Affordable anti-jitter device


Hi all,

I've recently consolodated to a universal player to conserve my limited shelf space. For redbook I use my universal (a Denon 1920) as a transport and have it outputting to a Musical Fidelity X-ACT DAC.

I feel like I lost a small amount of "luster" when I switched transports (though not nearly as much as I'd feared I would). My question - would an anti-jitter device help me?

If so, a local store has an Audio Alchemy DTI for $99, is that my best bet? What other affordable ones are out there?

My system and budget are decidedly mid-fi, so < $200 would be ideal.
hudsonhawk
Hi
My first and only Audio Alchemy product was the early DDE v1
and it was a good product.But I strongly recommend the Genesis Digital Lens.I got two of them and WOW they are very good,especially for older digital gear.Look for a used one for about 450-550$ range depending on condition/seller.
Audio Alchemy is no longer supported for repairs.
Best of luck
George
Monarchy Audio DIP is a value buy that outperforms more expensive alternatives. They sell here used in the $150-200 range.
On paper these devises work but in real life, well I have been disapointed and I owned the Sonic Frontiers jitter bug and the Monarchy DIP, sold both few weeks later. As I mentioned in another thread that they do give you a bit more detail but mess with all other areas with a non musical sound, mind you this was my system and your results could be different! Not trying to slam these products but they just didn't work for me and feel that they are just a band aid approach. You end up having one extra IC, power cord in the chain along with another piece of equipment to isolate.
Third the DIP, but get the latest incarnation "DIP classic". It's a true resampler, rather than a phase locked loop, and it is somewhat better than the older generations.

Alternatively you could sell the MF DAC and get a Benchmark,
if you need to pass AC3 or DTS you need a Camelot Dragon 5.1 as the others will not pass these signals. It's very nice unit i use to clean up my home theater (computer and cable)
Like many here I have had the original AA DTI / the DTI pro / the Pro 32 / A Meridian 518 / A digital lense / the Purcell upsampler and I think they are all bandaids. When you find the right solution, I think it will be a one-box,one.
OK, thank you all so much for your wealth of insight. I'm starting to agree with those of you who said that I may be trying to fix something that's not worth fixing.

If I were to take this money and instead use it to uprgrade my DAC, what DACs in the sub-$300 range give me the best performance for the bucks? Should I go for an older DAC? For example, the MF X-DAC (the round one), the CAL Sigma Tube DAC, and the Arcam Black Box 50 all sell for that price but are all around 10 years old at this point.

Or should I go for something like Scott Nixon's Chibi with a battery pack? I know there are a few "homebrew"-style DACs in that price range as well.

Given all the kind words for the Monarchy DIP, that's something I will definitely get once I have settled on the DAC I like (unless I get one that reclocks of course).

Thanks again,

Scott
I think you'd be better aiming for a reclocking DAC such as the benchmark. You get state of the art reclocking and a state of the art DAC. Used they run about $700, which is not too far above your budget for DAC and DIP.

My own setup is a Monarchy DIP classic feeding a Monarchy 22A DAC, and I'm very pleased with the sound. The combo comes in at around $450 used. It is pretty much comparable with my Rega P3/goldring 1042, if that gives you any indication, and not far behind the Benchmark DAC.

Monarchy DACs are somewhat out of fashion, but, having removed the lid from mine it seems like a very solid design with top quality components (like PCM63K DACs) that used to sell for $1000. You can pick them up now for $200-$300. However they are sensitive to jitter and benefit greatly from the addition of the DIP.
I've used and enjoyed the DIP and thought the original was more effective than the upsampling version. I've also tried the GW Labs and Perpetual Technolgies units. I didn't care much for the Perpetual unit but to be fair, maybe it required a much longer break-in period than I gave it.
The best external de-jitterer I've ever used is the dbx Quantum mastering processor. De-jittering is only a one function of this box but probably the only one that is applicable to audiophiles.
What I use now is by far the most cost effective solution I've found. It's the Tent X03 reclocker. I installed it in a Marantz CD-67SE and the results are incredible. The downside is that it must be installed in a standard redbook player and that's not particularly easy to do. If you are unfamiliar with component level work on players, it would be necessary to find someone to do it for you. However, the results compete with truly high end players.
I agree with Avguygeorge - look for a DAC that can deal with jitter well. With respect, I would have to disagree on the Benchmark being state of the art reclocking. The claims might be grand but the method is cheap and cheerful. The Benchmark uses a simple and relatively common trick of introducing a cheap asynchronous sample rate convertor into the signal path - which does reduce jitter, but at the expense of changing the signal. The method is used in several other inexpensive devices such as the Bel Canto DAC2, some of the Bryston DACs and the later DIPs. One might call Anagram Technologies state of the art, and it uses the same method (not the same cheap chip though) but with considerably more processing power. But state of the art should go to those methods that achieve great jitter results AND preserve the original bits all the way to the DAC processor, such as word clock synchronisation or synchronous reclocking with buffering. Most of the state of the art methods are perhaps way out of the price range of the gear being discussed here, except for the new Lavry DA10 which brings asynchromous reclocking with buffering down to the $1000 mark and so is probably an item to look at. I haven't heard one but apparently they sound close to the Lavry Blue, which makes me want one. But I have to say the cosmetics will worry most audiophiles, including me.