Aesthetix Calypso vs ARC LS25 MK2



Looking for insight from folk's who have compared these two pre's either head to head
in the same system (preferably) or experience with both in different systems.

I'm not looking at any other pre's at this time,
so please don't muddy up the thread with other pre's I should consider.

Thanks in advance...
perfectionist

Showing 13 responses by guidocorona

Bingo TVAD, dull, boring and to my ears. . . overpriced. That's the LS-25 Mk. 2, not ARC's finest product by any stretch. I would not want to generalize, but LS-25 fits regretably the ARC stereotype declared above.
As stated under the AudioPerv moniker, I have not heard the Calypso, but all indications so far are that it is a great linestage, once the right NOS tubes are found.
As far as I know, no one has ever accused Calypso of being an inducer of somnolence. There are other great linestages of course, but. . .
No ARC bashing from me at least. An ARC LS2B has served me well and has been working like a Swiss watch for 13 years, and an ARC Ref 3 is among the 3 front runners for its replacement. It is also fair to mention that ARC has an excellent reputation for reliability and delivering products that sound right, after breaking, out of the box, without the need of going through NOS tube musical chairs. . . . its just that I truly do not like the LS25 II.
Yes TVAD, one moniker is enough. I created AudioPerv per a joking suggestion in another thread. I may use it on occasion.
Magnepanmike, When was the LS25 II introduced. Last time I heard it was last summer at Audio Connections in Verona (NJ). I do not think it was an Mk1, yet it is possible. During the same sitting I also listened to the REF II Mk. 2, which is also based on 6H30 tubes and is anything but vapid.
Perfectionist, I found the sound of LS25 Mk. 2 to be far to 'polite' and almost veiled.
It sounded as if it were saying 'oh well, here is another note for you'.
I heard it in two contexts: ARC CD 3 Mk. 2 + LS25 Mk2 + Rowland 302 + Utopia (don't remember Model), and in a totally ARC system: ARC CD 3 Mk 2, LS 25 Mk 2, ARC VT200, MagnePan 3.6. Music was classical: chamber, orchestra, vocal. In both cases the ARC Ref 2 Mk. 2 transformed the system completely: much broader soundstage (still not perfectly defined), top/bottom extension, fuller midrange, incredibly better macrodynamics, overall sense of excitement and of wanting to immerse myself into the music. I was though more enthrolled with the Ref 2 when it was driving the ARC VT200 rather than the Rowland 302.
As you can see, I am no ARC basher by any stretch, and am seriously considering the new Ref 3 as my next linestage.
I have been an ARC customer for 13 years. I do understand brand loyalty. Why not consider a used REF 2 Mk. 2? It may cost the same as a new LS25 and give you so much more. . . and still be indestructable!
Point well taken Perfectionist. Yet it is not because of any dissociative mental disorder that I have omitted to post my own system, but only because of terminal laziness. I have just created a personal system thread of sorts at:
http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1123254379&openmine&zzGuidocorona&4&5#Guidocorona
Please do feel free to visit. Thanks, Guido
John, why o why are you making my life so difficult? And I am not talking about your side blow at my senescing LS2B!
Now you are truly forcing me to audition the mighty Callisto. No fair!
Steady Perfectionist. . . it is likely that your linestage is just undergoing a little pubescent crisis. As soon as it gets over those new exciting hormonal changes, you'll be able to reason with it once again. Be patient. . . and you won't have to wait until its 20th birthday either! (chuckles!)
All, just yesterday I spent three hours comparing the ARC Ref 3 with the VAC Ren Sig II. Front end was supplied by the new DCS P8I single box player and by the Accuphase DP-77. Ref 3 was stunning and had no obvious problems driving the relatively low input impedance (22K Ohms) of the Rowland 302. Amazingly DCS P8I was also extremely good when driving the amp directly. You will find my rather detailed findings at:
http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1123254379&openfrom&58&4#58
See you all there. Your opinions welcome!
Perfectionist and all, if the aledged upcoming LS26 will truly be related to the new Ref 3, it will prove to be quite a treat. I listened to the ref 3 last week and found it astonishingly good. See my findings at:
http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1123254379&openfrom&58&4#58
Yes Perfectionist, Tubes take a little time to settle. The single 6922 on my lowly ARC LS2B takes typically 96 hours to settle down to its golden sound each time I start the linestage from dead cold.
Gmorris
, the ARC web site does not mention LS26 as yet. Can you share more info. .. technical, pricing, etc. . . Is there a link to more info?
Thank you Gmorris
. Not too many specifics for the LS26 on the ARCDB site yet. There is confirmation that the design is derived and scaled down from Ref 3. There are only 2 6H30 dual triods: this probably means that the PS may be solid state. The display of the LS26 is smaller than the Ref 3 but otherwise functionally similar. Same two temporary contact rotary dials for volume and function selector. Six soft-buttons instead of the four found on Ref 3. If I recall correctly, LS26 is a fully balanced design running in class A with 0 feedback. The blurb suggest the sound/staging/imaging is closely related to Ref 3 but on a smaller scale. Price is $5995 or thereabouts.