two separate main reference stereo setups/systems in my main dedicated two-channel listening rooms, which are in separate rooms from my dedicated theater room, that are completely analog setups. I’m using all analog linestage preamps with turntables + phonostage pre as well as external digital front end source components. My Naim Statement NAC S1 linestage preamp that I have in one of my main reference stereo setup is a pure analog linestage preamp (no digital circuitry or room correction). It has only analog audio circuitry and this is a cost-no-object or price-no-object design preamp. I have a pair of big Magico M6 speakers in this setup or room driven by a pair of Naim Statement NAP S1 monoblock amps and the performance, musicality are all top notch. I invested heavily in room treatments and actually all my main dedicated listening rooms were designed from the ground up and specifically built for dedicated listening room. Eventhough I have to admit that my main reference listening rooms are very huge, that’s why I can afford to have those big Magico M6 speakers in it. And speaker placements are paramount and I made special efforts in getting the speaker placements right and so that the interaction between speakers and my listening room is spot on. I achieved outstanding results without room correction and is easily one of the best sounding setup I’ve ever heard.
In my other main reference setup, which is in a separate different dedicated listening room, I also have all analog setup, no room correction correction. This is also another large dedicated well treated listening room and I have a pair of big Sonus Faber Aida ll speakers in this room and I am able to achieve perfect excellent result without room correction. But again this is also a very very large or I should say huge dedicated listening room and is very well treated. I invested heavily in using room treatments. My Audio Research Reference 10 linestage preamp that I have in this setup is also a pure analog preamp. I also made great deal amount of efforts in getting the speaker placements right and spot on in this listening room.
OP we sell many high end integrated amplifiers some with room correction and others which do not.
We have been designing high end systems for over 30 years.
Room correction is not a panacea, yes it can help improve a room, but a boring, or strident sounding system that doesn’t sound right is not going to magically transform just because you have DSP room correction.
The first part is to find a match between the electronics and the loudspeakers.
As an aside, most of the best sounding systems at Axpona, did not use any room correction and some rooms did not have any room treatment as all.
Step One: get the match between the components correct
Step Two: tune the room via proper loudspeaker positioning, and if room tuning panels aren’t possible a judicious use of natural acoustical tunning devices, furniture, books, rugs, pillows etc.
Step Three: Then if DSP is available then use it to then maximize the systems response.
The Anthem STR is a good sounding integrated the Naim is much more magical sounding.
We have heard the Lyngdorf and they use a digital amplifier which is very similar to to the Digital amplifier stage in the NAD M32 which means a clean but dry sound.
Our favorite integrated amplifier with Room correction is the Micromega M100 or M150 which use a pure class A/B amplfier, a state of the art Dac, phono stage, a headphone amp and it looks stunning.https://micromega.com/en/category/news/
The Micromega sounds like the Naim, warm, punchy, and is totally involving so you can have your cake and eat it too if you know where to look.
Dave and Troy Audio Doctor NJ Micromega, Naim, Nad dealers
Caphill, we heard the Naim Statement amps and preamp at Axpona with the Focal Grande Utopia EVO III and the sound was freaking amazing.
OP we just found this review on the Micromega:
This review sums up the product perfectly:
It wasn’t just the richness and depth of the bass, but the incredible
level of detail—such as hearing the sound of the pick hitting the
strings just before I heard the note of the string itself, not to
mention the lovely high-frequency response: sweet, airy, extended… and
more gorgeous than I’ve ever heard it sound on CD. After seriously
surprising myself that I was so happy with the M-100’s performance with
black vinyl, I then slowly worked through listening to all its digital
inputs, a process which necessarily including evaluating everything from
various streaming services right up to the latest high-res formats, and
found that the longer I listened to the M-100, and the more inputs I
evaluated, the more impressed I became by its performance: This is one
seriously cool component! (Well not totally cool, the case could become
warm despite the fan… which I could hear up close when no music was
playing, but not from my listening position, and never when the music
was playing.) And speaking of streaming, that process seemed to continue
even when I switched to listen to a different input, so make sure you
stop it when you’re not listening if you don’t want to consume
Listening to Takatukas’ ‘Red Blood’, which seemed
appropriate given the M-100’s heritage, the M-100 delivered the wild
roller-coaster-ride of sound for which the band is famous, from the
trademark machine-gun drumming of Bruno Mellier to the screaming, almost
ear-piercing lead guitar shredding of Gerald Ozga. It kicks in from the
opener Paranoiaque/hypochondriaque and keeps the excitement through all
15 tracks to Ras Kouyon. The slam and tone of Nicolas Vitry’s bass is a
constant delight as well.
I was able to confirm that the M-100’s
performance was totally consistent across all the inputs using my
library of cuts that are identical except for format, many of which are
sourced from Soundkeeper Recordings. The M-100 delivered consistently
silent backgrounds, extraordinary dynamics and excelled at maintaining
ruthlessly accurate tonality irrespective of music genre.
‘all in one’ components become increasingly common, manufacturers are
pulling out all the stops to make sure their products stand out.
Micromega has pulled out so many stops building the M-100 that you have
to peer upwards to see it (literally, if you wall-mount it). Brilliantly
designed, lovely-sounding, able to be optioned-up and/or upgraded and,
thanks to the MCF customisation on offer, it can be as beautiful as your
heart’s desire. Magnifique! # Jules Larkin
Dave and TroyAudio Doctor NJ Micromega, Naim, NAD dealers
Yes the Naim Statement preamp & monoblock amps are extraordinary, the absolute best I’ve heard and owned period. Well, the Naim Statement preamp & monoblock amps are cost-no-object or price-no-object design products and took 10 years in the making and therefore are expected to perform extraordinary. I paired them with the big Magico M6 speakers and achieved absolutely excellent result.
But for my digital front end source components I’m not using the Naim 500 series NDX digital streamer/DAC + 500 series external PSU though. I’m using a fully loaded MSB Select ll DAC with its Femto 33 clock and two mono powerbases or two mono separate power supply units, one feeding power to its digital side of it and the other one feeding power for its analog output stage. The MSB Select ll DAC comes with a music renderer or streamer. And recently I just added the matching MSB Select transport with its separate Reference power supply unit. The fully loaded MSB Select ll DAC w/ Femto 33 clock & 2 mono separate power supply units is by far the best sounding digital front end components I’ve ever heard and owned. The sound was highly musical very smooth very refined resolved fluid and the most musically engaging and involving and this is literally the most analog sounding digital front end source components. It rivals the best of the best turntables and reel-to-reel master audio tape machines. It did not sound like anything being digitally reproduced at all. Lot of times I completely forgot that I was actually listening to digital music or digital front end source components. The music did not sound reproduced at all. the music had a level of absolute fluidity that I’ve never heard coming from digital front end source components. If you get a chance you should have a listen to it.
But of course I prefer my Clearaudio Statement v2 turntable with its Statement TT tonearm & Statement Goldfinger cartridge paired with D’Agostino Momentum phonostage pre that I have in the same setup. Musically not a single uber high end digital front end source components or other high end turntable setups can match this Clearaudio Statement v2 turntable setup. And by far the D’Agostino Momentum phonostage pre is my best favorite phonostage pre.
I had a chance to listen to the same Naim Statement preamp and amps paired with those giant Focal Utopia Grande before and was amazing but I preferred my Naim Statement/Magico M6 pairing better.
The Naim Statement/Focal Utopia Grande setup that I listened to had a Naim 500 series NDX digital streamer/DAC + 500 series external PSU served as digital front end components, which is Naim’s flagship digital streamer/DAC to date.
I wonder why Naim doesn’t make Statement digital streamer/DAC or digital front end to match its Statement NAC S1 linestage analog preamp and Statement NAP S1 monoblock amps.
Audiotroy, just curious, how would the Micromega M-100 compare to Naim Uniti Nova sonically and overall musicality?
Which one is better especially for the OP’s B&W 805 D3 speakers?
I don’t understand why some people heavily rely or depend on room correction for a simple stereo (two-channel) setup for listening to music. For home theater surround setups & systems YES room correction is a MUST. Can’t live without it.
Caphill, we would agree with you before, but the new Grande Utopia EVO III are far better than the older versions, and in our opinion far more magical and more musical than the the M6.
We have a digital front end that we think is on par with yours which is the Light Harmonic Davinci, running DSD 512 as good as any vinyl front end we have heard.
The setup at Axpona was all Naim Statement with the new NDS II with the new Focal Grande Utopia Evo III.
A few years ago, in Brooklyn NY, there was a showing of the older Focal Grande Utopia but these were not the newer EVO series, were also setup wit the Naim Statement gear, and the sound was good but not anywhere in the same realm not even close. So there must be some real magic in the new EVO III which for the first time really disappeared and the tonality was stunning. You should really check out a set.
Also you can get far better sound much more like analog by adding an Innous Statement to your MSB stack. We have done numerous tests on running a server to a streamer vs the streamer running direct, in every demo the server even streaming the very same signal does not come close to what happens when you have a server providing a greater cleaned up pristine data packet to the dac.
Love to talk with you further about your setup, we have tested many power conditioners, and vibration isolation devices.
The OP should get the Micromega M150 which offers much of the superb sound quality of the Naim and includes Room Correction as well.
Dave and TroyAudio Doctor NJ
So, the Micromega M150 offers superior sound quality and musicality than the Naim Uniti Nova? What about the Micromega M100?
But I bet the Micromega M150 integrated won't be able to compete with the Naim 500 series separates stacks with all separate power supply units for each component?
The sound quality of the M150 is not superior to the Naim Nova, but in the same class with a different feature set.
The Naim NAC 272/DR 250 sounds better, and the Naim NAC 282/DR 300 combo sounds even better.
So unfortunately you still get what you pay for. the Micromega M100 and M150 are fabulous all in one integrated amplifiers for their price range.
Dave and Troy
Audio Doctor NJ Micromega and Naim dealers
As far as isolation and rack/furniture I'm using HRS for my MSB stacks (including the Select transport) and my D'Agostino Momentum phonostage pre. My Naim Statement preamp & amps are standing towers. And my Clearaudio Statement v2 turntable is on its own turntable stand.
I'm using Shunyata Research Typhon QR / Triton combo power products.
Guys, It is not one or the other. It is both. You always have to optimize your room acoustics. Once you have done that Speaker Control (Not Room Control) adds an additional dimension that an uncontrolled system simply can not match. Every single serious audiophile who has heard my system adds speaker control and are thrilled with the results. First, you can modify the frequency response to suit your taste and conditions. Second, the response of the speakers is now exactly equal improving imaging and depth. Third, all speakers and subs are now perfectly in phase. The system delays the closest or fastest speakers to match the farthest and slowest. Screwing around with room acoustics will not do any of this. You can not have the best performing system without it. If you are ever in New England I would be happy to demonstrate.
I guarantee a jaw dropping experience.
I have a Lyngdorf 2170. I have not heard the Anthem STR but a dealer I talked to that sells both Lyngdorf and Anthem said the Lyngdorf is way better. I am really happy with my Lyngdorf. The room correction works great. I do have an Anthem MRX 710 and can confirm that the Lyngdorf room correction is better than the Anthem in my room.
I generally do not add comments but I must say it is very annoying when people with their own agenda or products to sell hijack a post. The original question as very simple. Lyngdorf or Anthem? Why mention Naim or another products. Obviously Dave and Troy Audio Doctor do not sell Anthem or Naim. LOL
I would suggest changing speakers. Those are impacting your dead sound in the smaller room
Room acoustics first. They will make everything sound better and the room more speaker friendly.
THEN do the room correction. This is my advice and that of professional acousticians. Room acoustic treatment make DSP equalization work much much better.
Appreciate everyone’s input on this. And I 100% agree with @cjw... it’s always nice to get suggestions that aren’t being driven by a sales agenda and are as close to impartial as possible. Know this hobby of ours is very subjective, and that’s what’s so great about it, but it doesn’t need a sales agenda informing that subjectivity.
After a lot of conversations and research I ended up going out on a limb and getting the Micromega M150 at a really good deal. Realllly curious to see how this performs and will follow up on this thread when some thoughts once I get it into rotation.
Thanks again everyone!
I owned the Lyngdorf 2170 and Micromega M100. My quick take - Lyngdorf has better room correction, the Micromega just flat out sounded better to me. More power and control over the speakers, and a richer tone.
But.....as mentioned above, room acoustic treatments and speaker placement did so much more for me, and that's why I don't own either anymore.
However, I do believe you made a great choice for your situation, and congratulations on your new purchase!
I am recent owner of a Lyngdorf TDAI 3400 and I couldn’t be happier with the purchase. My system is in a room that’s absolutely terrible and I had neither the time, inclination or money to do room treatments not to mention tolerating the strange looks from the wife. I did a home demo of the Lyngdorf 2170 and was immediately convinced of Lyngdorf. Earlier I had listened to the Anthem STR in two different showrooms. The Anthem was good but the versality of the lyngdorf and the opportunity to demo in my own room with my speakers pushed me in that direction. I know much of these impressions are relative but I’m often amazed at how good the 3400 sounds and I’ve got it paired with relatively inexpensive speakers (Martin Logan Motion 40 and Dynamo 700 sub). The details the Lyngdorf bring out in the music are incredible, the imaging and sound stage impressive and the sub is integrated better than I’ve ever experienced. The bass sounds wonderful, passages with electric bass guitar are intoxicating. I don’t listen at very loud volumes but when I’ve pushed the volume high just experimenting I got no distortion and room correction is still maintained nicely. I’m a happy camper but I do wonder how much better the Lyngdorf would be with very high end speakers.