I’ve used two approaches to the stereo/HT issue.
Previously a Parasound JC 2BP combined with a Bryston SP3 that contributed only surround and LFE and was by-passed for stereo. Amps were 3 JC 1 monoblocks. Speakers were a pair of KEF Reference 107/2s and a 204/2C supplemented by a pair of Velodyne HGS-15s.
Currently, two setups in the same room: Ayre 5 Twenty series with KEF Reference 1s and HGS-15s for stereo, and SP3 and NAD Class D amps with 6 LS50s and a pair of HGS-10s for HT. An Ayre DX-5 DSD is shared by the two setups, with balanced analog for stereo, HDMI for HT and surround.
Both approaches work well.
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Previously a Parasound JC 2BP combined with a Bryston SP3 that contributed only surround and LFE and was by-passed for stereo. Amps were 3 JC 1 monoblocks. Speakers were a pair of KEF Reference 107/2s and a 204/2C supplemented by a pair of Velodyne HGS-15s.
Currently, two setups in the same room: Ayre 5 Twenty series with KEF Reference 1s and HGS-15s for stereo, and SP3 and NAD Class D amps with 6 LS50s and a pair of HGS-10s for HT. An Ayre DX-5 DSD is shared by the two setups, with balanced analog for stereo, HDMI for HT and surround.
Both approaches work well.
db