The bargain "hot" set-up from that era was to use the front end of an Advent 30 reciever as a preamp. Tom Hollman (sp?) of THX fame designed the phono stage in that reciever and it was excellent. It put to shame a lot of high-end stuff in its time. -JT
Am I really smart or really stupid?
I would like your feedback on this theory. The glory days of vinyl to me, as far as high end hi-fi is concerned, were the late ‘60s, ‘70s and early ‘80s, before the dreaded CD made it’s appearance. Back then vinyl was all you had to work with, and the high end folks really needed to get it right.
My thinking is:
1. A phono section basically supplies RIAA equalization (unless there is boost for a low output cartridge). This is basically boosting the bass and cutting the treble to compensate for making the grooves relatively the same width to cut them on the vinyl.
2. This ain’t that big of a deal. It should not cost $3000.00 to do this. These people are trying to put their hand in my pocket.
3. Why not buy a high end preamp from that era, run your TT into it, come out of the Tape Out as a line stage into your preamp input.
4. I bought a Yamaha C-2 for 100 bucks, run my Linn into it and run it into my tube preamp and it “seems” fine.
Am I stupid or enlightened?
Thanks for your input.
jp
My thinking is:
1. A phono section basically supplies RIAA equalization (unless there is boost for a low output cartridge). This is basically boosting the bass and cutting the treble to compensate for making the grooves relatively the same width to cut them on the vinyl.
2. This ain’t that big of a deal. It should not cost $3000.00 to do this. These people are trying to put their hand in my pocket.
3. Why not buy a high end preamp from that era, run your TT into it, come out of the Tape Out as a line stage into your preamp input.
4. I bought a Yamaha C-2 for 100 bucks, run my Linn into it and run it into my tube preamp and it “seems” fine.
Am I stupid or enlightened?
Thanks for your input.
jp