Whoever had the Io Sig. and then sold it, def. is an audiophile. The Io is one of the best phono stages out there. Its imaging, texture, and dynamics are first rate. If you love chamber classical and jazz quartets you are in for a real treat. It is a music lovers dream. You still need great table, arm, and cartridge properly set up to get its maximum potential.
Aesthetix IO Eclipse
Hi,
I'm seriously considering this Phono preamp (with the additional line input and volume control), and would like to get in contact with potenial owners of the IO-series from Aesthetix. I believe the IO is what I'm looking for sonically (and I love the design and user experience). But, I'm slightly concerned about earlier reports of noise/hum issues, as well as riability and the practical side of things related to tube life and generated heat.
So....
- Is the IO Eclipse (still) up there among the best on the market?
- Will the possibility of driving a poweramp directly offer any disadvantages, or be as good as or better than a separate preamp of the same caliber?
- Are the tubes worth the expense, effort and potential hassle...?
What I'm looking for is a high degree of naturalness, musicality and flow combined with great dynamics and a large, holographic soundstage.
My system:
Brinkmann Bardo + 10.5 tonearm + Pi-pickup (Analog)
Audio Aero La Fontaine (CD/DAC/Pre)
Karan KA M2000 (Monoblocks)
Sonus Faber Futura (Speakers)
Kubala Sosna Elation (Cables)
Thanks!
I'm seriously considering this Phono preamp (with the additional line input and volume control), and would like to get in contact with potenial owners of the IO-series from Aesthetix. I believe the IO is what I'm looking for sonically (and I love the design and user experience). But, I'm slightly concerned about earlier reports of noise/hum issues, as well as riability and the practical side of things related to tube life and generated heat.
So....
- Is the IO Eclipse (still) up there among the best on the market?
- Will the possibility of driving a poweramp directly offer any disadvantages, or be as good as or better than a separate preamp of the same caliber?
- Are the tubes worth the expense, effort and potential hassle...?
What I'm looking for is a high degree of naturalness, musicality and flow combined with great dynamics and a large, holographic soundstage.
My system:
Brinkmann Bardo + 10.5 tonearm + Pi-pickup (Analog)
Audio Aero La Fontaine (CD/DAC/Pre)
Karan KA M2000 (Monoblocks)
Sonus Faber Futura (Speakers)
Kubala Sosna Elation (Cables)
Thanks!