An Objective Review of the Tekton Double Impact Speakers


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Showing 4 responses by millercarbon

I can accept that but if you can show me proof of that I'd retract position and apologize to everyone here for my ignorance.  

Not so much ignorance, more likely it is nothing more than a common lack of logic. And knowledge of the subject.     

You hold yourself up as something special, above corrupt reviewers, above what you call the whole corrupt process of reviewing. For proof you give some examples of reviewers always writing positive reviews. Then for more proof you say look at me, I am happy to trash all kinds of stuff. I'm from NYC!   

What a strained, limited and small view of the world you have. Not to mention, illogical. The fact the vast majority of reviews are positive is not proof of corruption. It could just as well be what noromance said, only the good stuff makes it past the selection process.   

That is certainly true in my case. Why would I want to waste my precious time on anything unless I was already quite certain it will be good? Frankly, the last person I want to read a review from is someone incapable of selecting the very best to review in the first place! If you write a review trashing anything you are trashing your own rep equally as bad.   

But enough of the lack of logic. What about lack of knowledge? You seem to think reviewing comes down to good or bad, yea or nay, cheer or trash. Nothing could be further from the truth.  

If you want to be a good reviewer then you need to know the most valuable asset a reviewer can have is the ability to accurately and thoroughly describe whatever it is. In order to do this credibly it helps to know as much as you can about the review conditions. This includes the reviewers system, but also his experience and background and even frame of mind. We try and glean as much of this as we can from the review.  

Why this matters is if you are writing a review, well then who is it for? You don't know! You can write it for whoever you imagine, but you have no control over who in fact is interested enough to read it. So you need to think about your audience. This can be anyone from neophyte beginner to advanced audiophile. If you like to use phrases like sipping cognac on their high horses maybe you imagine your audience to be vapid cliche lovers. I don't know. But you want to write reviews, you might want to think about that.   

Something to consider in writing reviews, just my point of view doesn't have to be yours, but the whole point of a really good component is to do as little damage as possible to the signal. This means then that the best components do the least damage. Logically then this also means the better the component, the more it lets you hear both the recording as well as all the other components.  

Therefore, logically, maybe what you like about Klipsch is it covers up your other component choice mistakes. Maybe Double Impacts are more truth than you can handle. Not saying that is the case. Just saying a good reviewer would have considered this. 

So anyway, no apologies, no retractions. Introspection, that'll do.

The interwebs sure are fascinating, aren’t they? Not long after they got big I recall a guy in W Germany was arrested for trying to find someone willing to be killed and eaten. By the time he was arrested 6 people had applied! All it takes to spread your tiny little micro-niche point of view all across the planet is an internet connection. Wonderful.

Just to put things in perspective, we got guys here so nuts they do nothing but troll and blather all day, until they get banned, and then come back again and again under different names. Not saying this is the OP. Again, just providing perspective.

We got people so incapable of understanding even a single word they post on here that I am conspicuously absent, AFTER I have posted on this very thread! They say I have DI when I have Moab. And when I did my Moab review thread we had someone make up some fake story about his awful experience. How do we know it was fake? Because I asked and found out.

Teachable moment: what we can learn from this in order to build better systems. It has to do with how to read reviews. People wonder how have I been able to buy one thing after another for going on 15 years now never once having auditioned or even heard the thing anywhere before. How do I do it based entirely on reading stuff off the web?

Well I have tried to explain from all kinds of angles and this brings up another one: plausibility. Something I am always asking myself when reading reviews, or anything really: how plausible is this, really? Related question: How credible is this source?

Here we have some speakers, Tekton Double Impacts, which not only have won more awards than you can throw a stick at but boast the most perfect measurements Stereophile has ever seen. Ever. How plausible is it they are as bad as claimed here- and no one else noticed?

That’s a question. We report, you decide.

They may seem very different, but how I read a review to find the good components is just the same as I read threads like this one to try and get at the truth. I ask the same question all the time: what is the most plausible explanation?

Give it a try.
Actually it’s what we call misinformed. And that’s being nice. The "wall of sound" was a technique of Phil Spector who liked to create a sound stage wide and flat and in your face. As such it is a recording technique not a speaker characteristic. Speakers cannot create a wall of sound, they can only recreate the wall of sound if present on the recording. Bose used 9 drivers in a configuration designed to create wide diffuse sound, the opposite of a wall of sound. The drivers are midrange not tweeters. Eight of them fire at the wall, not towards the listener. As such the Bose 901 is totally incapable of creating a wall of sound, even if one is there on the recording.

So as you can see this is not at all damning with faint praise. 

I think that pretty well does it for tearing that one apart.