An evening with the Whest PS.30RDT Special Edition


Well last night I had a great listening session with a few audiophile friends, all of which are anti-forum types...don't blame them!

Anyway, a couple asked me if it would be OK to bring over their own phono stages along for the ride.

'What the heck' I thought, go on then BUT be prepared for a slaughter...which is what I was thinking. Didn't do that classic Homer thing and say what I was thinking!

Anyway, I switched off the Whest PS.30RDT Special Edition in the morning to keep the playing field as even as I could.
The units coming over were going to be off for an hour at least before playing.

7.30pm... a knock at the door and in comes a 2008 ASR Basis Exclusive - nice. Not worried as I have heard one of these before and thought the Whest was way ahead.

7.46 'Knock Knock' - in comes a Boulder 1008. I think a bead of sweat might have trickled down my forehead but hey that's what the evening was going to be about 'Rumble in the Jungle' well more 'the City'.

We powered up the 3 units for about an hour or so and launched into some great.... wine. You thought I was going to say sounds! That came in about 15mins later.

First on - Kate Bush Lionheart - Kashka for Baghdad.
The ASR was first on. Really Nice, musical detailed although Kate Bush sounded a bit 'thin' - lacking in absolute body but overall a really really good sound.
The 1008. It was really quite different. Fuller but slower. We all agreed that it would have been better to have the speed of the ASR with the presentation of the 1008.

The Boulder 1008 soundstage was nice but not like what we all heard next - my trusted Whest PS.30RDT Special Edition. If any of you have ever heard this track - 'flipping hell'!!
The Whest was is a very different league. Not small at all. Where to start. First of all the other guys decided to sell their units after this first track and this is why.

The Whest pulls out stuff from the vinyl that the other 2 units just hinted at. Paddy Bush (Kate's Bro) plays percussion on this track and you can hear what each percussion instrument is made from, but also the instruments have a dimension to them which is 'freaky'.

The rhythms in this track seem very basic on the other 2 units. The Whest pulls out the individual rhythms to enable you to hear the makeup of the track - rhythmically. OUTSTANDING!!

Kate's vocal is fantastic through the Whest. Not too full, or too thin but like Goldie Locks says: 'Just right'. BUT you can also hear her 'manner', the Kate Bush personality which is captured on the vinyl BUT completely missed with the 1008 and ASR.

Not normally my cup to tea BUT here goes: Yellow Jackets - The Hornet. Track name: It's almost gone.

By this time we were well into the evening and although I was smiling I could see my audiophile buddies thinking how to finance a purchase without the 'other half' thinking about divorce.

So, Yellow Jackets goes on and it's the turn of the Whest to play. I've just bought this LP on ebay this morning because my trusted Whest has again opened my eyes to a sub-genre that I would normally not consider.

Don't get me wrong, I love Jazz, but 80's Digital Warner...not normally me. Everything about this LP, every track went down like an excellent glass of wine, champagne or lager (tick which you prefer).

The Whest bought out stuff that the other 2 just couldn't see! The 1008 and ASR were blind to the emotional content of whole thing.

Well after the Whest it was really down hill - all the way. The speed, soundstage, imaging, pace, rhythm, space, imaging, pace, speed, soundstage, rhythm and oh did I mention speed seemed to collapse with the other 2 units.

Great phonostages but that is about as far as the other 2 units go. If these are phonostages then you cannot put the Whest in that category. The other guys were so dumb-struck that the differences could be so large.

The ASR and 1008 play what is on the needle, the Whest plays what's in the groove!

The evening continued and I was offered $$$$$ for my Whest as these guys already knew about my plans to get the Whest MC REF V -NEXT WEEK. But Boy...am I keeping my PS.30RDT Special Edition. It is too good to give up. The performance level is simply breathtaking.

Going from Phoebe Snow to Miles, and from EMI to CTI, the Whest outperformed the 2 other units in every area and I mean EVERY AREA. I have never seen 4 audiophiles behave in such a way - well I tell a lie, show any of these other guys a hi-rez image of a Bullet plug and it's like they are staring into the eyes of heaven.

We finished up listening to the 'Round Midnight' Soundtrack written by Herbie Hancock. Great finishing LP and shows the genius that is Herbie Hancock. This LP also enabled us to take some time out to gloat, cry and sob. I'm one of them - any ideas which one?





dcarol

Showing 1 response by auxetophone

"My only theoretical beef with Whest is that I don't see where the cost of their upper end products is justified in terms of chassis and parts quality, power supply complexity, etc. Of course, one should not think that way, but still..."

Well, in the here and now, you are right that the maker can charge what the market will bear, but for those of us who can (ok, MUST) wait, it's encouraging to observe that very high performance can be achieved without spending a fortune in parts. Hopefully the competition will quickly react to the opportunity, and bring similar performance at a price more consistent with production cost . . .