The CLS 1 (the original) had a high impedance and was a match made in heaven for tubes, even OTLs.
The CLS 2 was an example of Martin-Logan's attempts to make ESLs compatible with transistors. It was very low impedance, 0.5 ohms at 20KHz. Almost any amplifier sounds better on it if using a set of ZEROs to help with the impedance.
The CLS Z and later models do show some moderation with regards to impedance, but still are built to favor transistors.
Its hard to make transistors sound right on a full-range ESL due to the impedance curve. There is a tendency to be weak in the bass and too bright in the highs. As a result many ML owners place the speaker fairly close to the rear wall to try to get back some of the bass, but it is often one-note bass due to the placement (ESLs need to be out in the room at least 5 feet).
But the CLS 1 (which, BTW, it sounds like ML still has parts on hand to build them) is an easy load for most amps and IMO the best of the lot; of course I have a bias :)
The CLS 2 was an example of Martin-Logan's attempts to make ESLs compatible with transistors. It was very low impedance, 0.5 ohms at 20KHz. Almost any amplifier sounds better on it if using a set of ZEROs to help with the impedance.
The CLS Z and later models do show some moderation with regards to impedance, but still are built to favor transistors.
Its hard to make transistors sound right on a full-range ESL due to the impedance curve. There is a tendency to be weak in the bass and too bright in the highs. As a result many ML owners place the speaker fairly close to the rear wall to try to get back some of the bass, but it is often one-note bass due to the placement (ESLs need to be out in the room at least 5 feet).
But the CLS 1 (which, BTW, it sounds like ML still has parts on hand to build them) is an easy load for most amps and IMO the best of the lot; of course I have a bias :)