Maybe create a system page with photo? This way the community can see what you're dealing with in more detail.
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Opening up the sound stage is affected by many factors - including speaker placement, room interaction, electronics, cabling and clean power. It’s a constant work-in-progress. This is a simple inexpensive ’cheat’ tweak that works in a different way. Music seems to float - offering a wide and deep presentation. On sale here. The following knock-offs also work - here and here.
Steakster - great list of resources and such an interesting "sonic" development. I am used to live music so the "conditioning" described sounds fantastic. I am intrigued. will add this to the list
String - timing is not set....I just got the itch .... i have something now that is decent enough, but really is unprepared or inadequate for the more modern digital media....and the technology has moved in all components enough to make me think it all could be replaced. I've always been a 80% solution kind of buyer...ie looking to achieve the 80%-90% solution at "half" the cost (or thereabouts)
now gd - you mentioned look at speakers first....ok I'll bite - lets ditch the Dyanaudio contours 1.8mkII's .... what would you suggest to get that sound-stage, assuming I keep the Bryston?
or maybe its ditch the Bryston as well (no pre-amp btw, its integrated) and go with something like the Rogue Sphinx....
maybe go all the way with the Spinx, with the NAD M50/M52 combo, and Vienna Acc Beethoven Baby Grands... and now with the Accoustic Revive (courtesy of steakster's comment.....)
you can maybe get a sense for how I sense sonic greatness within reach (and not have to spend 100k).....
"What research I have been able to do leads me to consider opening up the sound stage with something more mixed, like a conrad johnson pv14L as pre- and the ayre v5xe, and coming forward in the age of digital, considering something like the oppo 105 but i was also thinking the nad m50 / m52 combo instead of the oppo..........and lastly all this heard through (I'm thinking) vienna accoustics beethoven baby grands"
You need to build a system, not buy a bunch of separate components. I definately wouldn't put the V-5 and the PV14 in the same system. As for the other components, they're OK by themselves, but mixed is just too random.
If you match your components correctly, you'll get much better sound for a lot less money. Here's a system for an example of what I'm talking about.
Source - Ayre Codex
Amp/Preamp - Ayre AX-7 integrated
Speakers - Vandersteen Model 1's
You can spend a lot more on the components you list, but if you compare them to this simple system, they won't even stand a chance. It wouldn't be a fair comparison. Those components sound greater than the sum of their parts because they're working together. If you went about this in a different way, you'll have to spend 3-4x the money to get equivelant SQ.
thanks sfall - and yes i readily admit the pairing is vexing me....
a couple of threads I read through noted good success pairing CJ tubed pre-amps with Ayre amplifiers. what about the CJ ET3se with the Ayre V5xe?
do you think the Vandy's are an especially good match for the Ayre? what makes them a better match for the Ayre vs something from Revel or Spendor or the VAs, in your opinion?
appreciate any insight or opinion - its helping me tremendously
@sfall, not a bad combo.
Jammer, I am the resident Vandy fanboy, so my opinion is a bit biased towards them. In any case, I would look for a time correct speaker like the Vandy's. You'll get the most coherent soundstage, as well as lack of fatigue, in my opinion.
So, my 2 cents, for $8K used....
-A pair of Vandy 2 sigs($1.5K), [3a sigs ($2K) or Treos, even better)
If you go with the 1's and 2's you definitely need 2w subs ($900/pair). The 3a sigs work with them, but their size allows them to go down pretty low by themselves.
-An Ayre V5xe integrated ($3K). You have enough power for 3a sigs and Treo's if you do this. Otherwise you could use your Bryston and get a decent preamp like an upgraded McCormack RLD, but you wouldn't be saving much. Besides, Ayre is a great combo with Vandersteen, to which some attribute to the zero feedback circuitry.
-An Ayre Codex DAC ($1.4K)- A real sleeper.
Excluding the Treo's, you will have spent about $7,500(going with the 3a sigs) and have some money for Audioquest cables (Rocket 88's and up).
Everything on the list will hold its' value for a while, and you will have a killer system. Now, if you want to go to tubes...
"do you think the Vandy's are an especially good match for the Ayre? what makes them a better match for the Ayre vs something from Revel or Spendor or the VAs, in your opinion?"
In my opinion, I have yet to hear something better. Keep in mind that's just my personal opinion. We all have different tastes, and there's no shortage of good equipment. If you want to learn a lot about Vandersteen and Ayre, have a look at this. http://vandersteen.com//audio-perfectionist-journal
I've been wanting them to make these journals availiable for some time now, and they just did. Its the most complete source for Vandersteen setup and matching components availiable. Start with issue one and you'll be up all night reading.
"a couple of threads I read through noted good success pairing CJ tubed pre-amps with Ayre amplifiers. what about the CJ ET3se with the Ayre V5xe?"
CJ is a great company and a personal favorite of mine. I have a pair of V-5's and a Premiere 18. There's certaintly nothing wrong with the combo, but I don't think its a natural paring like Ayre/Vandersteen. If you like tubes, Aesthetix is the way to go. I have a Calypso and when people ask me about it, I tell them if Ayre made tube gear, it would be like Aesthetix.
Someone above mentioned John for AC. Once again, I'm biased, but I really feel AC is the best audio store in the US. If you don't have a local dealer, call Vandersteen and tell him you need a dealer and want to use John. He'll OK it.
Thanks for all your comments guys - really appreciate it.
I did some more digging around, sticking with the premise that I was going to upgrade (generally speaking)...Reading up on the research Sfall provided has been very interesting, but is taking time to get through given how much depth and content in there. Really great stuff.
I've come up with some interesting observations and results of the reading and research into pairings, which I share here
Pairings and synergies that are appearing to "bubble up" as common (or should be considered as "favorable")....and in no particular order...and for fun.....I'm curious what the reaction will be to these various "system" combos....ie will the sound of #6 be worth 2x as much as #2...is there a clear "winner" based on your tastes....
1) Ayre Ax-5 integrated amp and Vandersteen 3A, or Revel Ultima Salon2 (price about $7k with the vandys, $12k with the Salon)
2) Primare pre30 with primare A30.2 for Vienna Accoustics Beethoven Baby Grand (price about $6k)
3) ARC LS27 pre with McIntosh MC275 amp and Tannoy Kensingtons or Sonus Faber Cremonas (Price est $11k)
4) BAT vk51se pre with Bryston 4Bsst and PMC (FB1i or OB1i)
(Price est. $9k)
5) BAT vk51se pre with Bryston 4Bsst and Dynaudio (S3.4 or Confidence 2s) (Price est $11k)
6) Conrad Johnson ET3se pre with Pass Labs x250.5 or .8 and Focal 1027S / Chorus 826 or Dynaudio C2 (Price est $10k with the Focals, $14k with the C2)
7) CJ ET3se pre with Bryston 4Bsst and either PMC or Dynaudio, as these seem to pair with Bryston the best (nod to the Sonus Faber fans out there) (Price est $9-10k)
8) Rogue Super Magnum 99 pre with Parasound Halo A21 and Vandys, or Dynaudio (same as above) (Price est $7-9k)
9) Rogue Super Magnum 99 pre with Rogue Stereo 90, through KEF R900 or Revel Performa F206 (Price est $6k)
Well, now you are moving to a subjective rationale. IMHO, you will be chasing your tail if you base your upgrades on such things.
For me, I would find a speaker that you love (and hopefully a great dealer). From there, you can build a system within your budget.
Again a great dealer will be a great guide to help you discover what you like. And, he won't pressure or demean you. If he does, look elsewhere.
I encourage you to listen to all speakers, either in or way beyond your budget. That way you can see what is possible in a perfect world.
Then find something that comes as close to your ideal. Of course, no one likes to 'settle for less', but at least you know you are getting the most performance for the least money
I hope this makes sense.
Agree with bob. It seems like you're still putting a system together on paper.
First, audition speakers and once you find a pair, then choose an amp that mates perfectly with it. This will be the foundation for your system.
Preamp will come next, and that will take time to find one with the timbre and soundstaging you are looking for. I auditioned 3 preamps in my system until I found the right one.
perhaps a gentle push-back....its not completely subjective.....
going back to the OP....i have Bryston 2B ss integrated now, with Dynaudio Contour 1.8 - i spent a lot of time picking the dynaudio over the likes of spendor, totel, thiel, klipsch, sonus, polk, and so on..... and the Bryston 2B was an upgrade purchase to a Myryad so really the english-dutch thing I guess. Anyway the point is, I like the Contour-Bryston combo.
Given the age of my system, and basic inability to really shine in today's digital media (ie thers nothing approaching 24/196 capability), changing the engine (sources and amplification) necessitates changing the vehicle (speakers). So my quest starts by saying....besides dynaudio (the incumbent), who gets compared to dynaudio? and since I am looking at used equipment, listening to these challengers isnt really an option all the time, and given my hectic work schedule and travel, not practical.
I am open minded, and in a different economic place than I was 15 yrs ago when I put the current system together. So budget is to be practical without being excessive, rational (for the quality obtained) without being exuberant or naive. I also dont want to fall into the trap of being penny wise and pound foolish. Ie spending 6k because its 6k when 8k is not that much more but the results are significantly better.
I am intrigued by the additional soundstage from introducing tubes (admittedly a close friend of mine was tube-manic and his excessive or obsessive tube searches was scary so I hid in SS land....but as you may have noted, I am tip toe-ing here with mixed tube-ss suggestions).
I do not have experience with Vandys or with PMC, or with anything tube. So your input / perspectives are interesting and informative (very interested in the "why" you feel the way you do)....and I get that this is heavily dependent on personal taste. I promise not to hold you accountable. :)
With no other guidance I would likely go with something like #7 or #8 above as I would stay with the Dynaudio speaker family and introduce tubes (comforted that being on the used market, the spread between purchase and sale if not to my liking is marginal) and the price point is better than #5 (BAT vs CJ). Insert the Oppo 105 or the NAD M50 / M52 and away we go. Maybe a MF or Rega turntable at some point in the future too....but lets not get ahead of ourselves. hehe.
So - thats my story and I'm sticking to it.....
thanks again for your insights......
and if you havent read that source material in the link above I highly recommend it
You say this " Given the age of my system, and basic inability to really shine in today's digital media (ie thers nothing approaching 24/196 capability) " and to me it just doesn't make any sense. If you want to upgrade your source then upgrade your source. At that point you may decide your amp and speakers need to go, but you may now. Your current source is obviously your weak link, there are tons of great dacs and streaming devices out there many of them pretty affordable. Once you have a source you like evaluate again. Doing everything all at once just looking at stuff on paper and asking advice seems like a recipe for disaster. Take your time and if you can spend your money once and spend it right.